IMDb RATING
6.6/10
27K
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A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.
Catriona MacColl
- Liza Merril
- (as Katherine MacColl)
Cinzia Monreale
- Emily
- (as Sarah Keller)
Calogero Azzaretto
- Zombie at Hospital
- (uncredited)
Pino Colizzi
- Voce dell'aldilà
- (uncredited)
Ottaviano Dell'Acqua
- Zombie at Hospital
- (uncredited)
Roberto Dell'Acqua
- Glass-Smashing Zombie
- (uncredited)
Lucio Fulci
- Town Clerk
- (uncredited)
Featured reviews
I guess I must have been in a bad mood when I first watched this as I really didn't like it. Now I've watched it again (simply because I'd forgotten I'd even watched it, I really enjoyed it - like I've done so with many (so-bad-they're-good) Italian horror films of the eighties. It's about a hotel in Louisiana which is basically a 'hell-mouth' and, seeing as Buffy probably wasn't born when this was made, it's up to a woman who wants to refurbish it and a doctor who can only shoot a zombie in the head every three shots (I counted!).
It's a bit weird where there are some secondary characters who just wander around talking badly. Yes, it's dubbed in many places - I noticed that severely when I first watched it and it's still as overly-dramatic now. In typical Italian horror movie style, it's almost deliberately all over the place and the sharp edits which give the film a truly disconcerting atmosphere. Plus there are some scenes which are almost funny while being bizarre - like when a woman seems to freak out because a beaker of water overturns in slow motion (and she then comes off worse, believe it or not).
And there's the gore - which was damn gool if you're into 'claret' and generally want to see a hundred and one different ways of inflicting pain on eyeballs. Back in the eighties (before every 'head-shot' was computer generated) film-makers had to come up with new and interesting ways of doing gore on the cheap. And, to be fair, that's one area where The Beyond succeeded. The gore wasn't just gore, but also pretty inventive, providing me with more than a few moments of on-screen horror that I've never seen before.
I'm glad I've given this film another go as - this time - I found it really entertaining and it's an example that you clearly need to be in the right mood for the right film.
It's a bit weird where there are some secondary characters who just wander around talking badly. Yes, it's dubbed in many places - I noticed that severely when I first watched it and it's still as overly-dramatic now. In typical Italian horror movie style, it's almost deliberately all over the place and the sharp edits which give the film a truly disconcerting atmosphere. Plus there are some scenes which are almost funny while being bizarre - like when a woman seems to freak out because a beaker of water overturns in slow motion (and she then comes off worse, believe it or not).
And there's the gore - which was damn gool if you're into 'claret' and generally want to see a hundred and one different ways of inflicting pain on eyeballs. Back in the eighties (before every 'head-shot' was computer generated) film-makers had to come up with new and interesting ways of doing gore on the cheap. And, to be fair, that's one area where The Beyond succeeded. The gore wasn't just gore, but also pretty inventive, providing me with more than a few moments of on-screen horror that I've never seen before.
I'm glad I've given this film another go as - this time - I found it really entertaining and it's an example that you clearly need to be in the right mood for the right film.
The Beyond is one of Fulci's best films. The film takes place in modern day Louisiana as a woman oversees the the renevation of an hotel that she inherits. Strange and gory things start to happen and poof the hotel just happens to be over one of the 7 doors to hell. Very bloody with a slightly incoherent plot the film is a lot of fun and I suspect that no Fulci fan should be without their copy. Visually I think this is Fulci's best film (that I've seen) and the acting is what you'd expect. 7 / 10: FULCI LIVES
A woman attempting to fix up an old southern house she inherited accidentally stumbles upon one of the seven doors to hell and unleashes a torrent of nightmarish terror into the world.
Lucio Fulci films can be an acquired taste. While his talent for creating unforgettable and gory images is obvious, his scripts don't always make the most sense and this is no exception. It gets by on mostly style and gore effects alone and the script is nothing more than a skeleton.
Lucio Fulci films can be an acquired taste. While his talent for creating unforgettable and gory images is obvious, his scripts don't always make the most sense and this is no exception. It gets by on mostly style and gore effects alone and the script is nothing more than a skeleton.
If you think Dario Argento doesn't give a damn about coherent plots, check out Lucio Fulci! 'The Beyond' does have a (Lovecraftian) plot as such - a woman inherits a hotel in Louisiana that contains one of the doorways to Hell - but that is basically an excuse for Fulci to string together a series of fantastic and frequently gory images. These include zombie attacks, eye gougings, a better dog attack scene than 'Suspiria', the crucifixion of a Satanist, and a sequence involving tarantulas which has to be one of the high points of horror, anywhere, anytime.
'The Beyond' is sensational and a bona fide modern horror classic. Absolutely essential viewing!
'The Beyond' is sensational and a bona fide modern horror classic. Absolutely essential viewing!
The idea of a gateway to hell being opened has potential but this movie doesn't pull it off. The story lacks details, the characters trait's are not developed enough, and the dialog is utterly ridiculous ("Attack Dickie! Attack!"). The only reason someone might want to see this movie is because of the gore, which the movie has a lot of, but some scenes are unrealistic. I advise people that aren't fans of Fulci's work to steer clear.
Did you know
- TriviaThe DVD commentary by actors Catriona MacColl and David Warbeck was recorded two weeks before Warbeck's death from cancer. In the commentary he talks about his illness.
- Goofs(at around 26 mins) Sign outside the morgue reads "Do Not Entry".
- Quotes
[last lines]
Narrator: And you will face the sea of darkness, and all therein that may be explored.
- Crazy creditsThe end titles of the U.S. version, "7 Doors of Death" are full of incorrect billings.
David Warbeck's character John McCabe is billed as "Doc." Antonie Saint-John (here called Tony Saint-John) is billed as Joe the Plumber. He actually played Schweick. Veronica Lazar is billed as playing the little girl, Jill. She was Martha, the housekeeper. Jill was played by Maria Pia Marsala. Someone named "Philip Ostrow" is billed as playing Arthur, Martha's son. He was played by Giampaolo Saccarola. Martha is billed as being played by someone named Margaret Lund. She was played by Veronica Lazar. Mary-Ann (billed here as "Joe's Wife") is billed as being played by someone named Helen Pierce. She was played by Laura De Marchi. Schweick (billed here as "Sweik") is billed as being played by someone named Robert Leahy. He was played by Antoine Saint-John. Dr. Harris is billed as being played by someone named Jim Barrett. He was played by Al Cliver.
If you count Catriona MacColl and Cinzia Monreale's real names not being used, every single cast listing in the "7 Doors of Death" version is wrong in some way or another.
- Alternate versionsThe German DVD released by Astro in 2001 contains both the color and b/w pre-credit sequence (selectable via menu). This release is also completely uncut.
- ConnectionsEdited into Through Eyes of the Dead (1999)
- SoundtracksEmily's Theme
Piano solo performed by Michael Valenti
[Appears only in the US version]
Details
- Release date
- Country of origin
- Language
- Also known as
- Las siete puertas del infierno
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $400,000 (estimated)
- Gross US & Canada
- $123,843
- Opening weekend US & Canada
- $18,148
- Jun 14, 1998
- Gross worldwide
- $123,843
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