La Boum

"La Boum", while not being a complicated or serious movie, does have its good points. Sophie Marceau as Vic acts out quite well how Vic reacts to her parents' crumbling marriage and her excitement over developing her relationship with her new boyfriend, Mathieu. There are practical jokes throughout the movie, and also a lot of teenage angst drama. This is basically a movie to watch when you want to be entertained instead of watching a serious movie.

Not exactly deep philosophical concepts, but this film doesn't need all that. It is the timeless tale of teens coming of age and parent-teen relations.

Sophie Marceau burst on the scene with a great performance here. I wanted to become a teen again so I could fall in love with her character Vic and slow dance with her. So pretty, nice, sweet, wearing her heart on her sleeve, trying to cope with teen angst, first love, going to a new school, her parents' marital problems, dealing with her parents' rules, it's all there. Yes it is billed as a comedy and there were some very funny moments, like the one with all the fathers outside of the party trying to figure out how to get their kids out of there, when really the party is pretty mild. The great grandmother was a hoot, as she did her best to help Vic navigate through her first love, among other life issues.

It is a fair snapshot of an era in Paris that has come and gone. The eternal generation gap is played out, but people are forgiven and move on, which is a sign of hope for the current generation of endless cynics to perhaps learn from.

Very entertaining, and a very fun ride. Just watched it twice but will watch it many more times. They keep playing the same music but if they are going to do that they picked a really nice song. One that will kind of stick with you.

Make no mistake about it, though, this is Sophie Marceau's movie all the way. I just can't find the words to say how wonderful she is, as a beautiful woman, here a pretty teen, her great and versatile acting ability which even though we know she had some good training later on, here it seems like she was just born to act. Now it is 40 years later and she is just as enchanting as ever. And this movie has really lasted all these years without losing its appeal.

My french teacher allowed my class to watch the entire thing.It's a wonderful movie. There was one slow song that kept playing throughout the entire film, but at the moment I cannot recall the name of it. I give it a ten out of ten because it was funny, shocking, and even a smidge sad at points. Nowadays it would most definitely be rated PG-13 at least, because it does contain profanity and some sexual references. All of the foreign films shown to us in class were loved by all, such as Jean De Florette and Manon De la Source, which are both equally fabulous movies. I must say that I greatly enjoyed the lead female character's haircut. It really looked good on her.

Like many, I recall watching this film as a teenager in French class at a US high school. At that time, the appealing qualities for me were the "kids just trying to have fun" elements: the discotech dance parties, and the effusive French culture which at the time (anyone still remember the Cold War?) showed the affinity of the western world states for their different social values.

I just watched the film again, with Chinese subtitles no less, and was really struck by the fact that much of the story resounds with parents. The scene of the parents huddling around the pay phone, each not wanting to be the one to embarrass their child by showing up first is great. The line, "Je Montre!", is just the feeling of charging into the breach of the unknown that a real parent with a 13 year-old daughter should expect.

I was also struck by how out of place the "cross-culture" elements appear today. The scene socializing a MacDonalds, the "fait un American" dance, the UCLA sweatshirt... I doubt they have much place in today's climate of "freedome fries" and "economic techno-goober globalization". You can watch this film thinking "Vic/Mathew is dreamy", "Boum = fun", but I suggest after you're done, rewind the tape and watch it again looking for the second layer of social observation that abound. Ask yourself whether you will ever see this generation of kids sitting at home on the floor talking on the phone (why bother when then all have cell phones), or even going to a real live Boum (when there are "no consequences" chat rooms, video games, 100+ channels of cable TV, and so much "don't get left behind in the global rat race" anxiety).

I grew up in the 1980ies and didn't see the movie until now. I have to admit that, despite the hype at the time, it's a decent coming-of-age movie which ended up setting the script for all the teenage romcoms to come. To my surprise, the travails of young Vic are buffeted by the adventures of her patchworkish family, with her philandering father, her economically struggling mother and her funky grandmother. Unusually it depicts the (naturally rather tame) love adventures of 11 to 14-years-olds, in other words the deal is the first kiss on the mouth here, whereas modern movies either cater to kids or senior to college level young adults, where much more risqué humour is viable.

What makes the movie worth watching today is the enormous cultural gap between then and now. It all seems so dull, grey and dusty, just like I remembered the era.

Some things I found especially noteworthy:

* the characters eat noodles all the time; even steak with noodles

* the movie makers had a thing going for Germany; we have sexy German teacher monsieur Lehman, in part two Vic goes to summer school near Salzburg and heart throb Pierre sets off for exotic Stuttgart

* Denise Grey (grannie Poupette) was 84 years old when the movie was released; she had her first acting appearance in 1913 and died at the age of 99

* the family car, a Talbot-Matra Rancho in the luxurious Grand Raid edition (with headlights which look like cop cruiser searchlights); basically a R4-class ride styled to look as if it had just won the Camel Trophy

* the eponymous "boum" (party) is incredibly lame by modern standards, essentially kids standing around a record player, listening to unbelievably cheesy music and sucking on a Coke

* the product placement: while the teens eat generic "super chips" all the time (obviously, a lucrative contract didn't surface here), there are constant placements for Lacoste and Talbot-Matra

* the fashions look unbelievably tame and stuffy, with the girls wearing almost no makeup

* the movie makers were very clever in marketing the music, they managed to scout unknown British musicians and got them to write a suitable song, played it constantly throughout each movie and thus created fairly solid hits in the process ("Dreams Are My Reality" by Richard Sanderson in the first part, and, to a lesser degree, and using virtually identical harmonies, "Your Eyes" by Cook Da Books (what??) in the second episode)

* the school Vic goes to, the lycée Henri IV, is a prestigious Parisian high school