Deux drôles d'oiseaux

Continental Divide is by far John Belushi's greatest performance. Most people are quick to disagree, usually for one reason, and that is because they didn't find it believable. His audience was so accustomed to his characters, 'Bluto' from Animal House and 'Jake' from The Blues Brothers on the big screen and his usually wild and loud skits on SNL that they couldn't accept him as playing the lead in a romantic comedy. They couldn't and wouldn't accept this new role for him. For Belushi, it was his chance to break out of his stereotype and tackle a role that he felt would prove that he was more than just a skit on SNL. In my opinion, he did just that. Although this is not one of the greatest movies ever made, it certainly isn't as bad as some have claimed it to be. There are some dull moments, but for the most part Belushi comes off as a very likable and convincible guy. Belushi fans waited impatiently for him to get off a good one-liner or to blow mashed potatoes all over the place, but when that never happens they write it off as a bad movie and an even worse performance by John. I like to point this out: Let's pretend that this is Belushi's first movie, forget Bluto, Jake Blues or any character he ever did on SNL. With all of that in mind, watch the movie. John will surprise you by how well he plays his character. If this was in fact, the first movie Belushi ever did, it would of gotten way better reviews and press, and would have been more accepted by his audience, since they wouldn't have been expecting him to pull a Bluto stunt or break out into somersaults a la Jake Blues. The only thing that disturbs me in this movie is that his character makes several remarks about dying very soon. In 1981, it probably wasn't even given a second thought, but, unfortunately as we all know now, Belushi died very soon after this movie was released. Had John not died so soon and so young I think he would still be making movies today, unlike so many of his other SNL co-stars who seemed to have faded away into the woodwork. To make a long story short… Forget about Bluto, Jake and SNL and just watch the movie, you should really enjoy it.

This movie gives me one more reason to wish that John Belushi had taken care of himself, rather than diving into self-destruction. It shows that he had talent well beyond sketch comedy, or Animal House buffoonery. I wish he were still with us.

I'm a sucker for romantic comedies, and -- while not as comedic as most of the genre -- I think Continental Divide definitely qualifies. It's a great "opposites attract" film, and it works for me. The fact that each of the central characters has a vocational passion makes them all the more attracted to each other, despite their callings being separated by a lot of geography, and a lot of psychological differences. I love the scenery, I love Blair Brown, and I love the energy of Belushi's character. We can't bring him back, but I'm thankful we have J.B.'s films to watch forever.

John Belushi - who would have turned 58 today - is remembered as Bluto Blutarsky ("Animal House"), Wild Bill Kelso ("1941"), Jake Blues ("The Blues Brothers"), and various "SNL" characters; all totally wacky. In "Continental Divide", he got what was probably his one serious role. Although most people pooh-poohed it, I didn't find it that bad. As a Chicago reporter developing a relationship with an eagle researcher (Blair Brown) in the Rocky Mountains, Belushi got the chance to say that he had one serious role before his untimely death. If that is the movie's only real strength, then so be it. It may be worth seeing just for that.

And if I may add one thing: people need to give "1941" another chance.

Enjoyable as 'The Blues Brothers' was, it didn't really get a chance to show the versatility of John Belushi's acting talent, or his quieter side. 'Continental Divide' does both - it's a love story which isn't outrageous or slapstick, but genuinely sweet and funny.

Belushi plays a reporter, Ernie, who takes a vacation from sniffing out corruption in Chicago's high places to get a story on a reclusive female scientist (Blair Brown), who is doing just nicely, holed up in the Rocky Mountains. Ernie isn't really the mountain type but as both characters evolve, he becomes more suited to the hard life.

Some corny moments exist in this movie, but it isn't bad at all. It feels a bit like a TV movie rather than a big budget cinema piece (although the locations are beautiful), but it does show there was more to Belushi than you might guess from watching 'National Lampoon's Animal Vacation' or '1941'.

John Belushi's screen persona is fixed in most peoples minds thanks to his performances in the raucous, knock-about comedies 'The Blues Brothers' and 'Animal House'. But here he gets the rare chance to put in a performance of exceptional depth and nuance. Belushi plays hard-boiled investigative journalist Ernie Souchak who finds himself a little too close to some major City Hall corruption, and so, on the advice of his editor and friend, he heads to the mountains of Colorado, to chill and to write a piece on a reclusive conservationist, played to exquisite perfection by Blair Brown.

The film begins as a serious piece on political corruption but soon turns into a charming, bittersweet 'fish-out-of-water' romance. The scenes set amongst the Colorado mountains feature some of the most breathtaking cinematography I've ever seen. The movie belongs to John Belushi though. He puts in a splendid mature performance, dominating the action like a major presence. It is through this movie, rather than his more famous works, that I feel we now sense the feeling of loss that his tragic early death gave the world of cinema. He carries all the weight and clout of a genuinely gifted actor, and his comic timing, even in the smallest scenes, is a joy to behold. Blair Brown, too, is another enigma. Why is she not much more famous than she is? Her performance is both tough and sexy, and she and Belushi make a great screen partnership. Throw into the mix one of the rare screen appearances from the great Tony Ganios, and this really is a movie worthy of rediscovery.

Watch for it.