Le Choc des Titans

This film is one of the reasons for my being a student of the classical world! After being spoiled by the talents of Harryhausen, I just do not get excited about today's CGI effects... Not quite accurate portrayal of Perseus, but that just doesn't affect the enjoyment of this film. Fantastic film, fantastic cast!

I ignored this film when it first came out in 1981. There were just too many cool films to see that year. Friends who saw it told me it was a laughable hoot. Despite it's august cast and attempt to cash in on the mythic quest themes of Star Wars, it rapidly sunk from sight. In 1995, looking for a film appropriate for my 7 year old daughter, I pulled this film out of the 'family' section of my local library. The critics are right. The F/X are clunky, even by 1981 standards.Harry Hamlin is wooden. Judy Bowker is forgettable, and Laurence Olivier hams it up shamelessly...and yet...IT ALL WORKS! The sets and lighting perfectly capture our deepest feellings of mythic Greece. There isn't a drop of contemporary forays into irony & cynicism. It is unalloyed GOOD vs EVIL lovingly given to us by the effects wizard Harryhausen. His monsters have a childlike beauty that makes them 'scary' without trying to gross you out. It's the myth, the quest, and finally the theme that love does conquer all. No need for smart-alecky, eye-winking protaganists. Just a good old fashioned story told straight and true. My now 14yr. old daughter, wife and I just saw it again last night. See it with the child in your life, or the child in you.

Thank you Mr. Harryhausen, for this and all your wonderful films.

One of the all time great sword-n-scorcery movies. All star cast. And to top it all off Ray Harryhausen effects.

This film opens with a woman and her child being shunned by her kingly father and the city he represents, and banished to the depths of the sea. We soon find out that this child is the son of Zeus, king of Mt. Olympus and king of the gods. Zeus then releases this terrible beast called the Kracken to destroy the city. The child is saved and grows to manhood. His name is Perseus. The film is then a chronicle of Perseus's adventures as he battles the deadly, deformed Calibos, giant scorpions, a two-headed giant dog, and the evil Medusa herself, as well as the mightiest of all titans, the Kracken itself. We also see him befriend the magical Pegasus, and meet Cheron on the river Styx. This movie is great fun and makes all these mythological names come alive. The credit for this goes to the wonderful stop-animation work of Ray Harryhausen, in his (unfortunately) last film. Credit also goes to the wonderful supporting cast of British stage nobility playing the gods and such, Laurence Olivier plays Zeus, Maggie Smith is Thetis, and Claire Bloom, Ursala Andress, Flora Robson, and Burgess Meredith play memorable roles as well. Harry Hamlin as Perseus and Judi Bowker as his love-interest Andromeda are lackluster(although Ms. Bowker is VERY easy on the eyes). But their lack of acting savvy is one of the few detriments of the film. This film is fast-paced adventure that is magical, mystical, and memorable!

When most modern people hear the word "myth", they often "translate" it into the word "lies". To my way of thinking, that accounts for the radical differences in how this film has been evaluated by various viewers. Here is my view and I speak as a casual student of psychologist Carl Jung.

The story line is--not surprisingly--mythic. It is a grand story told on a grand scale with the best tools which were available in 1981. Note the differing ways in which Caliban and Perseus handle misfortune--how many ordinary mortals become so sorry for themselves that they much worsen their own condition? To be sure, it is an invented tale, but it is a myth, not a pack of lies.

It is hard not to like Ray Harryhausen's superior special effects. The technology is better today, but Harryhausen was and is unsurpassed at getting his "mythologicals" to act and interact with the cast.

Oddly enough, Laurence Rosenthal's score--which recently became available on CD--isn't given the attention which it deserves. The music which he composed is spirited, unique and utterly supports whatever is happening on the screen--from the seemingly careless destruction of an entire city to Perseus' "love at first sight" when he sees the sleeping Princess Andromeda.

If you have the gift of mythological consciousness, this is a "10" film for sure. If not, I feel sorry for you. Read some Jung.