The Decline of Western Civilization

Raw, Real, and absolutely riveting, Director Penelope Spheeris' THE DECLINE OF WESTERN CIVILIZATION captures a time and place -early 1980s Los Angeles- in a way that makes those who were there nostalgic, and those who weren't, envious. Or shocked. An incredible documentary, taking us along to watch the legends of the hardcore scene.

Black Flag, Germs, Catholic Discipline, X, Circle Jerks, Alice Bag Band, Fear, all perform in the tight, low-rent venues that made them all such legends. This is music fueled by boredom, anger, frustration, and fiery youth. All presented in its natural environment. The interviews with the bands are just as good as the live performances.

Also, the section where we get to hear from the fans is very enlightening.

If anyone ever asks you about the 1980s LA music that mattered, just show them this film...

Kind of a guilty indulgence nowadays, this used to be required watching when i was in high school. It really is a great illumination of the burgeoning punk scene in LA in 1980. As the bands play, Spheeris prints the lyrics in subtitles, which is of course necessary if one really wants to know what the guy is screaming into the microphone. But also it turns the camera's POV into that of tourist, passing through this alien world. The band interviews reveal an honest approach to the music that really doesn't exist anymore. Then again, it's not as easy to come by $16/month former-church closets like Chavez of Black Flag does. How many unheard of bands do you know that aren't trying like the dickens to get a record deal? These guys just didn't care. And who can't love the commentary of the little French dude who used to be the "singer" for Catholic Discipline (of which Phranc was a member). His gritty voice delivers one of the best soliloquies ever captured on film: "I have excellent news for the world ... there's no such thing as New Wave." Whew! What a relief!

Here is a great movie. Now, first of all, I would like to say that I was born in the early 1980s. I really never knew, up-close and personal, what true punk rock was. Watching this film was like a history lesson of sorts. The music was great, good vintage rock n' roll from bands like Black Flag, Circle Jerks, X, etc. It seemed to me that with this film, Penelope Spheeris was trying to show people that these weren't all just stupid kids who were out to do drugs and kill people. Some of these punks really had some philosophies that they were working at behind their music. This seems most evident in the interview with Black Flag. I understand myself how a lot of people might view these bands' philosophies as under-developed and simple, but one must take into account that these were some pretty young people. Nowadays, as young as I still am, I find it refreshing to run into someone my age who understands in any way philosophical thinking. In this movie, the young people may seem a little half-baked in their philosophies, but you might keep in mind that most kids don't even get that far. I've met many full-grown adults who have not progressed as far with deep thought contexts as some of the punk musicians in "Decline". Another thing I loved about this movie was how funny it got at times. Some of these kids were total idiots, while the story about the dead painter was devilishly humorous. Fear's performance at the end topped it all. Even if punk is dead, it was once very alive. All flaws aside, "The Decline of Western Civilization" was made for people who can tell the difference between some suburban wimp with a mohawk and the truly intelligent individuals who were genuinely upset and picked up music instruments as weapons against the forces of the corporate.

Decline is an excellent movie, but we must keep in mind that it only showcases one of the many sub-cultures of punk rock in LA at the time. the Germs and Fear etc are all great bands and the shots of them don't do them justice. but the shots of the fans cast an almost negative light on punk rockers. this movie was made at a time when angry youth from orange county found their way into the LA punk scene. they made it violent, (it always sort of was, but it was never meant to take away from the music) they are shown moshing for the sake of hurting each other not for celebrating the music; like the punkers before them. Decline is an excellent glimpse into the punk scene of the 70s and 80s, but be wary when showing it to someone who only has this to base their opinions of Punk rock on.

If I assume that you know what this film is about, I am also forced to assume that you've come to this review knowing that you will probably watch it regardless of what I say. If all this rings true - read on - you are likely to find some consonance with at least part of this review. If you're undecided, or not really entirely certain what happened in the late '70s and early '80s in the urban and suburban youth music culture, you should probably read one of the reviews which pretends to be objective instead.

Although I didn't grow up in California, the American punk scene was the first music scene I ever truly lived in. At the height of the hardcore I was immersed in from about 1979-1981 everybody had a band and the only common denominators between bands and indeed members of their audiences were:

* the rejection of conformity

* tolerance and enjoyment of difference

* a desire to have fun - hard and fast

Hairstyles, politics, dislike of authority figures, and violent slam-dancing were not integral to what I experienced, though there were certainly cliques or factions who tended to be intolerant of those who did not dress, speak or act "punk" enough. And there was often a certain amount of unearned credit extended from some of these cliques to those who tried really hard to live down to the fascistic paradigm of anarchic, self mutilating, angry young cop-haters.

Although the interviews with audience punks in Penelope Spheeris' excellent Cal-Punk documentary "Decline of Western Civilization" present a very narrow view of the subculture some of us enjoyed, the interviews with the bands, club owners, promoters and even the security people are much more representative of at least my own perspective and memories of 'the scene'. nevertheless, it is possible for those who approach this with prejudices about what punk is to experience this film without having their preconceptions challenged. Unfortunate as this is, the blame for it rests solely with those who promote, believe in or feel comfortable with stereotypes - Not the film-makers. Don't blame the messenger.

The music presented here is not going to be for everybody - nor even most. It's not the most crude stuff out there, but it's loud, obnoxious, fast, and less concerned with technique than with raw energy.

For me, seeing early Black Flag with Ron Reyes singing, X, Fear and the Circle Jerks was worth far more than the cost of this hard to obtain film. As much as I like The Germs, seeing Darby Crash for the mess - and the nice guy - that he was left me a bit cold. Nevertheless, the scenes of Darby playing with his pet tarantula while "Shut Down" droned on and on in the background were precious. The X interview is also great.

Spheeris' straightforward documentary style is supplemented by wild pans and zooms during the musical segments. During the interviews, framing is used very nicely to provide context for whatever is being said. Considering her experience and the budget, Spheeris did as well as anybody could have with this film.

Recommended for those who appreciate what this film is actually about, and for those who have forgotten those few years of fun, honest, direction-less rebellion before Amaerican punk was co-opted into yet another flow within the musical mainstream and the stereotypes became more important than the basic philosophy.