In a dystopian 1997, a soldier-turned-bank robber is tasked with rescuing the U.S. President after he crashes into Manhattan, which has been turned into a giant maximum security prison.In a dystopian 1997, a soldier-turned-bank robber is tasked with rescuing the U.S. President after he crashes into Manhattan, which has been turned into a giant maximum security prison.In a dystopian 1997, a soldier-turned-bank robber is tasked with rescuing the U.S. President after he crashes into Manhattan, which has been turned into a giant maximum security prison.
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John Cothran
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It's 1997 (but it's the future since this movie was made in 1981) and the United States crime rates have skyrocketed, particularly in New York City. To handle the rising prison population and abundance of violent inmates, the government opts to turn New York City into a maximum security fortress for individuals who have committed the most vile crimes. There are no guards inside the prison, only inmates. They form their own society. Guards only intercede if a prisoner attempts to escape. No one gets out alive.
When the president's plane is hijacked and terrorists bring him into the prison city, convicted felon and soon-to-be resident of the prison, Snake Plissken is asked to do the impossible and bring the president out alive.
The setup is rich and compelling, yet there's a tremendous amount of backstory that is left untold in "Escape from New York" and that's part of what makes it work. There's an air of mystery wafting through the movie that continually begs questions but leaves it up to the viewer to imagine what the answers might be. "Why does Snake have an eyepatch?" "What caused the explosion in crime rates?" "Why does the president have a British accent?" All these questions and more make the movie fun to discuss and re-watch repeatedly, searching for hints that help unravel the mystery.
Kurt Russell is unforgettable as Snake, who should be a loathsome character but instead becomes a hero we have no trouble rooting for. He practically growls every line of dialogue because he crackles with too much anger to simply speak. Somehow, despite everything about him being ostensibly unlikable, he's still charming in a way. He would make for an incredible dinner party guest. On one hand, he would likely scare most of the guests and make them feel dumb. But on the other hand, he would probably make all of the guests think, "wow, if you have a friend like this guy, you must be a really interesting person." Inviting him is a big gamble, for sure. Though, it just might pay off.
Along with Snake, the highlight of the movie is John Carpenters music. Find another 1980s movie with a cooler score. I dare you. Carpenter has created two of the most recognizable and undeniably excellent theme music tracks of the 70s and 80s ("Halloween" is the other). And he directed both movies. What an achievement.
When the president's plane is hijacked and terrorists bring him into the prison city, convicted felon and soon-to-be resident of the prison, Snake Plissken is asked to do the impossible and bring the president out alive.
The setup is rich and compelling, yet there's a tremendous amount of backstory that is left untold in "Escape from New York" and that's part of what makes it work. There's an air of mystery wafting through the movie that continually begs questions but leaves it up to the viewer to imagine what the answers might be. "Why does Snake have an eyepatch?" "What caused the explosion in crime rates?" "Why does the president have a British accent?" All these questions and more make the movie fun to discuss and re-watch repeatedly, searching for hints that help unravel the mystery.
Kurt Russell is unforgettable as Snake, who should be a loathsome character but instead becomes a hero we have no trouble rooting for. He practically growls every line of dialogue because he crackles with too much anger to simply speak. Somehow, despite everything about him being ostensibly unlikable, he's still charming in a way. He would make for an incredible dinner party guest. On one hand, he would likely scare most of the guests and make them feel dumb. But on the other hand, he would probably make all of the guests think, "wow, if you have a friend like this guy, you must be a really interesting person." Inviting him is a big gamble, for sure. Though, it just might pay off.
Along with Snake, the highlight of the movie is John Carpenters music. Find another 1980s movie with a cooler score. I dare you. Carpenter has created two of the most recognizable and undeniably excellent theme music tracks of the 70s and 80s ("Halloween" is the other). And he directed both movies. What an achievement.
In the far-flung future, Manhattan Island is a prison surrounded by a fifty-foot wall. Said prison is guarded from outside the wall, while inside, the prisoners create their own lawless society. When the US President (Donald Pleasence) inadvertently lands in this hell, it's up to bada$$ criminal, Snake Plisskin (Kurt Russell) to retrieve him.
ESCAPE FROM NEW YORK is Director John Carpenter's foray into post-apocalyptic sci-fi / action. In his vision, it's an out of control crime rate, rather than nuclear holocaust that's to blame. Packed with oddball characters, and loaded with classic scenes, EFNY became a trendsetter.
In spite of some clunky, "futuristic" technology, and the unavoidable poignancy of having Plisskin land atop the World Trade Center, it all works somehow. For its budget, this movie looks impressive. Russell is perfect in his eye patch-wearing, anti-hero role, riding high before his next big stint in THE THING. Great use is also made of older stars like Lee Van Cleef, Ernest Borgnine, and the inimitable music legend, Isaac Hayes. Carpenter regulars Tom Atkins, Charles Cyphers, and Adrienne Barbeau make appearances, with Ms. Barbeau having some heavenly running sequences! One of the truly great Carpenter films...
ESCAPE FROM NEW YORK is Director John Carpenter's foray into post-apocalyptic sci-fi / action. In his vision, it's an out of control crime rate, rather than nuclear holocaust that's to blame. Packed with oddball characters, and loaded with classic scenes, EFNY became a trendsetter.
In spite of some clunky, "futuristic" technology, and the unavoidable poignancy of having Plisskin land atop the World Trade Center, it all works somehow. For its budget, this movie looks impressive. Russell is perfect in his eye patch-wearing, anti-hero role, riding high before his next big stint in THE THING. Great use is also made of older stars like Lee Van Cleef, Ernest Borgnine, and the inimitable music legend, Isaac Hayes. Carpenter regulars Tom Atkins, Charles Cyphers, and Adrienne Barbeau make appearances, with Ms. Barbeau having some heavenly running sequences! One of the truly great Carpenter films...
Many fans of Kurt Russell were extremely surprised he emerged from his years as a child actor to evolve into a believable, hard hitting, action hero. True, he was traditionally recognized to many for his whimsical, good-looks and high school persona. Thus when movie-goers saw him in this film, many stood aghast at his mature tenor. This futuristic story begins with the President's plane being high-jacked by rebel extremists and flown into the island city of New York which has been transformed into a maximum prison. The plane with the president (Donald Pleasence) on board crashes into the prison and it falls to the warden/Police Commissioner, one, Bob Hauk, (Lee Van Cleef) to rescue the chief executive. His plan? To send in a new convict, an experienced ex-soldier and special ops veteran, named, Snake Plissken (Kurt Russell) with the promise of a presidential pardon if he can return him alive. To insure the clever criminal does not take the opportunity to escape, he is given a lethal injection which can only be removed by the commissioner's medical staff. Thus, begins a timely drama which means life or death for the hero, the president and ultimately the world. The success of this film owes much to the film's other characters like the talkative Cabbie (Ernest Borgnine, terrific acting), Harold ' Brain' Helman (Harry Dean Stanton), his 'squeeze' Maggie (Adrienne Barbeau) and Isaac Hayes, who plays the heavy, The Duke of New York. This a groundbreaking film for Russell and as expected, he carries it to it's rave conclusion with action to spare. ****
An island's now used for, incarceration, it's a bit like if you get sent to damnation, no escape, you cannot flee, you'll not be an absentee, you're stuck inside the walls for your duration. Then President John Harker comes to town, Air Force One has been hijacked and now it's down, he's the hostage of some inmates, who want to open all the flood gates, but there's one who might just help out and atone.
Never a dull moment, as Snake Plissken takes the chance to save the President in return for a pardon, as he battles his way through the prison ghettos, finding some not insignificant opposition to his mission, while encountering an array of curious characters on his way. Legendary stuff indeed.
Never a dull moment, as Snake Plissken takes the chance to save the President in return for a pardon, as he battles his way through the prison ghettos, finding some not insignificant opposition to his mission, while encountering an array of curious characters on his way. Legendary stuff indeed.
First things first, Kurt Russel is just plain cool. That said, on to the review. Escape From New York is a classic action movie with a great horror cast, including Donald Pleasence, Tom Atkins, Charles Cyphers, and who could forget Buck Flower. Buck, who has one of the best scenes in the movie ("Sure, I'm the president!"), is hilarious. John Carpenter proves that he is a versatile director and can make a hell of a film outside the horror genre. In Carpenter's classic, Kurt Russell plays the immortal Snake Plissken, New York has become a prison state, and the president has just crash landed there. Enter Snake Plissken. Freshly captured and about to be incarcerated in New York, he must save the President (Pleasence, who isn't even American but pulls it off well) from the clutches of Isaac Hayes in order to regain his freedom. It's all great stuff and you can't stop watching as Snake fights his way from one famous landmark to another (he even has to wrestle Ox Baker). But it leaves me with one unanswered question: What did happen to Fresno Bob?
Note: A couple of the Duke's cronies are credited as Romero and Cronenberg. Also, Jamie Lee Curtis does the opening computer dialogue.
Note: A couple of the Duke's cronies are credited as Romero and Cronenberg. Also, Jamie Lee Curtis does the opening computer dialogue.
Did you know
- TriviaKurt Russell has stated that this is his favorite of all his films, and Snake Plissken is his favorite of his characters.
- GoofsDuring the sequence where Snake is being chased by the Crazies (and is about to shoot an oval pattern in a wall so he can break through), his eye patch shifts enough to reveal a perfectly good eye. This is commonly regarded as a mistake, but it is not; the novelization of the movie explains that Snake still has his left eye, but he wears the patch due to a paralyzed iris, making it extremely sensitive to light.
- Quotes
Bob Hauk: You going to kill me, Snake?
Snake Plissken: Not now, I'm too tired.
[pause]
Snake Plissken: Maybe later.
- Crazy creditsThe Avco Embassy logo does not appear in this movie.
- Alternate versionsCollector's edition laserdisc (during director commentary) shows cut scenes of high-tech bank robbery which led to Snake's conviction and eventual prison sentencing to New York.
- ConnectionsEdited into L'aiguille (1988)
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- New York 1997
- Filming locations
- Fox Theater - 527 N. Grand Boulevard, St. Louis, Missouri, USA(Broadway theatre relics)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $25,244,626
- Gross worldwide
- $25,276,664
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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