Tenko

I saw this many years ago and I was riveted to the television. Historically accurate, interesting, entertaining, just plain great! The acting is stunning and no one actress outshines the other. I felt their pain, hopelessness, and I felt the sweat and dirt. I would love to read the book(s) it is based on. Paradise Road simply does not measure up to this. To see a Hollywood version of this watch "Three Came Home" with Claudette Colbert. Based on a true story by Agnes Newton Keith, the movie conveys the great pain of the incarcerated woman, but the setting is backlot Hollywood. Also, see Empire of The Sun, another great true POW story, this time focusing on a child.

I, too, wish I could see Tenko again. I hope someday it will be available in the US.

I watched this programme years ago, recently I have purchased series one and two on dvd they are still powerfull.The will to survive is very strong in human beings even in a prison camp.All aspects of life are racism loyalty and above all freindship the pain of the heroines hurts at times you laugh and cry.The acting and writing is wonderful I must mention Stephanie Cole who as the doctor is out of this world.Watch and enjoy if only the BBC could get back to this type of drama.

I remember watching this with my mom when I was 12 & it still resonates with me 15 years later. There aren't very many shows/movies concerning the lives of women during World War II, and I seriously doubt anything in the future could top Tenko in terms of quality. Quality of cast, story, set design, make-up, etc. In the States, Tenko aired in the late 80's on the Arts & Entertainment Network (aka 'A&E'). During that time, A&E was primarily an outlet for WWII and British programing. It was with Tenko that I got my first taste of what the BBC could accomplish. I'd also recommend a movie called 'Bent' for its depiction of homosexuals in Nazi concentration camps. Although the plot is fictional, the premise is based on fact. 'Bent' may not be the best WWII movie but it's interesting because, like Tenko did for women, it sheds light on the plight of gays in WWII. As fascinating as Bent may be, it doesn't hold a candle to Tenko. Perhaps one day it will be released here in North America.

This and The Winds of War/War and Remembrance are outstanding examples of movies that get to the heart of the topic they portray. By all standards TENKO is actually superior due to the raw, less over produced, values.

I watched the original series by happenchance, just flicking through the channels to see what was on (yes, a very male thing to do) when I came across this series. As a lover of anything to do with this time period I stuck around for a few minutes... a fateful few minutes, because I got stuck into what I now consider to be the best drama television has produced.

I credit the superb cast, standouts all. Unlike most American movies, there are no major names so each actor stands equally in the spotlight and makes you believe the awful events are actually happening. I don't know that I could endure what these ladies went through, I would suspect not. I do have the epilogue movie, TENKO Reunion on tape (lousy copy), so at least I can revisit these characters when I want to, even if only through a lot of video noise.

So why is this series not available on DVD or tape in North America? I can only think that someone somewhere is deciding, even as I write this, that it is high time that a release date is set. Wishful thinking? I hope not!

Without doubt, Tenko is one of the BBC's most successful and popular drama series. Never repeated on BBC television, and only the first season available on video (and long since deleted), Tenko still holds strong and popular places in the memories of its audience. I managed to record the whole run on its recent digital television rerun, and became hooked, sometimes watching six episodes in one sitting.

Forcing a group of women to survive in a prison camp, Tenko explores the very human dramas, emotions and personality clashes that arise from this unbearable situation. We spend three-and-a-half years in the company of this group. They have little food, no clean water and no medication or sanitation. Forced into slave labour, sleeping on bare boards, the stresses and strains of their predicament are entirely believable, and make for edge of the seat viewing. Perfectly written (the series was created by a woman who survived a Japanese prison camp) and perfectly acted; blessed with truly amazing make-up (some of the women really do look starving, emaciated, covered in blisters and sunburn); some of the cast have only one dress to wear for the entire series. The human tragedy and awful, grinding horror of prison camp life is unforgettable.

The first series deals with the Japanese invasion of Singapore, disrupting lives of the ex-pats living in the British colony. Forced to evacuate, the survivors fall into Japanese hands, and we follow some of the women into prison. Mentioning "the survivors" is a very relevant point. Tenko is not afraid to show that life in this condition can result in awful, lingering death. Characters whom we grow to know and love, to understand and empathise with, are struck down with beriberi, cholera, malaria. The aching sadness and genuine humanity of Tenko is truly remarkable. Gradually revealing more about the characters, their past lives, and their hopes for the future, piles on the emotion, making it absolutely unmissable. There were some scenes I found I was watching while holding my breath, not wishing to disrupt the heart-and-soul being displayed onscreen.

Season two moves the women to a new camp, offloading several en route and picking up some new faces. The new camp, although better equipped, has a very different regime, and introduces us to Miss Hasan, the malicious and spiteful right-hand woman to the Commandant. The second half of season two deals with a prisoner receiving a gunshot wound: operating on her in a hut full of flies, with just a pair of sugar-tongs to remove the bullet, is absolutely gripping.

Season three deals with the war drawing to a close, and the survivors' return to Singapore. Their struggles to return to "normal" and realisation that they may have had more freedom in prison, away from the strictures of post-war austerity, are perfectly played.

No-one involved in Tenko has a happy ending. There's a definite feeling that, as the survivors climb about the ship to return to the UK, they have lost everything, and are fragile and broken. The horrors they've witnessed and cruelty they faced daily, will be with them forever more. Those who escaped Japanese capture will never understand.

Tenko is a real masterwork. One of the most intense and powerful pieces of television I have ever seen. Careful touches throughout the series never fail to amaze: Commandant Yamuchi occasionally allowing his humanity and honour to shine (witness the scene in season one where he stands beside a newly dug grave, lost in thought); old-fashioned bigot Sylvia Ashburton gradually letting her prejudices slip as she realises everyone is the same, underneath; season two's black marketeer Verna Johnson losing sight of her pole position in the camp as the war takes a turn for the worse; Dorothy Bennett's uncomfortably close relationship with some of the guards; Lillian's love for her young son gradually driving her mad; Sister Ulrica being forced to make decisions she would not make in the "real" world; Doctor Mason's horror at the death and disease she cannot solve ... Tenko is a special thing. Not to be missed, under any circumstances.