Deadline

This gory and admirably engrossing Canadian horror is rarely seen and suitably obscure.It tells the story of an accomplished writer of horror scripts,who is plagued by ghastly visions of horror and bloody carnage.His ideas are often outrageous and transgressive.He writes about cannibalistic nuns,satanic goats and murderous children with gasoline.He is constantly fighting with his drug-addicted wife and his three children are neglected.When his small daughter is hanged his life breaks down into nightmarish pieces."Deadline" is about dysfunctional Canadian family and their tortured lives.The film is very gory,but the gore scenes are all shots from various movies Steve did.The acting is great and the atmosphere is sleazy and washed-out."Deadline" hates horror genre,but it works as a grimly effective shocker.8 out of 10 for this obscure horror classic.

Between an unfaithful wife, children who will not leave him alone and a producer who keeps reminding him of impending deadlines, penning a new script proves challenging for an esteemed horror screenwriter in this Canadian oddity. The editing design takes a bit of getting to used to with the film every so often cutting away from the on-screen action to horror episodes ranging from a blood shower to a woman burned by her grandchildren to an evil goat. As the movie progresses though, it becomes clear that these cutaways are reflective of his thought process and how he is constantly haunted by the things that he has written about, especially at a university conference where students tell him off for "peddling degenerate stuff". This leads to some fascinating discussions as the writer claims that horror is "a way of identifying with things that we might otherwise never identify with". Intriguing as 'Deadline' might sound, it is not the easiest film to warm to, unusual editing aside. None of the characters are particularly sympathetic, especially not the arrogant lead actress in his most recent film and his selfish wife; he is not exactly a model parent either though, and it is at times hard to care what happens to him. The film is, however, quite encapsulating when focused on the horror ideas that haunt him, and what happens to his daughter late in the piece injects much food for thought.

This overlooked analysis of a man spiraling into madness is surprisingly brainy, and skillfully realized on meager rations.

A horror novelist's dark fantasy world collides with his personal reality, causing a landslide of hallucinatory dementia within both his family life and his his professional endeavors. A very ominous and disorienting Canadian-made nightmare oozing with abstract, disturbing imagery, DEADLINE also benefits from able performers and edgy directorial flourishes. These refinements, conjoint with a conceptually alluring premise, catapult this film above and beyond most horror menu side-orders. As an extra bonus, the legendary new-wave band ROUGH TRADE makes a welcome appearance, just as they were charting with the single HIGH SCHOOL CONFIDENTIAL.

7/10...definitely worthy of a rental, if not a purchase.

Make no mistake this is a good horror film. It has some nice chills, good amount of gore and some disturbing moments that will be with you after the film has ended. But Azzopardi has attempted not just the usual horror flick here; he has fashioned an allegorical gem based on the debate over violence in the media using a horror writer and his family as the focus. Azzopardi has also crafted a post modern film which is self-commenting, non-linear, and offers no definitive resolution for all of his characters which can tend to instill an unsatisfying or muddled ending. However, this film should be viewed as ahead of its time in its treatment of the subject matter and original way of presenting it. The style of the film owes much more to the Italian horror masters (Argento, Fulci, etc.) than it does to North American cinema as Azzopardi, made his mark in Canadian cinema. It should also be noted that while the film is allegory, it was apparent to me that Stephen King was the basis for the main character (even his name is Stephen) and pre-dates any self-referential treatment (The Dark Half) from King by almost a decade. In this regard, the film remains highly original in theme and still well worth watching. Bottom Line: good horror film that will evoke Italian cinema but you must be willing to put the pieces together on your own...a thinking person's horror film.

"Deadline" is an obscure, inventive, intriguing and occasionally very engrossing little Canadian-produced horror sleeper, but at the same time also difficult and even somewhat risky to recommend to fellow genre fanatics because it is certainly an awkward and downbeat movie. Basically a dysfunctional family drama and a portrait of downwards mental spiral, "Deadline" also boosts a whole lot of sickening and extra-gratuitous violence and I'm really not sure if people will appreciate this combination, let alone the robust and sudden changes in tone. Even though the gory bits undoubtedly form the best and most memorable part of the film, they clearly serve no purpose other than fill up space and attract wider audiences. Steven Lessey is a horror author whose previous scripts were hugely profitable blockbuster hits. So now, and obviously, Steven's producer nags around his head for a new script. But Steven wants to do something different and struggles with a writer's block. Being obsessed with this work, Steven doesn't notice how his wife becomes a frequent visitor of drug parties or how his neglected children play deadly games they've seen in daddy's movies. The sick & twisted horror fragments are either clips from Steven's supposed previous films (like a marvelous scene involving a black goat and an agricultural machine) or potential new concept for his new script. Particularly these fragments are outrageously demented and uncompromisingly shocking! Some of them really ought to be elaborated into a full-length horror movie, like the idea of suicidal fetuses and especially the idea of little children tying up and setting fire to their own grandmother. "Deadline" is pretty good but it could have been a lot better. In the hands of that other super-talented Canadian director David Cronenberg, for example, the processing of these themes and ambiances would have resulted in the ultimately petrifying cinematic nightmare. Still, writer/director Mario Azzopardi definitely didn't do a bad job. The atmosphere is admirably moody and the film is literally stuffed with unsettling imagery. "Deadline" is an interesting film, to say the least. Proceed at your own risk