Sheriff Dan Gillis investigates eerie deaths in a sleepy coastal town.Sheriff Dan Gillis investigates eerie deaths in a sleepy coastal town.Sheriff Dan Gillis investigates eerie deaths in a sleepy coastal town.
- Awards
- 2 nominations total
Nancy Locke
- Linda
- (as Nancy Locke Hauser)
Joseph G. Medalis
- Doctor
- (as Joe Medalis)
Linda Shusett
- Waitress
- (as Linda Turley)
Featured reviews
"Dead & Buried" is a classic horror "small town with a secret" film, this time concerning a tiny little seaside town called Potter's Bluff. The formerly peaceful community has suddenly been plagued by a series of grisly murders for the town sheriff Dan (James Farentino) to investigate. Creepier still, the murder victims reappear as walking, talking, friendly townsfolk. And what does the eccentric town mortician (Jack Albertson) have to do with it?
This rarely talked about flick, above all else, is a masterpiece of atmosphere...moodily lit, foggy, with a genuine sense of claustrophobia as the horrors seem to be closing in closer and closer to Dan's own home and family, especially the strange new habits his wife (Melody Anderson) has taken up lately.
All of the actors are solid enough, but Jack Albertson steals the show as the eccentric, big band loving Mortician Dobbs. In one of his final performances, he delivers a character whose unsettling realism and reverence for the dead will make you completely forget his also classic turn as the kindly grandpa in "Willy Wonka and The Chocolate Factory". Rather than just play this character, he inhabits his psyche and becomes Dobbs, and it shows.
Everything from the low key bits of airy score music to the often slow and dreamlike pacing of the plot, is dedicated to heightening the viewer sense of disconnection and dread, leading up to a well known sort of "twist" climax, which in this context doesn't seem hackneyed.
My only real problem with this film is that the pacing can sometimes seem jarring, with little connection to scenes preceding it, almost to the point of breaking the well crafted mood. Also, the climax was a bit too abrupt and a few more seconds of that final anguished scene would've done a lot to increase the film's overall impact.
I'd still highly recommend "Dead & Buried", as a solid reminder of what imaginative and well made R rated horror used to be, before the parade of dull remakes and tamed to PG-13 bore fests that now clutter the genre.
This rarely talked about flick, above all else, is a masterpiece of atmosphere...moodily lit, foggy, with a genuine sense of claustrophobia as the horrors seem to be closing in closer and closer to Dan's own home and family, especially the strange new habits his wife (Melody Anderson) has taken up lately.
All of the actors are solid enough, but Jack Albertson steals the show as the eccentric, big band loving Mortician Dobbs. In one of his final performances, he delivers a character whose unsettling realism and reverence for the dead will make you completely forget his also classic turn as the kindly grandpa in "Willy Wonka and The Chocolate Factory". Rather than just play this character, he inhabits his psyche and becomes Dobbs, and it shows.
Everything from the low key bits of airy score music to the often slow and dreamlike pacing of the plot, is dedicated to heightening the viewer sense of disconnection and dread, leading up to a well known sort of "twist" climax, which in this context doesn't seem hackneyed.
My only real problem with this film is that the pacing can sometimes seem jarring, with little connection to scenes preceding it, almost to the point of breaking the well crafted mood. Also, the climax was a bit too abrupt and a few more seconds of that final anguished scene would've done a lot to increase the film's overall impact.
I'd still highly recommend "Dead & Buried", as a solid reminder of what imaginative and well made R rated horror used to be, before the parade of dull remakes and tamed to PG-13 bore fests that now clutter the genre.
Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.
The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.
DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.
Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.
The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.
A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.
The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.
Exceptional.
The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.
DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.
Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.
The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.
A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.
The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.
Exceptional.
Recently I rented 'Bleeders', one of director Gary Sherman's newer films, and remembered this movie from my past while reviewing it. So, I dug through our video collection until I found it.
'Dead & Buried' is a surprisingly good movie. Released in the time where there was either one murderous main person (Freddy/Jason/Micheal Myers) or a strange pervert slaying half naked teenage girls (Slumber Party Massacre, among others), it was a surprise to see a large group of people get in on the killings. This somewhat original idea is probably one of the most appealing points of the film.
The story goes somewhat like this: strangers keep on getting killed as soon as they show up in the small town in which the movie is set. The local sheriff is somewhat baffled about what's going on -- he's a new cop, so he isn't used to dealing with murders. All this time everyone's acting a little strange: his wife seems to be developing a strange addiction for voodoo and the local mortician seems to enjoy preparing bodies for burial a little too much. When the cop finally starts to realize what's going on, he learns why his town is a little different than most other ones.
Any horror fan would enjoy 'Dead & Buried'. It's should be known as one of the few horror movies from the early eighties that doesn't make you want to crack up laughing. Zombie film fans would probably find it quite interesting as well, as long as they don't expect the run of the mill green skinned 'Bloodsuckers from Outer Space' zombies.
'Dead & Buried' is a surprisingly good movie. Released in the time where there was either one murderous main person (Freddy/Jason/Micheal Myers) or a strange pervert slaying half naked teenage girls (Slumber Party Massacre, among others), it was a surprise to see a large group of people get in on the killings. This somewhat original idea is probably one of the most appealing points of the film.
The story goes somewhat like this: strangers keep on getting killed as soon as they show up in the small town in which the movie is set. The local sheriff is somewhat baffled about what's going on -- he's a new cop, so he isn't used to dealing with murders. All this time everyone's acting a little strange: his wife seems to be developing a strange addiction for voodoo and the local mortician seems to enjoy preparing bodies for burial a little too much. When the cop finally starts to realize what's going on, he learns why his town is a little different than most other ones.
Any horror fan would enjoy 'Dead & Buried'. It's should be known as one of the few horror movies from the early eighties that doesn't make you want to crack up laughing. Zombie film fans would probably find it quite interesting as well, as long as they don't expect the run of the mill green skinned 'Bloodsuckers from Outer Space' zombies.
'Dead & Buried' is one of the most interesting and original American horror movies of the 80s. Co-written by Dan O'Bannon of 'Alien' and 'Lifeforce' fame, this underrated movie should get a larger audience once it is available on DVD. (It already is here in Australia, but I'm not sure about the US and UK just yet). TV regular James Farentino stars as a small town sheriff who finds that a series of puzzling murders is just the tip of the iceberg when it comes to bizarre secrets hiding right underneath his nose. He's not sure exactly what's going on but quickly begins to suspect the involvement of his lovely wife ('Flash Gordon's Melody Anderson) and/or the creepy local eccentric mortician (Jack Albertson, best know from 'Willy Wonka'), and basically just about everyone else in Potter's Bluff, the residents of which includes horror icon Robert Englund, Lisa Blount ('Prince Of Darkness'), and Barry Corbin ('Northern Exposure', 'WarGames'). The plot is a little bit hard to swallow when it is finally revealed, but up until that point this movie has plenty of suspense, atmosphere and shocks, and if you can suspend your disbelief at certain crucial moments you'll be in for a good time. Recommended.
This is a real sleeper, although the presence of screenwriter Dan O'Bannon's ('Alien') name in the credits automatically assures us we are in for a treat. And this is most certainly the case; 'Dead and Buried' is a real class act. James Farentino is excellent as the bewildered sheriff of the small American fishing community of Potter's Bluff. And the opening scene, in which an unsuspecting photographer is burned alive in broad daylight, still shocks more than twenty years after the film's release. To reveal too much of the plot would be to spoil the surprise; suffice it to say that it involves a series of bizarre and brutal murders investigated by Farentino's character.
Stan Winston provides some great special makeup effects; witness the particularly gruesome sequence in which a man is embalmed... while still alive! Also, Lisa Blount appears as the seductive young lady on the beach in the opening scene (she can be seen in 'John Carpenter's Prince of Darkness'), and watch out for a fledgling Robert Englund before he rose to international stardom as serial killer Freddy Krueger in the 'A Nightmare on Elm Street' franchise. 'Dead and Buried''s final twist is really kick-ass and wonderfully macabre, and it wraps up a creepy, atmospheric outing. Definitely worth a look.
Stan Winston provides some great special makeup effects; witness the particularly gruesome sequence in which a man is embalmed... while still alive! Also, Lisa Blount appears as the seductive young lady on the beach in the opening scene (she can be seen in 'John Carpenter's Prince of Darkness'), and watch out for a fledgling Robert Englund before he rose to international stardom as serial killer Freddy Krueger in the 'A Nightmare on Elm Street' franchise. 'Dead and Buried''s final twist is really kick-ass and wonderfully macabre, and it wraps up a creepy, atmospheric outing. Definitely worth a look.
Did you know
- TriviaStan Winston's special effects went beyond creating gore for the film. The figure in the full body cast lying in George LeMoyne's hospital bed was a mechanical dummy built by Winston. The life-like detail and elaborate movements the dummy was rigged to make gives the appearance that its a real person and makes the infamous needle-eye stab all the more startling.
- GoofsThe hitchhiker can be seen as a zombie before she is actually killed, reconstructed and brought back to life. This is because the abandoned house scene - where she is clearly visible as one of the dead townfolk - was originally placed in the film after her resurrection.
- Alternate versionsAlthough the original UK cinema version was uncut this film was undeservedly caught up in the British video nasties hysteria in the early eighties, and consequently did not receive an official British video certificate until 1990. Illegally circulated copies of the film, followed by successful prosecutions under the Obscene Publications Act, forced the BBFC to edit 30 seconds from the movie with most cuts being made to the opening burning scene and a brief sequence of a bandaged patient being stabbed in the eye with a syringe. The BBFC fully waived all the edits for the 1999 Polygram video and all subsequent releases are fully uncut.
- SoundtracksSentimental Journey
written by John T. Williams / Benjamin Homer / Bud Green
Details
Box office
- Budget
- $3,000,000 (estimated)
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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