IMDb RATING
6.6/10
27K
YOUR RATING
A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.
Catriona MacColl
- Liza Merril
- (as Katherine MacColl)
Cinzia Monreale
- Emily
- (as Sarah Keller)
Calogero Azzaretto
- Zombie at Hospital
- (uncredited)
Pino Colizzi
- Voce dell'aldilà
- (uncredited)
Ottaviano Dell'Acqua
- Zombie at Hospital
- (uncredited)
Roberto Dell'Acqua
- Glass-Smashing Zombie
- (uncredited)
Lucio Fulci
- Town Clerk
- (uncredited)
Featured reviews
The idea of a gateway to hell being opened has potential but this movie doesn't pull it off. The story lacks details, the characters trait's are not developed enough, and the dialog is utterly ridiculous ("Attack Dickie! Attack!"). The only reason someone might want to see this movie is because of the gore, which the movie has a lot of, but some scenes are unrealistic. I advise people that aren't fans of Fulci's work to steer clear.
The Beyond is one of Fulci's best films. The film takes place in modern day Louisiana as a woman oversees the the renevation of an hotel that she inherits. Strange and gory things start to happen and poof the hotel just happens to be over one of the 7 doors to hell. Very bloody with a slightly incoherent plot the film is a lot of fun and I suspect that no Fulci fan should be without their copy. Visually I think this is Fulci's best film (that I've seen) and the acting is what you'd expect. 7 / 10: FULCI LIVES
This film has great atmosphere. There are some great moments and elements here.
I like it's approach to horror. To me it inspires the imagination.
It holds up as a gory film, even today. Which is an accomplishment.
However this film is not for everyone. You have to be able to appreciate older movies. And have a little open mindedness. But it does hold up well.
With movies like this, with giallo in particular, it won't be appreciated by some close-minded modern viewers.
Because this film works on inspiring the imagination.
With movies like this, it taps into that sense of wonder connected with fear and mystery.
A capacity for wonder is sorely lacking in our day.
Why this film works well is that it taps into wonder, fear and mystery. It implies more than it shows.
In usual Fulci style, it zooms up and focuses on the gore instead of cutting away from it, or whatever. Which I really appreciate.
But if you truly understand this movie, the impact comes not from gore but from what is implied in the story. And the atmosphere.
The film has a great ending which really makes the film for me.
Now it is a little bit of a slow burn. But even in that there is death and gore happening so it certainly shouldn't be considered boring.
But it takes time to build into the crescendo of the final act.
Some might consider it dated but in actually it has that charm of time. It has this late 70s horror vibe that can be really enjoyable for a genre fan.
(Yes, I know it was made in '81)
Ultimately, an objectively great film.
But I would only recommend it to open minded, perceptive viewers who can appreciate it like it deserves.
I like it's approach to horror. To me it inspires the imagination.
It holds up as a gory film, even today. Which is an accomplishment.
However this film is not for everyone. You have to be able to appreciate older movies. And have a little open mindedness. But it does hold up well.
With movies like this, with giallo in particular, it won't be appreciated by some close-minded modern viewers.
Because this film works on inspiring the imagination.
With movies like this, it taps into that sense of wonder connected with fear and mystery.
A capacity for wonder is sorely lacking in our day.
Why this film works well is that it taps into wonder, fear and mystery. It implies more than it shows.
In usual Fulci style, it zooms up and focuses on the gore instead of cutting away from it, or whatever. Which I really appreciate.
But if you truly understand this movie, the impact comes not from gore but from what is implied in the story. And the atmosphere.
The film has a great ending which really makes the film for me.
Now it is a little bit of a slow burn. But even in that there is death and gore happening so it certainly shouldn't be considered boring.
But it takes time to build into the crescendo of the final act.
Some might consider it dated but in actually it has that charm of time. It has this late 70s horror vibe that can be really enjoyable for a genre fan.
(Yes, I know it was made in '81)
Ultimately, an objectively great film.
But I would only recommend it to open minded, perceptive viewers who can appreciate it like it deserves.
Director Lucio Fulci's THE BEYOND opens with a flashback to 1927 Louisiana, where townsfolk take the law into their own hands, killing a man in hideous, grisly fashion. This is also when we are told of the seven gates of hell.
Fast forward to 1981, and Liza Merrill (Catriona MacColl) has inherited the very same hotel where the aforementioned death occurred. Within seconds, unfortunate "accidents" begin to take place. Liza just wants to fix the place up, unaware that occult terror and unspeakable doom await!
Another entry in Fulci's wonderful horror cycle, this is one dreadfully dreary, flesh-crawler of a movie! In spite of ridiculous dubbing, goofy characters, and the infamously questionable "tarantula scene" (Why mix fake spiders in with real ones?), the Director somehow manages to keep it so utterly bleak, that all is forgiven! Ms. MacColl is even better here than she was in CITY OF THE LIVING DEAD! David Warbeck is also good as the dauntless Dr. John McCabe. Of course, stealing the show is Cinzia Monreale as the enigmatic, blind, yet supernaturally sighted, Emily. Her intro is unforgettable!
Obviously, a zombie uprising is in the cards, and these are some memorable, shambling dead! There are several classic set pieces, showing Fulci at his finest. Gorehounds will be in ecstatic bliss, since Fulci pours on the gore by the bathtub-full!
EXTRA POINTS FOR: The devastating denouement that drains us of all remaining hope!
P.S.- For added enjoyment, count how many times you have to yell at Dr. McCabe to "Stop wasting bullets and aim for the head!"...
Fast forward to 1981, and Liza Merrill (Catriona MacColl) has inherited the very same hotel where the aforementioned death occurred. Within seconds, unfortunate "accidents" begin to take place. Liza just wants to fix the place up, unaware that occult terror and unspeakable doom await!
Another entry in Fulci's wonderful horror cycle, this is one dreadfully dreary, flesh-crawler of a movie! In spite of ridiculous dubbing, goofy characters, and the infamously questionable "tarantula scene" (Why mix fake spiders in with real ones?), the Director somehow manages to keep it so utterly bleak, that all is forgiven! Ms. MacColl is even better here than she was in CITY OF THE LIVING DEAD! David Warbeck is also good as the dauntless Dr. John McCabe. Of course, stealing the show is Cinzia Monreale as the enigmatic, blind, yet supernaturally sighted, Emily. Her intro is unforgettable!
Obviously, a zombie uprising is in the cards, and these are some memorable, shambling dead! There are several classic set pieces, showing Fulci at his finest. Gorehounds will be in ecstatic bliss, since Fulci pours on the gore by the bathtub-full!
EXTRA POINTS FOR: The devastating denouement that drains us of all remaining hope!
P.S.- For added enjoyment, count how many times you have to yell at Dr. McCabe to "Stop wasting bullets and aim for the head!"...
This is probably my favorite horror movie of all time, and that stacks up against the pure genius of stuff like Phantasm, Evil Dead, Phenomenon and Dead Alive or any Romero. We have "Shocktoberfest" at my place every year over several nights, and I remember it being the 2008 election season when we watched The Beyond (like we do just about every year). We were totally blown away by John McCain and Joe the Plumber being in the same movie from 1981!!! Well, it's actually "John McCabe" but being that close to the election we could only hear "McCain," and our heads probably weren't on completely straight. Fulci is a master and transcends space-time to bring us the ultimate in fear and gore.
Did you know
- TriviaThe DVD commentary by actors Catriona MacColl and David Warbeck was recorded two weeks before Warbeck's death from cancer. In the commentary he talks about his illness.
- Goofs(at around 26 mins) Sign outside the morgue reads "Do Not Entry".
- Quotes
[last lines]
Narrator: And you will face the sea of darkness, and all therein that may be explored.
- Crazy creditsThe end titles of the U.S. version, "7 Doors of Death" are full of incorrect billings.
David Warbeck's character John McCabe is billed as "Doc." Antonie Saint-John (here called Tony Saint-John) is billed as Joe the Plumber. He actually played Schweick. Veronica Lazar is billed as playing the little girl, Jill. She was Martha, the housekeeper. Jill was played by Maria Pia Marsala. Someone named "Philip Ostrow" is billed as playing Arthur, Martha's son. He was played by Giampaolo Saccarola. Martha is billed as being played by someone named Margaret Lund. She was played by Veronica Lazar. Mary-Ann (billed here as "Joe's Wife") is billed as being played by someone named Helen Pierce. She was played by Laura De Marchi. Schweick (billed here as "Sweik") is billed as being played by someone named Robert Leahy. He was played by Antoine Saint-John. Dr. Harris is billed as being played by someone named Jim Barrett. He was played by Al Cliver.
If you count Catriona MacColl and Cinzia Monreale's real names not being used, every single cast listing in the "7 Doors of Death" version is wrong in some way or another.
- Alternate versionsThe German DVD released by Astro in 2001 contains both the color and b/w pre-credit sequence (selectable via menu). This release is also completely uncut.
- ConnectionsEdited into Through Eyes of the Dead (1999)
- SoundtracksEmily's Theme
Piano solo performed by Michael Valenti
[Appears only in the US version]
Details
- Release date
- Country of origin
- Language
- Also known as
- Las siete puertas del infierno
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $400,000 (estimated)
- Gross US & Canada
- $123,843
- Opening weekend US & Canada
- $18,148
- Jun 14, 1998
- Gross worldwide
- $123,843
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