Blow Out

Many consider "Blow Out" to be the highlight of Brian De Palma's career, but to be honest I was pretty underwhelmed. It starts of great though. De Palma gets to show of his amazing knack for style in a brilliant opening scene that provides a hilarious pastiche on the slasher genre. The faux-sleazy look, the clever winks at genre classics, the genuine suspense even though you know it's a movie-within-a-movie, it's genius at work. There are more of those beautiful stylistic touches spread throughout the movie (the fireworks during the climax would be an obvious example), but the plot is just contrived and the final act demands more than a little suspension of disbelief. And while John Travolta puts in a strong lead performance, obligatory damsel in distress Nancy Allen never really manages to make her character likable so you don't really care whether she lives or dies. That's why the obvious Hitchcock influence isn't as effective as it could have been, Hitchcock gave us characters we deeply cared about and then did awful things to them. Sally is no Marion Crane to say the least, making it more difficult to stay interested in her story. "Blow Out" looks fantastic, but doesn't go very far beyond that.

Jack Terri is a soundman for a B-movie studio. One night as he is out recording sounds for a film he sees an accident - a car swerves through a guard rail and into a river. Jack jumps in in effort to help and sees that the driver is dead, but he manages to save the passenger. He soon finds out that the driver was the current favorite in the presidential election and after listening to the recording he suspects that what happened was no accident.

This is the type of movie many people call a rip-off as not only does it take an idea from a previous story and film ('Blow Up') it is one of DePalma's many Hitchcockian efforts. However, under his direction the film feels fresh and moves very well. It is 13 years before John Travolta made 'Pulp Fiction' but he was already a good lead actor. Dennis Franz also gives a good turn as a photographer who knows more than he is telling.

However, the scene stealer, would have to be John Lithgow who stoically walks his way through the film as a ruthless killer who wants to remove Jack Terri for the evidence he has. Rarely is such a emotionless and callous role played out so well to such great effect.

Then there is DePalma's direction which is the great thing that put all the good stuff together. He has a particular skill of blending shots/scenes without dissolves and that carries the movie is an interesting way. Using shadows, silhouettes, rotating camera shots he is truly a master in good form here. 9/10

Rated R: some grisly violence, and profanity

Jack is a sound editor for small films. When he is out one evening recording background noises, he inadvertently records a car crash which kills a politician running for the US Presidency, although Jack saves a girl in the car. When pressured to say that the politician was alone, Jack finds that his recording may prove that it was murder and not an accident. However someone is cutting off the loose ends around the crime.

A clever rework of Blow-Up that is given a thriller twist and visual style by De Palma. The story is quite straight forward and doesn't contain too many twists and turns. However it does have a good premise at it's core and it builds to a suitably low-key ending.

De Palma works well with the material – at some points it's a little obtrusive, but he certainly can frame a shot. From his use of foreground and background focusing to the scene where Travolta realises what he has on tape – he has style to spare. He handles the ending well but perhaps feels he wants to be like Coppola a bit too much.

Pre-career dip Travolta gives his best performance before Pulp Fiction – he plays the everyman really well and is totally convincing. Allen is a little too squeaky and irritating, but get past this and she's OK. Franz is on-form as a sleazy opportunist, while Lithgow is chilling as a ruthless, clinical killer.

Overall it occasionally feels like there is more style than substance but everyone holds their end up and the result is a solid, enjoyable thriller that maybe pays a bit too much homage to other work.

A movie sound recordist called Jack (John Travolta), accidentally records the evidence that proves that a car accident was actually murder and consequently finds himself in danger. When Jack discovers that the deceased was a presidential candidate, he begins to suspect that it was an assassination. Jack talks to the girl companion of the driver, whose name is Sally (Nancy Allen), who seems confused about what happened, and when the hospital cuts her loose, Jack offers to take her home. Eventually, Jack confronts the evil ¨Liberty Bell Strangler¨. The Blow Out took them to the edge of terror . . . His questions took them way beyond !. Murder has a sound all of its own!.The latest fashion in murder !. Every nightmare has a beginning...This one never ends !. Brian De Palma, Master of the Macabre, invites you to a showing of the latest fashion... ...in murder !.

An inteligent film about a a sound effects engineer becomes involved in political intrigue as he tries to expose a conspiracy with the evidence he has gathered, so our starring finds out he may have recorded evidence of a murder. An intricate mystery and pays tribute to ¨Antonioni's Blow up¨ and some Hitchockian remarks. This haunting thriller flick is plenty of mystery, intrigue , plot twists and suspenseful. A highly exploitative and fast-paced suspense/thriller , recognisably from the blood-spattered hands of expert filmmaker Brian De Palma. The film displays a great and catching musical score by Pino Donaggio, De Palma's favorite composer, in Bernard Herrmann style , and imitating former hits , along with appropriate cinematography. There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment . A classic in suspense from De Palma, pitching us right into the action from the beginning and baffling most of us to the ending . There are also tense key images that are brilliantly and originally staged. This is a sophisticated treaty on edition and perception, being brilliantly assembled and wrought. The mechanics of suspense are worked quite well by the filmmaker and many frighten the easily scared quite adequately, but De Palma has made a habit of dwelling on their more sordid side-shoots .Here John Travolta is very good as the sound engineer working on cheap horror movies, who watches one night, while recording sound effects, as a car in which a couple is traveling falls from a bridge into a river. Along with other stunning actors, such as: Nancy Allen who married director Brian De Palma, the nasty John Lithgow, Dennis Franz, John Aquino and John McMartin.

It contains colorful and luminous cinematography by prestigious cameraman Vilmos Zsigmond. As well as nail-biting, impressive musical score by composer Pino Donaggio. Pretty good and graphically mysterious direction from Brian De Palma. ¨Blow out¨ is Brian De Palma's homage to Antonioni and the reason for the chief amusement turning out to be the twisted inquire with some scenes taken from this Italian master, and De Palma also takes parts especially from Hitchcock. The picture is brilliantly directed by Brian De Palma. This ¨Blow out¨ -along with ¨Sisters¨,¨Dresssed to Kill¨, ¨Body Double¨- resulting outwardly another ode to Hitchcock with the accent on the killings, but on most occasion is really thrilling . Rating : 7/10 . Above average, it gets some riveting basic ideas and attractive images. Nowadays , being a highly considered film; that's why it is deemed by many to be one of the Brian Palma's best.

The opening of this movie must rival Bullit as cool openings go. Wonderfully shot throughout, and even though you can see how dated the film is just by Travoltas' and Allens' hair and dress sense, it doesn't affect the quality. The story is competent, but what makes the film is DePalma's treatment. The quiet scenes and the complete focus on noise, other than that of the characters talking. Visuals and backgrounds start this movie and run all the way through the major scenes, finally closing it. This is an excellent thriller, and many modern films of this genre should take notes. A great movie.