Dynastie

Dynasty was in its heyday when I was in high school, so it was inevitable that we'd grow up together. Originally conceived to take on the CBS juggernaut Dallas, the show originally focused on the ultra-rich Carringtons, the middle-class Blaisdels, and the link between them, secretary-turned-socialite Krystle. After half a season, however (it was a mid-season replacement), the creative team decided to take the show in a different direction. They also brought in Joan Collins as Alexis Carrington. Originally intended only to appear in a few episodes, Alexis became such a hit with the viewers that the character quickly became central to the action.

The show, early in its run, was at its best when it nodded to classic Hollywood. The Steven-Claudia storyline, for example, was Dynasty's riff on the film Tea and Sympathy, and the sheer opulence of the show (and some of Claudia's crazier moments) were straight out of Sunset Boulevard. The writing was sharp, incisive, and not afraid to be funny. A brief implosion late in the second season got rid of half the cast, but one role (Steven) was recast, and another (Sammy Jo) would return sporadically for a couple of seasons before finally returning full-time. By the time the show had four seasons under its belt, it was a solid top ten hit that actually showed a lot of quality as the writers tackled then-borderline taboo topics such as abortion and homosexuality.

Then it started to go wrong.

The first blow was the departure of Pamela Sue Martin as Fallon, and the subsequent miscasting of Emma Samms in the role. Worse, the writing took a significant turn for the worse, and Samms had the double handicap of trying to compete against the memory of Martin and having distinctly inferior scripts to work with. Next, whereas previous cliffhangers had involved danger to one or two characters apiece, starting with the infamous fifth season cliffhanger, the producers decided that the majority of the cast had to be endangered in every cliffhanger - the Moldavian massacre, the fire at La Mirage, the siege of the Carrington mansion - which strained credulity to the breaking point. Once-promising characters, like Dominique and Leslie, were marginalized to the point of invisibility and eventually jettisoned with little fanfare.

Worst of all, the writers began to ape ratings bonanzas from previous seasons without seeming to understand why they worked in the first place. Krystle and Alexis' first catfight, for example, came at the end of slowly-increasing tension between the two over the course of the second season. Towards the end of Dynasty's run, the catfights had become almost ubiquitous, as if the writers felt that they weren't doing their job if they didn't include one every season, regardless of whether the scenes made sense from a storytelling standpoint.

The show enjoyed a brief renaissance in its final season, largely due to the addition of Stephanie Beacham to the cast, but with Linda Evans leaving the show in the middle of the season, it was more or less doomed at that point - the triumvirate of Blake-Krystle-Alexis, once broken, could not be repaired or replaced.

All in all, though, Dynasty was a pleasant way to spend an hour every Wednesday (later Thursday), and I'm glad I got to know the Carringtons.

the duel between Linda Evans and Joan Collins. this is the basic memory about the competitor of "Dallas", trip in a dark and game of appearances world. its virtue - the science to give a special voice in the family of soap opera. the fine art of tension and mystery and evil and good intentions and nice portrait of rich people. and this fact did "Dinasty" a must see again for the fans of genre. so, a modern fairy tale. inspired. and charming.

I watched Dynasty from episode one and very rarely ever missed the Wednesday night saga of the Carringtons. Having recently purchased the DVD set of the first season, I've been giving the show a lot of thought... Like many other TV shows both past and present, Dynasty started without a clear focus and eventually matured into something unique and far removed from what the producers originally intended. The show had two distinct eras: pre-Alexis and post-Alexis. No, Joan Collins didn't make or break Dynasty, but she gave it a heck of a fun "flavor." At its inception, Dynasty was a serious, almost somber account of the lives of the super rich Carringtons of Denver, CO. There was patriarch Blake, confused son Steven, spoiled brat Fallon, and Blake's new and very overwhelmed wife, Krystle. Having now watched a little of that first season, I find myself eagerly waiting for Alexis to turn the family on its collective ear! Dynasty's ultimate strength, and also its downfall, was in its becoming campy and larger than life. While some of us may expect the super-wealthy to act crazy, Dynasty added plot lines and characters that were the traditional soap-opera themes magnified with a huge budget, and beautiful people... illicit affairs, long-lost children, traumatic pregnancies, murders, trials, etc... There were frequent mis-steps (the Moldavian Prince, Michael, comes to mind as well as the entire 'The Colbys' series) and there were truly fun characters like Alexis and son Adam whom we loved to hate. But to me, the bottom line will always be that Dynasty was campy and much larger-than-life. It was a lot of fun those eight years, always wondering what would happen next...

I loved Dynasty. It was and still is my all time favorite show. Given that it aired once a week for an hour, I found this show both entertaining and informative, the story lines may have seemed far fetched but, only due to the time given to tell them. For the time the show aired people found it unbelieveable, but if Dynasty aired today I am sure it would not seem as far fetched. If these same producers came out with another show I am sure it would be just as ground breaking in its story lines as Dynasty was. This show brought out a whole new fashion trend, a more acceptable view of the gay life style a look in to the future of corporate take overs, the awareness of casual relationships, the increasing lack of committment and faithful in marriages, the total disregard of others rights to own businesses due to greed and the need to have more. Dynasty gave more than just campy soap it also told of what to expect in the future as a result of current actions. Great work Mr. Spelling, any time one gives a view of future events he will be condemed. And since Dynasty addressed so many tabu issues the powers that be were afraid to allow it to continue. Hopefully Mr Spelling or some other producer will be bold enough to give the public a view of the future through entertaining drama. BRAVO

Dynasty was a huge favorite of myself and my friends, and I have many memories of discussing the show with them either over the phone as it was happening or the next day. The Carringtons were created to compete with the highly successful Dallas and Ewings of South Fork, but Dynasty was never a copycat show. While Dallas certainly focused on the soap opera elements common to all these programs, J.R.'s sliminess in business was a focal point. Dynasty was about obvious, over the top luxury and family with some camp elements included that made it special. What I loved about Dynasty was that, at least in the beginning, it was never camp for camp's sake - the camp was part of the show. For instance, when the casting of Fallon changed, the portrait of the old Fallon that hung over the fireplace was quietly replaced with a painting of the new one, Emma Samms, that looked like a paint by the numbers from Woolworth's. And of course, Joan Collins' Alexis had camp built right into the character. And there was Steven's plastic surgery...so many happy moments.

And no other show could boast the wardrobe of Dynasty, or the beauty of Linda Evans. I can still see her, bedecked in diamonds, walking toward Blake in a blue gown slit all the way up her thigh.

For me, once they had Alexis disguised as a nun and the whole Moldavian thing started, the show became self-conscious camp, as these shows often do, and I lost interest. But certainly Dynasty was a bright spot in the '80s and for a time, you couldn't beat it.