Max et le diable

I remember seeing this movie as a kid and loving it. Recently, I watched again as an adult and found it to still be a sweet, charming little movie. The basic plot has Elliot Gould's character signing a pact with the Devil (Bill Cosby)to recruit three good souls and thus saving his own from eternal damnation. Gould gets three young people including an aspiring young singer (Julie Budd)and a fatherless young boy (Adam Rich), to sign a contract with the devil in exchange for making their dreams come true while on Earth. It all works out happily as all Disney films do, but there are several laughs, touching moments, and lesson learned along the way. I was really intrigued by Julie Budd after this film who more than resembled a young Barbra Streisand in both looks and talent. Loved the song that she sang in the film "Any Fool Can See." I wonder what happened to her after this film. Seems she never worked again.

Elliott Gould dies in an accident and goes straight to hell to meet the devil himself (Bill Cosby), but that is not the end. Gould makes a deal to get out of hell by going back to Earth to get the souls of three young people in this would-be-comedy that is just not funny. Cosby is not on screen enough to even make a lasting impression and it is up to Gould and some sub-par young actors to carry the project. Gould does do his best, but all in all the film is just a project that wants to entertain and provide messages to its audience and failed to do either of those things. An odd production from the Disney studios. 2.5 out of 5 stars.

Horror veteran Jimmy Sangster got himself attached to the Disney company by way of his story concerning a crooked apartment manager in Los Angeles who is hit by a car and goes to Hell. To save himself from eternal damnation, he must return to Earth and find three unsullied innocents who will sign away their souls in exchange for their life's wish to be granted. Sangster shares credit for the plot with screenwriter Mary Rodgers of "Freaky Friday", who apparently added the accoutrements of a single mom and her son looking for a husband and father to love, a teenage nerd who wants to be a motocross champion and a nervous songbird who wants to be a star. Disney, who had not yet developed the Touchstone subsidiary for more grown-up product, was attempting to change their image a bit here, but the swear words and a scary scene down in Hades just seem out of place in a movie about an old softie (Elliott Gould) charming everyone with his rumpled panache. Bill Cosby is cast as Satan, who dresses up for different occasions even though nobody but Gould can see him, and Susan Anspach is the daycare worker burned by broken romances. Both are good, but it's Gould movie and he carries it to a treacly but satisfying finish. **1/2 from ****

The really significant part of this movie has nothing to do with the players, but the producers. This is the FIRST ever PG movie released by Disney - after almost 35 years a G-only releases.

I saw this movie as a kid. It had a catchy song - slightly memorable plot and ... well not much else. Not horrible or good. OK.

Sadly, as Disney movies go - you'll notice on the DVD cover - no mention of Disney. Professionals admit their mistakes, are humble in their successes and remain proud about the rest. Walt Disney would have. Eisner doesn't.

Title: "The Devil and Max Devlin: A Solid 7/10 of Supernatural Charm"

The Devil and Max Devlin is a beautiful blend of supernatural fun and grounded storytelling. I liked the movie, though it didn't exactly blow my mind-I'm giving it a 7/10 on IMDb. The film manages to be both fanciful and believable, pulling you into its offbeat world without overdoing it.

Bill Cosby delivers a performance that's both funny and just a bit unnerving, perfectly capturing the devilish mischief, while Elliot Gould is, as always, a national treasure with his endearing, down-to-earth presence. Even with its supernatural elements, the story feels refreshingly realistic.

Overall, it's a solid watch with plenty of charm, even if it doesn't send you over the edge.