IMDb RATING
6.5/10
2.1K
YOUR RATING
At a boarding school in England, students Benjie Stanfield and Arthur Dyson endeavor to drive their strict Roman Catholic priest Father Goddard mad with their confessed sins.At a boarding school in England, students Benjie Stanfield and Arthur Dyson endeavor to drive their strict Roman Catholic priest Father Goddard mad with their confessed sins.At a boarding school in England, students Benjie Stanfield and Arthur Dyson endeavor to drive their strict Roman Catholic priest Father Goddard mad with their confessed sins.
- Director
- Writers
- Stars
David Bradley
- Arthur
- (as Dai Bradley)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Angry looking, twitchy Richard Burton stars as a priest at an all boys school. He's all for slapping down the disabled, annoying pupil while praising the sycophantic, sneaky pupil (I've forgotten their names already). Meanwhile, Billy Connolly of all people turns up as a drifter and after being told to bolt by Burton, sets up camp on the school grounds and begins to turn the sneaky pupil's head onto drink and drugs and living free.
Vexed by Connolly's free spirit and nimble banjo plucking, Burton sets out to get rid of the Glaswegian hippy and get his pupil to return where every adolescent boy belongs: in a school run by Catholic priests. Brian Glover appears as a policeman that gives out a good old seventies police kicking for good measure. However, the tables turn as the young pupil confesses that he's murdered somebody, but is he telling the truth or is it just all mind games to drive old rummy Burton out of his mind?
This film is deadly, deadly slow, but quite on purpose. It's yet another one of these seventies movies where the plot zigs and zags and somehow retains a dark atmosphere that modern films somehow can't quite emulate. There's very little by way of action, but one burst of violence took me by surprise in it's brutality (a nasty axe to the face scene). Burton looks genuinely annoyed at everything, and as this was Billy Connolly back when he was funny, he's enjoyable too. This is not a film for insomniacs but good for those with a bit of patience.
Vexed by Connolly's free spirit and nimble banjo plucking, Burton sets out to get rid of the Glaswegian hippy and get his pupil to return where every adolescent boy belongs: in a school run by Catholic priests. Brian Glover appears as a policeman that gives out a good old seventies police kicking for good measure. However, the tables turn as the young pupil confesses that he's murdered somebody, but is he telling the truth or is it just all mind games to drive old rummy Burton out of his mind?
This film is deadly, deadly slow, but quite on purpose. It's yet another one of these seventies movies where the plot zigs and zags and somehow retains a dark atmosphere that modern films somehow can't quite emulate. There's very little by way of action, but one burst of violence took me by surprise in it's brutality (a nasty axe to the face scene). Burton looks genuinely annoyed at everything, and as this was Billy Connolly back when he was funny, he's enjoyable too. This is not a film for insomniacs but good for those with a bit of patience.
Coincidentally, this is the second thriller I see in the span of a week that deals with the Catholic seal of confession as a main theme. The other one was the almighty Alfred Hitchcock's "I Confess", which is obviously a totally different kind of film (*), but nevertheless very fascinating to see how the concept of the supposedly holy and inviolable privacy of confession forms the inspiration for intense, grim and robust thrillers. And, mind you, then I haven't even mentioned Pete Walker's raunchy "The Confessional Murders" (a.k.a. "House of Mortal Sin") yet!
"Absolution" is a very compelling and original thriller, albeit admittedly one that too patiently takes its time to unfold. This shouldn't come too much as a surprise, since the scriptwriter is none other than Anthony Shaffer. He made himself immortal with screenplays like "Sleuth" and especially "The Wicker Man", and they are definitely also slow-brooding and unsettling stories with a heavy focus on character development. Richard Burton is truly great as the humorless Father Goddard; teacher/head priest in a strict Catholic boarding school for boys. When his prime pupil, of whom Goddard was certain he'd become an exemplary priest, suddenly develops a rebellious streak because he befriends a free-spirited drifter (Billy Connolly), things quickly escalate. The student, Benjamin, plays a vicious prank on Father Goddard and desecrates the holy confession, but things even get worse when people turn up murdered and fellow students missing. Also typical for an Anthony Shaffer screenplay is that nothing is what it seems, and the finale keeps some extreme violence and couple of surprise twists in store. I also would have preferred "Absolution" to kickstart a bit sooner, so that the first 40-45 minutes weren't so difficult to struggle through, but the second half is really good. Apart from Burton, there are great performances from the young actors Dominique Guard and David Bradley, and the climax is downright fantastic. Slightly predictable, maybe, but definitely satisfying for fans of grim horror and downbeat endings.
(*) I state there isn't a direct connection between Hitchcock's "I Confess" and "Absolution", but that isn't entirely true. One of the first screenplays the great Anthony Shaffer wrote was for "Frenzy"; - and that became the nastiest serial killer thriller to ever be directed by Hitchcock. Also, one year after "Absolution, director Anthony Page took on "The Lady Vanishes" as his next project, and that was a remake of a fantastic 1938 thriller; - directed by ... Alfred Hitchcock.
"Absolution" is a very compelling and original thriller, albeit admittedly one that too patiently takes its time to unfold. This shouldn't come too much as a surprise, since the scriptwriter is none other than Anthony Shaffer. He made himself immortal with screenplays like "Sleuth" and especially "The Wicker Man", and they are definitely also slow-brooding and unsettling stories with a heavy focus on character development. Richard Burton is truly great as the humorless Father Goddard; teacher/head priest in a strict Catholic boarding school for boys. When his prime pupil, of whom Goddard was certain he'd become an exemplary priest, suddenly develops a rebellious streak because he befriends a free-spirited drifter (Billy Connolly), things quickly escalate. The student, Benjamin, plays a vicious prank on Father Goddard and desecrates the holy confession, but things even get worse when people turn up murdered and fellow students missing. Also typical for an Anthony Shaffer screenplay is that nothing is what it seems, and the finale keeps some extreme violence and couple of surprise twists in store. I also would have preferred "Absolution" to kickstart a bit sooner, so that the first 40-45 minutes weren't so difficult to struggle through, but the second half is really good. Apart from Burton, there are great performances from the young actors Dominique Guard and David Bradley, and the climax is downright fantastic. Slightly predictable, maybe, but definitely satisfying for fans of grim horror and downbeat endings.
(*) I state there isn't a direct connection between Hitchcock's "I Confess" and "Absolution", but that isn't entirely true. One of the first screenplays the great Anthony Shaffer wrote was for "Frenzy"; - and that became the nastiest serial killer thriller to ever be directed by Hitchcock. Also, one year after "Absolution, director Anthony Page took on "The Lady Vanishes" as his next project, and that was a remake of a fantastic 1938 thriller; - directed by ... Alfred Hitchcock.
I got this film in the 50-pack Drive-in Collection. I had forgotten all about this movie.. I popped it in and about 1/3 of the way into the film I remembered seeing this one a few years ago. WOW what a pleasant blast from the past. So glad they included this forgotten gem in the collection!
Yes this film is good - it's my kind of a mystery-thriller. Although the film is not a horror film, it does get creepy - very creepy. Fans of classic horror movies should enjoy this film along with fans of mystery thrillers. Just an excellent film!
The film does start slow... but it is worth it in the end. There is a reason for this seemingly slow start - it will make sense in the end.
Great late night flick. One that you will not want to miss anything so have your drink and food ready!
9.5/10
Yes this film is good - it's my kind of a mystery-thriller. Although the film is not a horror film, it does get creepy - very creepy. Fans of classic horror movies should enjoy this film along with fans of mystery thrillers. Just an excellent film!
The film does start slow... but it is worth it in the end. There is a reason for this seemingly slow start - it will make sense in the end.
Great late night flick. One that you will not want to miss anything so have your drink and food ready!
9.5/10
A Minor British Film with the Pedigree of Anthony Shaffer, Richard Burton, and Billy Connolly.
It got Lost in a Warp, was Ignored, Forgotten, and Suffered in "Public-Domain-Purgatory".
Bottom-Feeder Film-Buffs Discovered it in 1 of those "Mill-Creek" Marathon Cheap-Boxes with 49 Other "Sinners".
Given the Name-Recognition Involved it was an Easy Spot Among the Dregs.
Fans Shouted "Hidden-Gem".
It Also came with "Tags" for Gloomy, Religious Practices, a Dire, Dark, and Dour Screenplay and Presentation,
Many Seekers of the Obscure in Cinema Caused Ripples so Strong that Now the Movie has been 'Resurrected" on Blu-ray.
The Twisty Story, with Obnoxious, Sweaty, Students Rebelling Against Priest-Burton, Starting with Practical-Jokes Leading to Murder is an Intriguing but Slow-Ride.
British "Icon" (Sir) Billy Connolly's Film Debut.
Overall, a Bit Hard to Embrace with the Film's Grating Characters, Dark Meilu, and "Heady" Story.
It can be a Hard-Sell to those Accustomed too a More Gaudy, Gory, 70's Style Religio-Thriller after "Rosemary's Baby" (1968), "The Exorcist" (1973) and the Myriad of Imitators.
By 1978 the Trend had All but Exhausted and this Late Entry in the Sub-Genre was too Soft, too Little, too Late.
However, for Horror, Thriller, and Mystery Fans it's Definitely...
Worth a Watch.
It got Lost in a Warp, was Ignored, Forgotten, and Suffered in "Public-Domain-Purgatory".
Bottom-Feeder Film-Buffs Discovered it in 1 of those "Mill-Creek" Marathon Cheap-Boxes with 49 Other "Sinners".
Given the Name-Recognition Involved it was an Easy Spot Among the Dregs.
Fans Shouted "Hidden-Gem".
It Also came with "Tags" for Gloomy, Religious Practices, a Dire, Dark, and Dour Screenplay and Presentation,
Many Seekers of the Obscure in Cinema Caused Ripples so Strong that Now the Movie has been 'Resurrected" on Blu-ray.
The Twisty Story, with Obnoxious, Sweaty, Students Rebelling Against Priest-Burton, Starting with Practical-Jokes Leading to Murder is an Intriguing but Slow-Ride.
British "Icon" (Sir) Billy Connolly's Film Debut.
Overall, a Bit Hard to Embrace with the Film's Grating Characters, Dark Meilu, and "Heady" Story.
It can be a Hard-Sell to those Accustomed too a More Gaudy, Gory, 70's Style Religio-Thriller after "Rosemary's Baby" (1968), "The Exorcist" (1973) and the Myriad of Imitators.
By 1978 the Trend had All but Exhausted and this Late Entry in the Sub-Genre was too Soft, too Little, too Late.
However, for Horror, Thriller, and Mystery Fans it's Definitely...
Worth a Watch.
The beginning is slightly boring but as you get into the film it twists and turns many times giving a great ending. Burton being one of the best actors of all time, gave a brilliant performance. From the tag line and the description of the film, I didn't think it was going to be a good as it was. The ending was unexpected, so i believe it to be very well written, very well cast and very well directed. This is a must for any Burton fan. I give it a rating of 3 out of 5
Did you know
- TriviaRichard Burton turned down an offer to play King Lear on stage in Canada in order to make this movie.
- GoofsIn the tennis match, a close shot of Benjie shows him serving whilst standing in the right service court (which would be illegal) but the long shot shows him serving from the baseline (legal). The score is 30-all, so he should be serving from the right side of the baseline, but is shown serving from the left side.
- Quotes
Benjie: What I told you before as a joke, I made happen. I killed him.
Father Goddard: I do not believe you!
Benjie: You must Father. What would be the point of playing the same joke twice?
Details
- Runtime
- 1h 35m(95 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content