Xanadu
- 1980
- Tous publics
- 1h 36m
A struggling artist living in Los Angeles meets a girl who may hold the key to his happiness.A struggling artist living in Los Angeles meets a girl who may hold the key to his happiness.A struggling artist living in Los Angeles meets a girl who may hold the key to his happiness.
- Director
- Writers
- Stars
- Awards
- 1 win & 10 nominations total
Renn Woods
- Jo
- (as Ren Woods)
Lynne Latham
- Muse #2
- (as Lynn Latham)
Cherise Bates
- Muse #4
- (as Cherise Bate)
Bebe Drake
- Female Guard
- (as Bebe Drake-Massey)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
XANADU is one of the most critically and commercially panned films in Hollywood history, a 'Nouveau Art' musical with Art Deco themes, a weirdly conceived animated interlude, and performances of such widely varying caliber that a viewer might wonder if the actors were all reading from the same script! But all that being said, I would like to offer a minority opinion, and say that I didn't find the film THAT terrible, and there are some aspects of it I actually enjoyed...
First and foremost, it offers the legendary Gene Kelly, in his last musical, as charming and wonderful as ever. As retired musician/businessman Danny McGuire, Kelly has the film's best moments, including a 'classic' song-and-dance scene with Olivia Newton-John and some silly but endearing 'post-disco' routines with the talented young dancers of the cast (including future CONAN star Sandahl Bergman). Seeing him on roller-skates again, leading everyone around the club he builds, to the music of the Electric Light Orchestra, makes one realize just how irreplaceable he is. Kelly could do it all, and with style!
The premise of the film, of a Muse coming from Olympus to inspire an artist, is far-fetched, but had been done on film several times in the past (ONE TOUCH OF VENUS, with Ava Gardner and Robert Walker, and DOWN TO EARTH, with Rita Hayworth, are the examples most often cited), and while Olivia Newton-John is oddly cast in the role, she tackles it gamely, with a smile and a wink, and isn't THAT bad. On the other hand, Michael Beck, best-known as the gang leader in cliched but powerful THE WARRIORS, is totally miscast as the artist she falls in love with. An actor with limited range and no singing or dancing talent, Beck lacks the charisma to pull off the role (one wonders why British pop star Cliff Richard, who voices Beck's animated duet with Newton-John, 'Suddenly', wasn't utilized to play the part).
While the film often veers off in bizarre directions, the 'Battle of the Bands' scene between popular 80s rockers, the Tubes, and a 'Tommy Dorsey/WWII'-style orchestra (as Beck and Kelly envision what the 'look' and 'sound' of their club, XANADU, should be), actually works, and is fun to watch. The entire score, by Barry De Vorzon and John Farrar, and Jeff Lynne (with ELO) is terrific (and made the soundtrack album a hit).
Sure, the ending is hokey, but it was also the same ending of ONE TOUCH OF VENUS and DOWN TO EARTH, so XANADU can't be totally faulted!
All in all, XANADU isn't the WORST film ever made, and if you give it a chance, you might find it a guilty pleasure!
First and foremost, it offers the legendary Gene Kelly, in his last musical, as charming and wonderful as ever. As retired musician/businessman Danny McGuire, Kelly has the film's best moments, including a 'classic' song-and-dance scene with Olivia Newton-John and some silly but endearing 'post-disco' routines with the talented young dancers of the cast (including future CONAN star Sandahl Bergman). Seeing him on roller-skates again, leading everyone around the club he builds, to the music of the Electric Light Orchestra, makes one realize just how irreplaceable he is. Kelly could do it all, and with style!
The premise of the film, of a Muse coming from Olympus to inspire an artist, is far-fetched, but had been done on film several times in the past (ONE TOUCH OF VENUS, with Ava Gardner and Robert Walker, and DOWN TO EARTH, with Rita Hayworth, are the examples most often cited), and while Olivia Newton-John is oddly cast in the role, she tackles it gamely, with a smile and a wink, and isn't THAT bad. On the other hand, Michael Beck, best-known as the gang leader in cliched but powerful THE WARRIORS, is totally miscast as the artist she falls in love with. An actor with limited range and no singing or dancing talent, Beck lacks the charisma to pull off the role (one wonders why British pop star Cliff Richard, who voices Beck's animated duet with Newton-John, 'Suddenly', wasn't utilized to play the part).
While the film often veers off in bizarre directions, the 'Battle of the Bands' scene between popular 80s rockers, the Tubes, and a 'Tommy Dorsey/WWII'-style orchestra (as Beck and Kelly envision what the 'look' and 'sound' of their club, XANADU, should be), actually works, and is fun to watch. The entire score, by Barry De Vorzon and John Farrar, and Jeff Lynne (with ELO) is terrific (and made the soundtrack album a hit).
Sure, the ending is hokey, but it was also the same ending of ONE TOUCH OF VENUS and DOWN TO EARTH, so XANADU can't be totally faulted!
All in all, XANADU isn't the WORST film ever made, and if you give it a chance, you might find it a guilty pleasure!
First of all, I really need to ask, WHAT ON EARTH WAS SO BAD ABOUT THIS MOVIE?!?!? This was quite simply the Moulin Rouge! of the 80's. The acting may have been a little cheezy, but it wasn't all that great in Moulin Rouge! either. People need to understand that this is a MUSICAL and musicals aren't necessarily known for their great acting performances. They are noted for their brilliant choreography, songs, and stage settings, which I felt both "Moulin Rouge!" and "Xanadu" contained. Moreover, the story in "Xanadu" wasn't all that incoherent and reminded me a lot of "Field of Dreams" when Kevin Costner is inspired by a voice from an invisible muse to build a baseball field. So, while some of the criticism of this film is justified, I feel much of it is not and it took way more of a beating than it should have. One has to remember that there have been many films made which were raked over the coals by critics, yet the films became enjoyed by many later on.
When I saw this movie when I was 8yrs. old, I was wonderstruck. There was definitely a magic to it that held me. Of course, I was already awe-struck with Olivia, seeing her in "Grease". I remember looking up the word "Muse" in the dictionary and highlighting it. Yes, I was 8 and impressionable, but the movie has held a "magic" over me ever since and inspired me to write poetry and even use the word Muse in a license plate. It may be campy to some, but for me it was a good movie. I saw Olivia in Concert at Saratoga in 2001. It was a starry night and when she sang "Magic" and "Xanadu" I had tears in my eyes. It was great to hear her sing those songs perfectly and still look like a Muse.
Although some might call this "Xanadon't" it has redeeming qualities. The music is the most redeeming. I've always liked ELO and their music carries this film.
Several movies of this type were made about the same time: "Roller Boogie", "Skatetown U.S.A.", etc. If you liked any of these you'll most likely like Xanadu.
This is one of those films you just have to watch and decide for yourself. As you can see just by what's been written here, opinions vary tremendously. And all are valid.
I gave this movie a 6 of 10 because I liked the music and sets.
Just try it. You may like it.
Several movies of this type were made about the same time: "Roller Boogie", "Skatetown U.S.A.", etc. If you liked any of these you'll most likely like Xanadu.
This is one of those films you just have to watch and decide for yourself. As you can see just by what's been written here, opinions vary tremendously. And all are valid.
I gave this movie a 6 of 10 because I liked the music and sets.
Just try it. You may like it.
I saw Xanadu back in the day, a few months after its original theatrical release my parents rented it on videotape. Back then and even now, Xanadu makes very little sense. It tried to be a grand musical trying to tie up two different musical eras. Under a more skilled director, Xanadu would've had a longer lasting impact. Suffice to say, the one thing that's a towering achievement is the epic soundtrack, more than half of it performed by Electric Light Orchestra. So epic that the songs are still being played on the radio as well as Olivia Newton-John's spectacular singing. The movie itself plays like a back up video for the impressive soundtrack, like 80 minute long MTV video.
Despite my low rating, I DO have a soft spot for Xanadu. My eldest daughter grew up adoring the movie and the songs, but I have to put my feet on the ground and admit that it is not a great movie by any stretch of the word.
If it weren't for the soundtrack, Xanadu would probably have faded into oblivion, but thankfully the collaboration between Olivia and ELO was pure magic. Too bad that magic wasn't truly captured in the movie.
Despite my low rating, I DO have a soft spot for Xanadu. My eldest daughter grew up adoring the movie and the songs, but I have to put my feet on the ground and admit that it is not a great movie by any stretch of the word.
If it weren't for the soundtrack, Xanadu would probably have faded into oblivion, but thankfully the collaboration between Olivia and ELO was pure magic. Too bad that magic wasn't truly captured in the movie.
Did you know
- TriviaThe soundtrack was an enormous success. The song "Magic" went to #1 on the US pop singles chart. In the UK the soundtrack album peaked at #2, and the single "Xanadu" was #1 for two weeks in July 1980.
- GoofsIn the opening shots of the "All Over the World" sequence, outside the entrance to the clothing boutique, the mannequin furthest from the camera shouts out counts to keep the dancers together. The only audio heard at that point is the prerecorded song, but his lips are very clearly moving.
- Quotes
Danny McGuire: Hey, do you like Glenn Miller?
Sonny: Do you like rock 'n' roll?
Danny McGuire: I love rock 'n' roll.
Sonny: I love Glenn Miller.
- Crazy creditsOpens with the 1930s-era Universal logo, with an airplane circling a globe; then it becomes a 50s-era passenger plane, then the Concorde, then the fourth time around as it becomes a spaceship. Instrumentals of "Whenever You're Away From Me" and "Xanadu" play under this, with musical styles matching the period of each aircraft.
- Alternate versionsThe original theatrical release uses the 1963 Universal logo at the end and then shows the PG rating slide. The 1994 VHS release (while retaining the Universal logo at the end), strangely replaces the PG rating slide with a GP rating slide (the original name for the PG rating from 1969 to 1972), also including an advertisement for Universal Studios. The 1999 DVD restores the proper PG rating slide, however the 1963 Universal logo is removed. The 2001 Australian DVD does not have any rating slides or Universal logos at the end. The 2008 DVD restores both the 1963 Universal logo and the original PG rating slide, making it a more accurate representation of the original theatrical release.
- ConnectionsEdited into Electric Light Orchestra: All Over the World (1980)
Details
- Release date
- Country of origin
- Language
- Also known as
- Xanadú
- Filming locations
- Pan-Pacific Auditorium - 7600 W. Beverly Boulevard, Fairfax, Los Angeles, California, USA(Destroyed by fire in 1989)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $22,762,571
- Opening weekend US & Canada
- $1,471,595
- Aug 10, 1980
- Gross worldwide
- $22,765,400
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 1.85 : 1
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