Le Bateau

War movies have been biases to one side or the other. This movie does not make hero's or enemies of the German U-boat sailors. Instead, it grips the viewer with realistic depictions of what it was like to be a U-boat sailor for the Gemans in WWII. It starts off with young (17 year old to 25 year old) who have been filled with propaganda about the war effort and glorious battle. After this young crew of immature sailors start to experience the true horrors of war, you can not only see, but experience with them the boredom, laughter, camaraderie, team work and death. In a world where you have no windows, where your ears have to be your eyes, where a cat and mouse game is played and the looser dies, these young men age 10 to 15 years It makes the viewer realize the horror of submarine warfare in WWII. The most realistic war movie I have ever seen.

Das Boot (1981)

Widely considered the most impressive submarine movie ever made, I'll go so far as to say it's easily the most accurate that I've seen. The action scenes, the sense of doom, the eerie quiet and then explosive depth charges, the grime and the crowded conditions, all of this is palpable.

But more impressive, I think, is how the movie works as a German movie about Germans in a war where the Germans were painted as evil. American movies to this day still glorify and make heroic their roles in WWII (unlike the willingness, at times, to show the problems of Americans involved in Viet Nam, say), especially in the European side. But in movie after movie, the German film industry has confronted the real problem of being aggressors, and of being under the Nazi sway. "Das Boot" is typical, and key. The captain goes so far as to openly make fun of the German propaganda coming in on their radio. It isn't just that war is bad, but that the Nazis are bad.

Nevertheless, there they are, and they have a job to do, and they're going to do it well. So a small group of men in a small underwater tin can try to survive the boredom as much as the British, who come very close to getting them several times. It's a great movie, one of the best at capturing the feeling of being there.

What is less impressive, at times, is the more ordinary character development that seems inevitable in a movie this long--2 ½ to 4 hours depending on the version you have, I saw the long one, the director's cut. I think the acting is superb, and so it's easy to go along with the conversations and interactions, but they aren't always compelling in themselves, more just creating some space before the next conflict arises. Maybe, in some honest sense, this is exactly how it would have been. Life for most people is pretty ordinary.

But this movie is not. Or it makes what is ordinary in war--the nostalgic to the profound and deadly--believable, and not simply big and dramatic, which it also is.

For full German effect, I suggest seeing it with the original German language track on and subtitles if you need them, though I tested the dubbed version in English and it's really well done. I also suggest, if you have doubts about such an involved war movie, trying to find the older, shorter release. The visuals are not enhanced, but some of the character development sections are left out and I don't think you'll miss them. Then, of course, if you want the whole kit and caboodle, try to find the 5 hour version released in sections for British and German television.

My late father served in the Royal Navy in WWII and was torpedoed by a U Boat, so when I sat with him to watch this in 1986, I fully expected him to be filled with hatred for them. Nothing could have been further from the truth. He told me that seamen, even those on opposite sides, share something unique. He told me that his ship picked up some U Boat survivors from a ramming. They were just ordinary men doing the bidding of their masters, just like he was. They were put down at Scapa Flow as POW's after being at sea for 5 weeks. Many of them had formed friendships with the Royal Navy men, including my father. He formed a friendship with a submariner called Gotz Stiffel and they remained friends until Gotz passed away. My father attended his funeral in Duisburg and he was welcomed as an old friend by the survivors of that U Boat sinking. My father said that film bought tears to his eyes. They were just ordinary men caught up in extraordinary times and this film captured everything from fear to boredom and relief. He said, and I utterly agreed with him this was just about the finest anti-war film ever made.

I spent 17 years of my life in Royal Navy submarines. 'T' class, 'A' class and 'R' class. Das Boot is the only submarine movie that shows exactly how it was. It could be a documentary. Bouncing around in the Bay of Biscay with the sea too rough to be able to dive safely and get away from it. 'Goffers' pouring down the conning tower and the control room deck ankle deep in the green stuff. Going down backwards at 500ft and you know there is 10,000ft below you, with seawater pouring in through a burst cooling pipe and one main motor out of action. Existing for two weeks on kai or oxo because your stomach is rebelling against the elements. Laying in your bunk in ultra quiet routine with the sweat just dribbling down. When the sweat starts to dribble upwards you know it's a cockroach crawling up your body. And that Klaxon. 'Hunt for Red October', 'Crimson Tide'. They are just adventure films.

Das Boot is one of the most emotionally involving movies I have ever seen. The characters are developed richly, without those awkward moments in movies when you realize that the director is doing so. You sympathize with the crew, and FEEL their plight as they struggle, cramped in a rickety U-boat against the odds. At times the movie grows slow and drawn out, but that is intentional- to make you feel like you are trapped in an underwater coffin with nothing to do, no where to go. The directing is great, the sound is fabulous! I've never heard faint noises tell a story like this before.