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During a high-profile Mafia testimony case in California's Riverside County, a hired killer checks into a hotel room near the courthouse, while his depressed next-door neighbor wants to comm... Read allDuring a high-profile Mafia testimony case in California's Riverside County, a hired killer checks into a hotel room near the courthouse, while his depressed next-door neighbor wants to commit suicide over marital problems.During a high-profile Mafia testimony case in California's Riverside County, a hired killer checks into a hotel room near the courthouse, while his depressed next-door neighbor wants to commit suicide over marital problems.
- Awards
- 2 nominations total
Featured reviews
Although "Buddy Buddy" is yet to be regarded as a modern movie classic, no other films have made me realize the art of comedy such as this one. Walther Matthau is hillarious in his portrayal of Trabucco the assassin who is constantly being interrupted from doing his dirty deeds, by an even more astonishing and suicidal! Jack Lemmon. Director Billy Wilder has captured moments on tape that we all seem to relate to one way or another. Together with german actor Klaus Kinski, who more often played deeper roles than this, Lemmon and Matthau gives a performance one would normally find on a broadway theatre.
Jack Lemmon has a penchant for playing the suicidal guy after a bad break up. He did that in The Odd Couple as Felix Ungar and he's at it again here in Buddy Buddy.
Walter Matthau, on the other hand, is not a slob in this film, he's quite the opposite. Matthau plays Trabucco, an all business, very skilled hitman working for the mob. He's targeting his last hit from a hotel room across the street from the courthouse when his work is interrupted by the suicidal and neurotic Victor Clooney (Lemmon).
Buddy Buddy provided a few chuckles, mostly from Matthau. Lemmon is more of a ham but I'm not a big fan of the Abbott and Costello type comedy. You probably know the type:
"Why are my pants down?"
"For your shot."
"What shot?"
"The one the doctor gave you."
"What doctor?" and so on.
So, the laughs were light, but it was a delightful movie anyway.
Walter Matthau, on the other hand, is not a slob in this film, he's quite the opposite. Matthau plays Trabucco, an all business, very skilled hitman working for the mob. He's targeting his last hit from a hotel room across the street from the courthouse when his work is interrupted by the suicidal and neurotic Victor Clooney (Lemmon).
Buddy Buddy provided a few chuckles, mostly from Matthau. Lemmon is more of a ham but I'm not a big fan of the Abbott and Costello type comedy. You probably know the type:
"Why are my pants down?"
"For your shot."
"What shot?"
"The one the doctor gave you."
"What doctor?" and so on.
So, the laughs were light, but it was a delightful movie anyway.
Jack Lemmon and and Walter Matthaw directed by Billy Wilder and teaming up again as a deranged husband and a professional hitman . As Lemmon is a clumsy would-be suicide who decides to end it all in a hotel due to his separated wife : Paula Prentiss . While Walter Matthaw is a hit man who rents the room next door and whose mission goes wrong . As this professional murderer has a well ordered-arrangement to knock off a state's witness , but Lemmon filling of his contract difficult , being interrupted by his suicide attempts.
A failed attempt at re-run The Odd Couple by coupling Walter Matthaw and Jack Lemmon as , respectively, a hired killer man and a jilted husband unluckly enough to have an adjoining hotel room . The results are less than comical but do provoke a few smiles and brief hilarious stuations . The great starring duo being well accompanied by a decent support cast , such as Paula Prentiss , Klaus Kinski , and Dana Elcar . Adding an atmospheric cinematography by Harry Stradling Jr , as well as a thrilling musical score by Lalo Schifrin in his usual of the Seventies .
Here Billy Wilder teams up again with his usual screenwriter , regular collaborator I A L Diamond who got dizzy heights from Sabrina and The Apartment to this inferior film compared to their masterpieces . Being Billy Wilder's last film feature , throughout a long career getting a lot of successes both , as writer and director , as he made the following prestigious flicks : "Double indemnity" , "Fortune Cookie" , "Lost Weekend" , "Spirit of St Louis" , "Love in the Afternoon" , "Some like hot" , "Sunset Boulevard" , "Witness for prosecution" , "Stalag 17" , "Seven Year Itch" , "One Two Three" , "Irma La Douce" , "Apartment" , "Fedora" , "The Private life of Sherlock Holmes" , among others. The yarn will appeal to Walter Matthaw and Jack Lemmon fans .
A failed attempt at re-run The Odd Couple by coupling Walter Matthaw and Jack Lemmon as , respectively, a hired killer man and a jilted husband unluckly enough to have an adjoining hotel room . The results are less than comical but do provoke a few smiles and brief hilarious stuations . The great starring duo being well accompanied by a decent support cast , such as Paula Prentiss , Klaus Kinski , and Dana Elcar . Adding an atmospheric cinematography by Harry Stradling Jr , as well as a thrilling musical score by Lalo Schifrin in his usual of the Seventies .
Here Billy Wilder teams up again with his usual screenwriter , regular collaborator I A L Diamond who got dizzy heights from Sabrina and The Apartment to this inferior film compared to their masterpieces . Being Billy Wilder's last film feature , throughout a long career getting a lot of successes both , as writer and director , as he made the following prestigious flicks : "Double indemnity" , "Fortune Cookie" , "Lost Weekend" , "Spirit of St Louis" , "Love in the Afternoon" , "Some like hot" , "Sunset Boulevard" , "Witness for prosecution" , "Stalag 17" , "Seven Year Itch" , "One Two Three" , "Irma La Douce" , "Apartment" , "Fedora" , "The Private life of Sherlock Holmes" , among others. The yarn will appeal to Walter Matthaw and Jack Lemmon fans .
For what turned out to be his final film, Billy Wilder decided to adapt the French black comedy L'Emmerdeur to America and he and his writing partner I.A.L. Diamond came up with Buddy Buddy.
As it turned out I saw this film back to back with Wilder's Kiss Me Stupid. In that one, a whole lot of talented actors couldn't raise it above mediocrity. But in watching Buddy Buddy I failed to see why this one was slammed as bad as it was. It's not anything close to what Jack Lemmon and Walter Matthau did in The Fortune Cookie or even in the remake of The Front Page. Still Buddy Buddy does have its moments.
Of course the film does hinge on the incomparable chemistry between Lemmon and Matthau and they save the film essentially for Wilder. They are two total strangers whom chance throws together at a most inopportune moment.
Matthau is a professional hit-man who's been given the job of killing three stoolies who are to testify at a mob trial. He's got the first two and has a plan set for number three.
Then of course he meets Lemmon who is despondent over his wife leaving him for a fake sex therapist. He checks into the same hotel in the room next to Matthau who is readying his hit and tries to commit suicide.
For the rest of the film Matthau is forced to take an interest in this schnook's marital problems to keep from committing suicide and bringing a swarm of police to the hotel. Matthau and Lemmon get into some pretty funny situation as there seems to be no end in sight to what can go wrong with a well thought out plan.
Lemmon's wife is played by Paula Prentiss and their marriage seems very much modeled on the one Lemmon had in The Fortune Cookie. Things work out just about the same way for the unhappy couple.
Things kind of work out for Matthau too in a rather unbelievable way for which you will have to see Buddy Buddy. And while it's not like some of the great Wilder classics of the Fifties when Billy was at his creative best, it's far from the worst film he could have gone out on.
As it turned out I saw this film back to back with Wilder's Kiss Me Stupid. In that one, a whole lot of talented actors couldn't raise it above mediocrity. But in watching Buddy Buddy I failed to see why this one was slammed as bad as it was. It's not anything close to what Jack Lemmon and Walter Matthau did in The Fortune Cookie or even in the remake of The Front Page. Still Buddy Buddy does have its moments.
Of course the film does hinge on the incomparable chemistry between Lemmon and Matthau and they save the film essentially for Wilder. They are two total strangers whom chance throws together at a most inopportune moment.
Matthau is a professional hit-man who's been given the job of killing three stoolies who are to testify at a mob trial. He's got the first two and has a plan set for number three.
Then of course he meets Lemmon who is despondent over his wife leaving him for a fake sex therapist. He checks into the same hotel in the room next to Matthau who is readying his hit and tries to commit suicide.
For the rest of the film Matthau is forced to take an interest in this schnook's marital problems to keep from committing suicide and bringing a swarm of police to the hotel. Matthau and Lemmon get into some pretty funny situation as there seems to be no end in sight to what can go wrong with a well thought out plan.
Lemmon's wife is played by Paula Prentiss and their marriage seems very much modeled on the one Lemmon had in The Fortune Cookie. Things work out just about the same way for the unhappy couple.
Things kind of work out for Matthau too in a rather unbelievable way for which you will have to see Buddy Buddy. And while it's not like some of the great Wilder classics of the Fifties when Billy was at his creative best, it's far from the worst film he could have gone out on.
I was lucky enough to find this movie posted on that famous video site, and sat down for what I thought was going to be a disaster. Billy Wilder's final film, as I've read and heard, was a disaster. Awful, a terrible end to the most brilliant of film careers. Well, after watching "Buddy Buddy" I find that I don't agree with that harsh assessment.
Jack Lemmon plays his usual role, the put on Everyman. But to say that in a negative light is wrong. He played that character so well, that it is a pleasure to see him do it again. This time, he is trying to win back his estranged wife of 12 years, who has left him for a sex clinic doctor.
Playing against type, is Walter Matthau playing a hit-man who has one last job to complete before retirement and a life of leisure on an island near Tahiti. As fate would have it, both men find themselves in the same hotel with much different objectives. Lemmon to end his life, and Matthau to end a mob snitches life, before he's able to testify in a big trial.
Needless to say, hijinks ensue, and in my opinion, some really funny scenes. I won't spoil it, but give Buddy Buddy a chance. Is it "The Odd Couple"? No. Is it worth a watch for some harmless entertainment? Absolutely.
Jack Lemmon plays his usual role, the put on Everyman. But to say that in a negative light is wrong. He played that character so well, that it is a pleasure to see him do it again. This time, he is trying to win back his estranged wife of 12 years, who has left him for a sex clinic doctor.
Playing against type, is Walter Matthau playing a hit-man who has one last job to complete before retirement and a life of leisure on an island near Tahiti. As fate would have it, both men find themselves in the same hotel with much different objectives. Lemmon to end his life, and Matthau to end a mob snitches life, before he's able to testify in a big trial.
Needless to say, hijinks ensue, and in my opinion, some really funny scenes. I won't spoil it, but give Buddy Buddy a chance. Is it "The Odd Couple"? No. Is it worth a watch for some harmless entertainment? Absolutely.
Did you know
- TriviaFinal theatrical feature film writing collaboration of long-time co-writers I.A.L. Diamond and writer-director Billy Wilder.
- GoofsThe character played by Frances Bay is in two different spots of the sex clinic at the same time - the lecture hall and the library.
- Alternate versionsABC edited 5 minutes from this film for its 1985 network television premiere.
- SoundtracksCecilia
Written by Herman Ruby (uncredited) & Dave Dreyer (uncredited)
Sung by Michael Dees
Arranged by Pete Rugolo
- How long is Buddy Buddy?Powered by Alexa
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $7,258,543
- Gross worldwide
- $7,258,543
- Runtime
- 1h 36m(96 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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