Le Bateau

War movies have been biases to one side or the other. This movie does not make hero's or enemies of the German U-boat sailors. Instead, it grips the viewer with realistic depictions of what it was like to be a U-boat sailor for the Gemans in WWII. It starts off with young (17 year old to 25 year old) who have been filled with propaganda about the war effort and glorious battle. After this young crew of immature sailors start to experience the true horrors of war, you can not only see, but experience with them the boredom, laughter, camaraderie, team work and death. In a world where you have no windows, where your ears have to be your eyes, where a cat and mouse game is played and the looser dies, these young men age 10 to 15 years It makes the viewer realize the horror of submarine warfare in WWII. The most realistic war movie I have ever seen.

"Das Boot" is a classic. This film couldn't be more intense and emotionally draining. It is a work of genius. Jurgen Prochnaw gives a spectacular performance as the German U-Boat Captain. The acting is first rate as the cast of characters is as realistic and believable as it gets. Don't watch this film unless you are absolutely prepared to immerse yourself into the drama of life as a crewman aboard a German submarine during war. This is a very rare portrayal of battle through the eyes of our enemy and will actually have you cheering for the "bad guys" at times. This is a one of a kind movie that must be seen to be believed. Words in a review cannot describe the experience of "Das Boot." A tremendous film! A 12 on a scale of 10!

My late father served in the Royal Navy in WWII and was torpedoed by a U Boat, so when I sat with him to watch this in 1986, I fully expected him to be filled with hatred for them. Nothing could have been further from the truth. He told me that seamen, even those on opposite sides, share something unique. He told me that his ship picked up some U Boat survivors from a ramming. They were just ordinary men doing the bidding of their masters, just like he was. They were put down at Scapa Flow as POW's after being at sea for 5 weeks. Many of them had formed friendships with the Royal Navy men, including my father. He formed a friendship with a submariner called Gotz Stiffel and they remained friends until Gotz passed away. My father attended his funeral in Duisburg and he was welcomed as an old friend by the survivors of that U Boat sinking. My father said that film bought tears to his eyes. They were just ordinary men caught up in extraordinary times and this film captured everything from fear to boredom and relief. He said, and I utterly agreed with him this was just about the finest anti-war film ever made.

on modern "boats" life isn't easy- but compared to the living hell that the German U-Boats were, modern submariners have nothing to complain about. People in certain professions don't like to watch movies about those professions (Doctors and Nurses shy away from hospital dramas, for example). Submarine sailors are different. We love to watch every submarine movie ever made, from "Run Silent, Run Deep" and "Destination: Tokyo" to "The Hunt For Red October", "Crimson Tide" and "U-571". Why? Because we can always use a good laugh. For those in the know, submarine movies are usually absolutely hilarious. Except this one. After being in the Navy for four years, serving with around 350 different men, and being acquainted with a further 200-300, all of them submarine sailors, I think that I can state with absolute certainty that this film is the ONLY submarine movie that ALL submariners take seriously. And that is the highest praise a movie like this can possibly get.

Das Boot is not just a great war film: it's a great film period. Maybe it is true that epic themes make the greatest novels and films. Here is a movie that explores heroism, duty, patriotism, hope, fear and the futility of war--all grand themes--explored in the confined, and collapsing, spaces of a German u-boat.

I saw this film when I was a freshman in college during a weekend that I later dubbed my "depressing movie festival." (The Wall and Apocalypse Now were the other weekend "entries.") Of these films, it was Das Boot that haunted me--when I laid down at night, I saw Jurgen Proctow's pained blue eyes. When I woke in the morning, I felt as if I were escaping through the hatch of the submarine. I could not shake the images, and now some fifteen years later, I still remember how completely meaningless the movie made everything seem, and the nihilistic message stayed with me for a long, long time. How few films are there which affect the viewers on this level. To say this film is "powerful" seems so weak a description.

Part of the "power" of the film comes, I think, from a certain restraint in the direction. So often, films which aspire to move the audience quickly fall into melodrama, over-acting, and overblown images. Too much. These often succeed in the immediate response (usually crying) but fail to impact the viewer on anything more than a surface level. Here, it is the small moments which fill the screen. Everywhere, all around is War, but for these men as we witness them, war does not begin with a capital "W". It is reality, not a grand concept. The director lets the story shock and horrify the audience, not by forcing it, but by letting the story just tell itself. Drama, tension and resolution occur naturally in Das Boot, which contributes to the very real impact of the film.

Story is a 10, direction is a 10, acting is a 10 and the cinematography is a 10. One of the all-time greatest films.