Un duo d'enfer!

This movie was an upside down love story of two people who were unlikely to end up together. It was great to watch because you know what's going to happen in the end, but you want to see how they get there. The one problem I had with this movie was Sally Field playing a prostitute. It just didn't seem believable to me. Sally Field looks to innocent and sweet to play a character like this. Tommy Lee Jones, on the other hand is just great. He plays the part of a drifter that moves from town to town and does almost everything to survive, but also maintains a good heart towards this woman(Sally Field)that wants nothing to do with him. If you are going to watch it, watch it for Tommy Lee Jones. One other thing, they should of chosen more than just one song for the movie. The theme song plays about 3 or 4 times throughout the movie. This is one movie that I would love to see remade. It's a timeless movie.

Good road movie and pretty emotion provoking. There are so many involving moments where you may sympathize the characters or feel sad about them, feel their situation and live it with them. The story may lack direction or logically complete end but nevertheless it's worth watching for the warmth of the characters' relations, the sensual way they stick together. If you can enjoy movies without judging them too strictly and without expecting anything stunning or extraordinary and just want to spend time following the way and sharing troubles with the characters, this movie might be for you. I rate this movie for the warmth that is expressed by the protagonists

Hi. Long time ago I was on a Swedish ship, a general cargo ship on a trip from England to Brownsville, Texas. It was a bad ship, and it ended in a one-way ticket back to Sweden, paid by the Swedish embassy, but, however, there were some Mexican hookers visiting our ship every day during our stay, very friendly and "speakable", but one day when they came aboard one of them shouted "I'm a movie star", and she explained that she had a part in a film called "Crossroads" (later I found out that it was called Back Roads), featuring Sally Field. As the years went by I looked for this film but never found it, until today(!) 14th March 2007, when they showed it on cable television...fantastic! After all, she wasn't lying! A little story on the first day of spring here in Sweden. Yours Rune Carlsson

Despite the presence of two Oscar-winning actors in its cast, "Back Roads" has been forgotten for the most part. Seeing it, it becomes clear why it hasn't built a cult. I won't say that it's a terrible movie - there are a few good things about it. It's nice for a change to see a major Hollywood studio movie that is fairly downbeat in nature. Also, the acting by both Jones and Field is pretty good - in fact, while watching the movie, I never thought I was watching two movie stars, but instead watching two characters. But their characters aren't that interesting. We don't learn much about them, and their frequent bickering becomes ultimately tiring. Also, when the movie ends, it ends at a point where it seems unfinished. It's like the director said, "We've got a 90 minute running time, so let's call it a day." Only worth watching if you want to see why the CBS network wasn't very successful in making theatrical movies.

Director Martin Ritt reteamed with his "Norma Rae" star Sally Field for this curiously thin road movie that appears to have been inspired by '40s comedies, although nobody at the time was clamoring for an R-rated Preston Sturges. Field retains her appeal in a role that I'm not sure was meant to be likable or not. She's a hustler-with-a-heart-of-gold down South who dreams of being a manicurist; Tommy Lee Jones is the ex-fighter who heads with her out West for a brand new start. They fight, they make up, they swat bugs, they hitch rides, they fight some more. Ritt obviously wanted to give brand new Oscar winner Sally Field the kind of star build-up she nearly had in the Burt Reynolds pictures from the previous decade, but he needed a judicious editor to shape the scenes of comedy and sentimental drama. He also has a problem transitioning from one tone to the next: there's a rousing bit with Jones scoring in the boxing ring, but the joyous mood is then immediately undercut by too-real violence involving a sadistic madam (a genuinely chilling Miriam Colon). Ritt blamed the poor box office returns on his star-leads, who reportedly did not get along. True enough, simply casting nice-girl Field as a streetwalker is little more than a stunt without strong material to back her up. Field does get a subplot trying to establish contact with a child she gave up for adoption, but it leads nowhere--just like the majority of the dead-end "Back Roads". ** from ****