IMDb RATING
5.7/10
3.6K
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When a rich white corporate executive finds out that he has an illegitimate black son, things start falling apart for him at home, work, and in his social circles.When a rich white corporate executive finds out that he has an illegitimate black son, things start falling apart for him at home, work, and in his social circles.When a rich white corporate executive finds out that he has an illegitimate black son, things start falling apart for him at home, work, and in his social circles.
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Just watched on Bounce TV, and ancillary channel available here in NYC to those of us "cable-less" free TV antenna viewers.
I thought it was a very well done comic treatment of a very real American issue. Racism is never dead, it just hides under the surface like an indolent disease. I thought George Segal did a fine job. Jack Warden played the rich, controlling, pragmatic racist father in law to tee. And then there is Denzel. I watched the opening credits and saw "and Introducing Denzel Washington". How could ANYONE resist that?? Maybe I am just blinded by love ;) but the talent was just so obvious in this very early performance.
I thought it was a very well done comic treatment of a very real American issue. Racism is never dead, it just hides under the surface like an indolent disease. I thought George Segal did a fine job. Jack Warden played the rich, controlling, pragmatic racist father in law to tee. And then there is Denzel. I watched the opening credits and saw "and Introducing Denzel Washington". How could ANYONE resist that?? Maybe I am just blinded by love ;) but the talent was just so obvious in this very early performance.
I saw this movie in the 1980s on German TV (in English). Fortunately, I taped it, because I never saw it again -- until 2006 on the MGM cable channel (and now I recorded it on DVD!). In the meantime, I wrote a thesis that dealt, among other things, with integration and denial issues (compare it to Woody Allen's "Zelig", for example!), and I found more quotable poignant and funny lines in this movie than in any other. On top of it, it has all those minor jokes that you probably won't catch the first time around and that make a comedy great. This movie is extremely funny, well written and has great actors, who should really be proud of it. The only thing that surprises me is that with all those big names attached the movie is so frequently overlooked and almost forgotten. If you haven't seen it and get a chance to, by all means, watch it and spread the word. By the way: I won't claim I saw Denzel's potential back then, but when I look back at this movie now, in hindsight, you can detect an Oscar winner in the making. Why didn't I give ten points? Well, I have to admit that the movie tapers off a bit at the end. If it had started more slowly, it would be OK, but the first half is just one funny line after another, and it just doesn't keep up its pace. And maybe the end is too unrealistic -- but then again, what do you expect from comedy? For me, it still works because it has a lot to say, and it does so in a brilliant way.
Before watching this, I feared I was in for some cringy, eye rolling moments. Not as many racial slurs as I'd thought, plus two great actors (Denzel Washington and George Segal) starring in this. I was thrilled that I was about to witness Denzel's film debut, and I'd hoped it wasn't as offensive as I'd imagined. I mean, for young Denzel to be in such a film? I had expected something... better.
There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!
There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!
White corporation man George Segal gets a rude awakening when he finds out that he has an illegitimate son who happens to be black (our first real theatrical look at Hollywood icon Denzel Washington). Naturally Segal's Beverly Hills life turns topsy-turvy with wife Susan Saint James and father-in-law Jack Warden complicating the situation by forcing Segal into a life of degradation and poverty with usually hilarious results. Pure early-1980s fluff here as Washington puts that bright smile of his on and steals every scene from veteran Segal. Segal though does an admirable job and feeds off the film effectively. Ultimately though the substance is lacking and the typical comedic situations eventually end up being predictable and sometimes stale. The late drama also feels forced and somewhat unnecessary. Still a watchable piece of entertainment for its two leads. 2.5 out of 5 stars.
One part "Fire Sale" ( White family adopting Black child ), one part "Guess Who's Coming to Dinner?" ( the culture clash surprise ), one part "Life Stinks" ( the reality of life on the streets ), and you pretty much have "Carbon Copy". The movie can stand on it's own however, because George Segal and Denzel Washington compliment each other nicely as mismatched Father and Son. There are a number of laugh out loud moments, and some social lessons too. If you go in not expecting too much in the way of logic, you will not be disappointed. I think George Segal is very underrated as a comedy actor. Just take a look at "Where's Poppa?" if you disagree. - MERK
Did you know
- TriviaTheatrical feature film debut of actor Denzel Washington.
- GoofsWhen Walter and Roger check into a hotel the sign says "Free Ice and TV". Later in the room, Roger wants to watch TV and states that the TV requires payment of a quarter (25 cents) to watch it. This is most likely due to shady business tactics which can promise something but later retrieve that promise with diverse excuses.
- Quotes
Reverend Hayworth: God is white. It's simple logic. His son is white.
Walter Whitney: That's not proof. I'm white. My son is black.
- ConnectionsFeatured in Vintage Video: Carbon Copy (1981) (2022)
- SoundtracksI'm Gonna Get Closer to You
Music by Bill Conti
Lyrics by Paul Williams
Performed by Dan Seals (as England Dan Seals)
- How long is Carbon Copy?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Llámame Mr. Charly
- Filming locations
- 417 Amapola Ln, Bel Air, Los Angeles, California, USA(Home the family lived in located in Bel Air, though the storyline stated they lived in San Marino)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $9,566,593
- Gross worldwide
- $9,566,593
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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