Artemis 81

I liked this film. It's got it all, inter-dimensional(or planetary?..you decide)travel, unrequited homosexual love, heterosexual love, journeys of self awakening, the apocalypse, great music played by weird organists with a devilish pact, oh and of course Sting as the good angel(spirit) Helith. The basic gist of the story is Helith and the evil Asrael go head to heads after Asrael wakes the Earth spirit Magog from her slumber.Magog represents the destruction of the earth. Helith and Asrael are then charged with influencing man to save or destroy the planet. Gideon Harlax, a writer of the paranormal, stumbles upon a bizarre series of coincidental deaths on a ferry from Denmark and the weirdness begins from here including being transported to another planet, dimension or future Earth..(it's never explained). Dr Albrecht Von Drachenfels is in unwillingly in league with Asrael and the fate of the Earth and mankind rests with a piece of music he must play to herald the apocalypse........yee har!! I Loved the atmosphere of dread that the film portrayed in a nod to the Danish Film industry and at times you feel really uncomfortable and bewildered which is of course how you're supposed to feel as it reflects the confusion and uncertainty that the main character is feeling. It doesn't lead you by the hand like Hollywood films do, so expect to have to think a little( oh the horror!!). Overall enjoyable for sci-fi fans who like apocalyptic themes.Give it a go for the sake of mankind!

This is the most excruciating, teeth-grindingly slow and incomprehensible piece of television I have ever sat through. It is almost unbelievable that this once received over three hours of Christmas prime-time terrestrial television programming. If anyone out there has seen this and can tell me anything about what was going on at virtually any moment of the proceedings after the author's van blows up, can they please e mail me and enlighten accordingly. I felt that this could have been at least an hour shorter but perhaps the extreme length was part of the makers intention. Certainly there are many striking images and memorable lines of dialogue but I found the pace to be impossible to bear at one sitting. Nevertheless, a very brave piece.

I'm not sure how to describe this bizarre, but beautiful movie.

First, it's long. Just one minute under three hours. And it's not exactly fast-paced either. If sci-fi for you means action, spaceships and interplanetary intrigue, give this one a miss. In fact, although the cover describes it as "The cult BBC Science Fiction film", I'd hesitate to call it science fiction; indeed, I'd hesitate to label it anything at all.

And it's definitely flawed. The dialogue is riddled with melodrama and pretentious poetry; the camera-work sophomoric, and the editing clumsy. And yet the effect shines through: the movie has an eerie, otherworldly quality, where trivial details (such as an old lady glaring at a noisy conversation in a library) seem to take on ominous significance.

And so, if you have the patience, you'll get sucked in to this movie. It's mysterious, and beautiful. But don't expect to come out satisfied. Although there is a plot, it is far from clear. The story moves from one surreal incident to another, each connected but seldom shedding any light on its predecessor; even at the end, when it appears that our protagonists have triumphed, it's far from clear what exactly they've triumphed over, and most loose ends are left firmly untied.

Hywel Bennett does a fine job as as the somewhat petulant author caught up in a situation that might have been co-written by Kafka and Philip K Dick. Dinah Stabb perhaps succumbs a little to her melodramatic script; Dan O'Herlihy brings an artistic gravitas to his role. A cameo from a very young Daniel Day-Lewis, and a supporting role by Sting, add a bit of celebrity interest.

Overall, Artemis '81 reminded me more than anything of Twin Peaks (which was made nearly a decade later, and, curiously, also featured Dan O'Herlihy) - the same sense of explanation hidden just around the corner, and another reality just half-glimpsed and poorly understood. I don't think everyone will enjoy this movie, but I certainly did.

Almost forty years ago, I lost three hours of my life watching, and trying to make sense of, this film. I still don't really know what it is about even today, when helpful people have written explanations and put them on the Internet.

My main memory is of Gordon Sumner aka Sting, standing on an obviously freezing beach wearing a bathrobe, stating "I am not uncomfortable, I am not of this world", his nose pink with cold.

By all means watch this film, but please don't expect to make any sense of it.

Okay, so Artemis gets off to a dodgy start with Asrael sounding like the decapitated Dr Hill in 'Re-animator', followed soon after by the dreaded hubcap shot (although that may have been a deliberate spoof, you never know with this epic.) However, intrigue soon captivates and the production becomes enthralling. Surprisingly, as homo-erotica is not my first choice viewing, nor am I a devote of crosswords, Suduko and puzzles in general. It takes a little adjusting to because the characters speak in elliptical and metaphysical terms, occasionally lapsing into jarring movie speak such as: "what the hell is this place?" although purposefully, I suspect. It's not always clear what is real or imaginary, for instance, how the two protagonists got from what appeared to be a polluted East-European country to Wales, but you always want to know what happens next. The Bela Lugosi/Hitchcock references may be over-literal for some. For instance, I exclaimed: "oh, look, a Hitchcock blonde!" only to find the actress listed as 'Hitchcock Blonde' in the end credits. But the playfulness helps offset any pretensions.

Artemis would have made a great widescreen feature, not that it would have made a penny at the box office. For something done with such obvious love and commitment, it is woeful that it has never been repeated or released retail. It really is beautifully done. Those who like the children's sci-fi serial 'Sky' may like this, although Rudkin is ideologically opposed to interventionist supreme beings. Brazil also springs to mind, although Artemis is diametrically opposed to that film's freneticism. A rum concoction for sure, but I for one can't wait to see it again.