IMDb RATING
5.2/10
5.9K
YOUR RATING
After passing a ninja master test in Japan, Cole visits a war buddy in the Philippines. He helps him fight men, who want his buddy's plantation.After passing a ninja master test in Japan, Cole visits a war buddy in the Philippines. He helps him fight men, who want his buddy's plantation.After passing a ninja master test in Japan, Cole visits a war buddy in the Philippines. He helps him fight men, who want his buddy's plantation.
Shô Kosugi
- Hasegawa
- (as Sho Kosugi)
Constantine Gregory
- Mr. Parker
- (as Constantin de Goguel)
Douglas Ivan
- Maroon Ninja
- (as Doug Ivan)
Featured reviews
I still remember watching this movie with my friends in the 6th grade and walking out of the theater like we had just seen the greatest martial arts movie ever. I was one of the first kids on my street to have a videocassette recorder and i would rent this movie every week for at least a year. We would look at the film like investigators probably looked at the Zapruder film.I don't like to trtash it because every time i see something associated with this movie i remember my childhood and a feel very nostalgic about those memories. It is my first writing here so excuse my English if there are errors or there is a lack of sense to what I'm trying to say.
Lets see what can i say about this one....when i saw it for the first time especially the first 15 minutes during the first action sequence of the ninja test...with the white ninja against all the rest, I wanted to go to japan and be a ninja my self..great action movie..
Anyone like myself who is a great fan of poorly-acted Ninja movies - especially the ones produced by Golan & Globus - will enjoy this, the Daddy of the series.
The acting is wooden, the humour flat, the jeans tight; the fight scenes make no sense whatsoever and everyone dies dramatically.
But that's the point; if you can't pass an evening laughing wildly at this, there must be something wrong with you.
And any film which ends with a freeze-frame of the main character winking at the camera justifies its price fully.
The acting is wooden, the humour flat, the jeans tight; the fight scenes make no sense whatsoever and everyone dies dramatically.
But that's the point; if you can't pass an evening laughing wildly at this, there must be something wrong with you.
And any film which ends with a freeze-frame of the main character winking at the camera justifies its price fully.
The film begins with a very impressive display of weaponry skills by none other than Sho Kosugi in full Ninja uniform, including sai, shinobi-gatana, tonfa, nunchaku, manriki {bola}, blowgun, shiroken, bow & arrow, and spear-staff. Blend into white ninja {color indicative of novice/apprentice} amidst the wilderness undergoing his final "law of the jungle" test until recognized as full Ninja calibre; he is attacked by several red ninjas on his way back to the dojo, expertly defending himself until facing the Shidoshi himself, shockingly beheading him before entering in for judgment.
"Enter The Ninja" was released during the latter part of the martial arts pop-fascination of the 70's and early 80's, and distinguished itself by presenting Ninpo principles such as the afore-mentioned Kuji-Kiri, indigenous weaponry and some techniques, all under the expert supervision of Sho Kosugi, an actual Ninpo practitioner, who along with Frank Dux, earned some ire from traditionalists in the old country, but did manage to add an enhanced perspective on this enigmatic historical character known as Ninja. Although, the film is long in the tooth and features way too much plot, but the film does deliver a decent amount of butt-kicking and several cheesy moments that will get giggles of joy from bad movie fans. The last half is far more interesting than the first; the action scenes are competently done, though it's obvious Golan was not the action director Firstenberg was.
Overall rating: 7 out of 10.
"Enter The Ninja" was released during the latter part of the martial arts pop-fascination of the 70's and early 80's, and distinguished itself by presenting Ninpo principles such as the afore-mentioned Kuji-Kiri, indigenous weaponry and some techniques, all under the expert supervision of Sho Kosugi, an actual Ninpo practitioner, who along with Frank Dux, earned some ire from traditionalists in the old country, but did manage to add an enhanced perspective on this enigmatic historical character known as Ninja. Although, the film is long in the tooth and features way too much plot, but the film does deliver a decent amount of butt-kicking and several cheesy moments that will get giggles of joy from bad movie fans. The last half is far more interesting than the first; the action scenes are competently done, though it's obvious Golan was not the action director Firstenberg was.
Overall rating: 7 out of 10.
Enter the Ninja (1981) was the first of several "Ninja" films produced by Cannon starring or co-starring Japanese sensation Sho Kosugi. But the star of the first "Ninja" film was legendary tough guy Franco Nero. Sadly not even Mr. Nero or Sho Kosugi couldn't make this film watchable. When you have two bad dudes in an action film and it's neither watchable or fun, somethings amiss. But I digress. Skip this chapter and watch the next films in the series. They're more interesting and a whole lot of fun.
Next is Revenge of the Ninja. Instead of playing the "evil oriental" (I use that term tongue in cheek mind you). He's the star! Strange for a western film. Watch that one instead.
Not recommended except for die hard Sho Kosugi fans or Cannon film buffs.
Next is Revenge of the Ninja. Instead of playing the "evil oriental" (I use that term tongue in cheek mind you). He's the star! Strange for a western film. Watch that one instead.
Not recommended except for die hard Sho Kosugi fans or Cannon film buffs.
Did you know
- TriviaFranco Nero's voice is dubbed. Cole is from Texas, and Nero couldn't master an American or Texas accent.
- GoofsThroughout the opening scenes, the white ninja moves around with a katana on his back. Later on, he shoots an arrow using his bow but where was the bow?
- Alternate versionsThe UK version was heavily cut by around 4-5 minutes by the BBFC when submitted in 1981. All shots of weapons that were not allowed in UK film releases at the time (e.g. nunchakus, shuriken etc) were cut, as were some highly-dangerous combat techniques such as throat-cuts, repeated punches, ear-claps and limb-and neck-breaking. Also missing is a scene that contravenes the UK's Cinematograph Films (Animals) Act 1937, namely some genuine scenes of cockfights. Video releases, plus the MIA DVD, all featured the same cut print. The 2011 Optimum DVD restores the violence though 1 min 5 secs are cut to remove the cockfight footage.
Details
Box office
- Budget
- $1,500,000 (estimated)
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