La vengeance impitoyable

Even if I had seen the movie in the original 3-D process it was filmed in, I seriously doubt it could have masked the utterly boring and unoriginal story. The constant jabbing of things into the camera lens is initially amusing, but soon becomes tiring.

In fact, the whole movie is seriously tired, a mix of elements from previous Tony Anthony movies (some of which were ripped off from Sergio Leone movies - talk about copies of copies!), and once again Anthony gives a performance that alternates between indifference and about-to-burst-into-tears. Much of the budget must have been spent on buying an extra camera, because the movie has a real cheap and quickly-shot appearance.

If you decide to watch the movie anyway, be sure you have fresh batteries in your remote - I guarantee you'll be using the fast-forward button a lot.

This was absolutely the worst movie I ever saw. Believe it or not, I paid to see this bomb at the movie theater and it is only one of two movies that I ever walked out of! No plot, poor effects, horrible script.

The DVD edition in 3D, widescreen 2:35 and dolby surround is a must and gives credit to this good western.

A so-so screenplay with a hero exploring his dark side while he seeks revenge...but describing a bunch of helpless women screaming at the view of some poorly animated bats. A bit macho stuff, but quite professionally handled.

The essential is in the cinematography : not much dialogue but everything is on the screen, the images speak for themselves. They don't need dialogue to explain what's going on. In that way, Ferdinando BALDI is a great director: not many are capable of this.

As for the 3D, some actions are quite powerful (the explosions, the fire...) some others especially shot for the 3D experience then not necessary.

Victoria ABRIL brings a feminine touch which was really needed.

But a good entertainment indeed.

I saw "Comin' At Ya!" when it was released in 1981. Remembering that it was highly entertaining, if cheesy, I happily threw down my 14 bucks for the DVD re-release. If you're thinking about buying it, three words: Don't do it.

Rhino has converted the film to the red/blue 3D process (as opposed to the polarization process--if you've seen the 3D movies at Disneyland or Universal Studios, you know what I mean), and the results are horrible. Not only does the 3D not work, the red and blue lenses ruin the color (red/blue 3D is better suited to black and white movies or monochromatic comic books). I gave up the glasses after ten minutes, muted the colors on my TV, and fast-forwarded to the fight scenes. It wasn't even worth the 14 dollars I paid for the DVD, and I'm taking it back.

I'm very disappointed with Rhino for even releasing the DVD with the shoddy 3D. It's as if someone said, "Yeah, the 3D doesn't work, but who cares? They'll buy it for the gimmick." If you absolutely must see it again, rent it or con a friend into buying it. Because it is absolutely not worth the money.

As for the movie itself--c'mon, rubber bats on wires; flaming arrows; spears bouncing along on half-taut wires as they come "right at you"? That's what 3D was made for. The director uses every excuse to throw things at the camera, and then some. Most of them defy logic. But it might make a good party game to predict what object on screen is going to come at you next.

"Comin' At Ya!" is pure 3D cheese, and I loved it. Just don't expect good 3D.

"Comin' At Ya!" will not be a film to every taste. It is an energetic and enthusiastic Spaghetti Western, filmed in Spain with a mostly Italian crew and an international cast top-lined by two Americans you probably never heard of. It caused an unexpected sensation when it was first released in 1981, and its success ushered in the 3-D boom of the early 1980s, bringing us other, perhaps better films like "Friday the 13th Part III" and "Jaws 3-D."

"Comin' At Ya!" was filmed using Optimax III, a 3-D system that was capable of some surprisingly lovely imagery, when used with care and restraint. But one quality "Comin' At Ya!" surely lacks is restraint. The filmmakers cheerfully take every opportunity to hurl things through the window of the screen and into the audience, and this is what makes "Comin' At Ya!" a divisive subject even among diehard 3-D fanatics.

If you love "pop-out" effects-what the 3-D technicians call negative parallax shots-then you'll find much to amuse you in "Comin' At Ya!" But be forewarned-the filmmakers got carried away in their enthusiasm, and very often brought objects much closer to the camera than necessary to achieve the proper illusion. This means the total parallax (or left and right image disparity) is very high, and this in turn means that some scenes are not exactly the easiest or most comfortable to view.

None of this is the fault of MVD, who have in my view done a commendable job presenting "Comin' At Ya!" in this Blu-Ray disc. In addition to the high parallax values I mention above, there are other problems that just could not be fixed. Some shots have stray blobs of dust in one eye but not the other, to cite one example. But overall the image is sharp and bright, the colors as vivid as they ever were, and the elements used look reasonably clean and free from damage.

The story itself is an outrageous Western yarn involving a kidnapped bride and revenge against the white slavers responsible. One must resolve not to take it too seriously, and above all not to be too offended.

In summation, if you are a diehard 3-D fan, and certainly if you are a 3-D completist, "Comin' At Ya!" deserves a place in your collection, with the caveat that you may find your eyes getting a tougher workout than you have recently experienced in any 3-D movie. If you are a casual 3-D fan, I still urge you to consider a purchase, as "Comin' At Ya!" is historically important in the history of stereoscopic cinema. And you simply will not find a more energetic and enthusiastic compendium of off-the-screen, in-your-face 3-D shots in any other single motion picture.