IMDb RATING
7.5/10
5.5K
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A look into the Los Angeles punk rock scene, that was largely ignored by the rock music press of the time.A look into the Los Angeles punk rock scene, that was largely ignored by the rock music press of the time.A look into the Los Angeles punk rock scene, that was largely ignored by the rock music press of the time.
- Awards
- 1 win total
Eugene Tatu
- Self - Light Bulb Kid
- (as Eugene)
The Germs
- Themselves
- (as Germs)
Chuck Dukowski
- Self - Black Flag (Bass)
- (as Gary McDaniel)
Nicole Panter
- Self - Germs' Manager
- (as Nicole)
Michelle Baer Ghaffari
- Self - Darby Crash's Roommate
- (as Michelle)
Pat Smear
- Self - Germs (Guitar)
- (as Pat)
Featured reviews
10Mr Pants
Kind of a guilty indulgence nowadays, this used to be required watching when i was in high school. It really is a great illumination of the burgeoning punk scene in LA in 1980. As the bands play, Spheeris prints the lyrics in subtitles, which is of course necessary if one really wants to know what the guy is screaming into the microphone. But also it turns the camera's POV into that of tourist, passing through this alien world. The band interviews reveal an honest approach to the music that really doesn't exist anymore. Then again, it's not as easy to come by $16/month former-church closets like Chavez of Black Flag does. How many unheard of bands do you know that aren't trying like the dickens to get a record deal? These guys just didn't care. And who can't love the commentary of the little French dude who used to be the "singer" for Catholic Discipline (of which Phranc was a member). His gritty voice delivers one of the best soliloquies ever captured on film: "I have excellent news for the world ... there's no such thing as New Wave." Whew! What a relief!
When it comes to films on the L.A. hardcore scene of the late 70s/early 80s this is as good as it gets! It's very rare that cameras are around during the genesis of a music movement, and I will be forever grateful that Ms Sheeris was there to capture the beginnings of the LA hardcore scene that was growing out of the ideals and influences of the dying New York & London punk scenes. I was living on the East Coast at the time this film came out, and back then the only way to see some of these bands, without going to L.A., was to see this film. It was a rare event when one of these bands would pile into a van and head east on a tour, so to fulfill our love for the L.A. hardcore scene my friends and I would go see this film every few weeks. This is a great document of that time in music history. For people who liked this era of punk/hardcore music, here's a few other very similar documentary films you might want to check out...
THE BLANK GENERATION - (70s New York punk - Johnny Thunders, Richard Hell, Ramones, Television, Patti Smith, etc...)
THE PUNK ROCK MOVIE - (70s British punk - Sex Pistols, The Clash, X-Ray Spex, Eater, etc...)
PUNK IN LONDON - (70s British punk - The Clash, The Adverts, The Lurkers, Subway Sect, etc...)
D.O.A. - (70s American & British punk - Dead Boys, Generation X, Sham 69, Iggy Pop, etc... *contains a priceless interview with Sid & Nancy*)
UK/DK - (80s British hardcore - The Addicts, The Exploited, The Business, UK Subs, etc...)
THE BLANK GENERATION - (70s New York punk - Johnny Thunders, Richard Hell, Ramones, Television, Patti Smith, etc...)
THE PUNK ROCK MOVIE - (70s British punk - Sex Pistols, The Clash, X-Ray Spex, Eater, etc...)
PUNK IN LONDON - (70s British punk - The Clash, The Adverts, The Lurkers, Subway Sect, etc...)
D.O.A. - (70s American & British punk - Dead Boys, Generation X, Sham 69, Iggy Pop, etc... *contains a priceless interview with Sid & Nancy*)
UK/DK - (80s British hardcore - The Addicts, The Exploited, The Business, UK Subs, etc...)
Here is a great movie. Now, first of all, I would like to say that I was born in the early 1980s. I really never knew, up-close and personal, what true punk rock was. Watching this film was like a history lesson of sorts. The music was great, good vintage rock n' roll from bands like Black Flag, Circle Jerks, X, etc. It seemed to me that with this film, Penelope Spheeris was trying to show people that these weren't all just stupid kids who were out to do drugs and kill people. Some of these punks really had some philosophies that they were working at behind their music. This seems most evident in the interview with Black Flag. I understand myself how a lot of people might view these bands' philosophies as under-developed and simple, but one must take into account that these were some pretty young people. Nowadays, as young as I still am, I find it refreshing to run into someone my age who understands in any way philosophical thinking. In this movie, the young people may seem a little half-baked in their philosophies, but you might keep in mind that most kids don't even get that far. I've met many full-grown adults who have not progressed as far with deep thought contexts as some of the punk musicians in "Decline". Another thing I loved about this movie was how funny it got at times. Some of these kids were total idiots, while the story about the dead painter was devilishly humorous. Fear's performance at the end topped it all. Even if punk is dead, it was once very alive. All flaws aside, "The Decline of Western Civilization" was made for people who can tell the difference between some suburban wimp with a mohawk and the truly intelligent individuals who were genuinely upset and picked up music instruments as weapons against the forces of the corporate.
Decline is an excellent movie, but we must keep in mind that it only showcases one of the many sub-cultures of punk rock in LA at the time. the Germs and Fear etc are all great bands and the shots of them don't do them justice. but the shots of the fans cast an almost negative light on punk rockers. this movie was made at a time when angry youth from orange county found their way into the LA punk scene. they made it violent, (it always sort of was, but it was never meant to take away from the music) they are shown moshing for the sake of hurting each other not for celebrating the music; like the punkers before them. Decline is an excellent glimpse into the punk scene of the 70s and 80s, but be wary when showing it to someone who only has this to base their opinions of Punk rock on.
Everyone who's seen "Decline" knows how great it is. My favorite segments are those featuring Black Flag and Fear, because they're the funniest and the most visceral. Still, all the bands that actually STARTED the Los Angeles punk scene, apart from the Germs, are missing from this film. Where are the Weirdos, the Screamers, the Dils, and the Zeros? The Alice Bag Band is here, but they were better when they were simply the Bags. The Germs' segment is depressing. The very brief glimpses of Catholic Discipline were fascinating and made me wish that this band had at least recorded some demos. As a documentary, "Decline" is flawed...but it's indispensable, too. To find out about the bands this film didn't cover, read "We Got the Neutron Bomb" by Marc Spitz and Brendan Mullen. And to see what was going on in San Francisco right around the same time, get the much shorter (but equally brilliant) documentary "Louder Faster Shorter", directed by Mindaugis Bagdon. This twenty-minute burst of pure punk actually *does* feature the Dils--along with UXA, the Avengers, the Sleepers, and the Mutants.
Did you know
- TriviaAccording to director Penelope Spheeris this film was financed by two businessmen who originally wanted to finance a porn film.
- Quotes
The Circle Jerks member: And at the bottom it says "Thank you." And you can tell 'em to fuck off.
- ConnectionsFeatured in Prey for Rock & Roll (2003)
- How long is The Decline of Western Civilization?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Занепад західної цивілізації
- Filming locations
- Los Angeles, California, USA(main location)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $100,000 (estimated)
- Gross worldwide
- $440
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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