Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.
Rene Auberjonois
- Harris
- (as René Auberjonois)
Jon Shear
- Billy Kramer
- (as Jon Matthews)
Quinn K. Redeker
- Pilot
- (as Quinn Redeker)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Whether you like this film or not will depend heavily on how big of a Hunter S. Thompson fan you are.
On the plus side, this film is wickedly funny. Bill Murray (an actor who has been both great and terrible in his career) does a phenomenal job as the acid-drenched reporter, bringing chaos into the lives of the rigid and pretentious. The plot is peppered with "respectable" places being dragged into mayhem, and "respectable" folks trying (unsuccessfully) to cope behind plastic smiles.
It even ventures into some higher themes, such as innocent kids being jailed by a heartless criminal system, and Thompson's own struggles between being a practical reporter and a fun-loving idealist (notice how Lazlo repeatedly re-surfaces just when Thompson starts to take on "real" jobs).
It's biggest fault, however, was that it failed to achieve any of the higher accomplishments of HST's writings. What makes Thompson such a powerful writer (to me, anyway) is the way he'll often turn on a dime and deliver stunningly sober dialogs on the human animal and where he's gone wrong. Nestled in the midst of the wine, women, and song are soliloquies that drive home a more positive message, and none of those made it into this film (in fact, no significant chunks of actual text from HST's books appeared at all). It's like they shaved off the surface 50% of Thompson's work and discarded the rest.
Compare this to Fear and Loathing, which was darker and more counter-cultural, and contained whole narrations excerpted from the novel. The latter perhaps has less appeal to the average viewer, but I'd think more to a Thompson fan.
All-in-all, this film is a light-hearted romp into anarchy, and worth watching. But if you've never actually READ Thompson, do so, as this movie doesn't accurately represent him.
On the plus side, this film is wickedly funny. Bill Murray (an actor who has been both great and terrible in his career) does a phenomenal job as the acid-drenched reporter, bringing chaos into the lives of the rigid and pretentious. The plot is peppered with "respectable" places being dragged into mayhem, and "respectable" folks trying (unsuccessfully) to cope behind plastic smiles.
It even ventures into some higher themes, such as innocent kids being jailed by a heartless criminal system, and Thompson's own struggles between being a practical reporter and a fun-loving idealist (notice how Lazlo repeatedly re-surfaces just when Thompson starts to take on "real" jobs).
It's biggest fault, however, was that it failed to achieve any of the higher accomplishments of HST's writings. What makes Thompson such a powerful writer (to me, anyway) is the way he'll often turn on a dime and deliver stunningly sober dialogs on the human animal and where he's gone wrong. Nestled in the midst of the wine, women, and song are soliloquies that drive home a more positive message, and none of those made it into this film (in fact, no significant chunks of actual text from HST's books appeared at all). It's like they shaved off the surface 50% of Thompson's work and discarded the rest.
Compare this to Fear and Loathing, which was darker and more counter-cultural, and contained whole narrations excerpted from the novel. The latter perhaps has less appeal to the average viewer, but I'd think more to a Thompson fan.
All-in-all, this film is a light-hearted romp into anarchy, and worth watching. But if you've never actually READ Thompson, do so, as this movie doesn't accurately represent him.
I am a fan of Dr. Thompson's work.. I also liked this movie, tho, Fear and Loathing was a much better film.. due to the director, and cast.. Bill Murray was a great choice for this film, tho it was almost too cookie cutter, no real feel of the drugs he was hammering at that time. In F&L you have the grittiness of the drug culture of the 70's, feels more authentic.. Anyhoo, if you are a fan of HST, this is worth the watch.. hey, paid 4$ for the vid, can not go wrong..
This movie was great; it wasn't really as much a movie about Thompson, but more of a movie about his and Oscar Zeta Acosta's relationship as friends and partners. It gives a nice idea of what Thompson and Oscar Zeta Acosta's friendship was like, turbulences and all. Although "Fear and Loathing in Las Vegas" captures Thompson's writing, "Where the Buffalo Roam" gives more of a realistic insight on Thompson and Acosta. It also captures different stories from some of Thompson's other work, my favorite being the piece from "Fear and Loathing: On The Campaign Trail '72", Thompson's first hand account of Nixon's campaign for office. This movie is perfect for hardcore Thompson fans or just anyone wanting to learn about the legendary journalist. I give it an 8 out of 10.
I only recently heard of this movie, and i'm quite surprised that I didn't hear of it earlier. Seeing as I watched and loved Fear and loathing in las vegas with Johnny Depp, I was super stoked to watch this. After seeing the first few scenes, I noticed how well Bill Murray portrays Hunter Thompson. It's completely from the same world as Depp's variation, With more of an 80's feel. This wacky story may not appeal to everyone, people looking for a deep story line or a lot of action won't like this. But if you are into Hunter Thompsons work, or Bill Murray, you will definitely enjoy this walk on the wild side
7/10
7/10
I finally watched this movie after watching Fear and Loathing in Las Vegas about 50 times and reading almost all of Hunter S. Thompson's books. I have to say that while I enjoyed the movie, most people won't. Unless you have a pretty thorough knowledge of HST's work, it won't make much sense, and its comedic value will not be enough to make it worthwhile. However, if you have read FNL on The Campaign Trail and Strange Rumblings in Azatlan, then the movie will probably be of interest to you. One area where this film is far superior to FNL in Las Vegas is in its depiction of Oscar Zeta Acosta, the attorney who is the basis for Carl Lazlo here and Dr. Gonzo in FNL. Acosta was actually a prominent civil rights attorney in the 60's and 70's, especially in the Chicano community in Southern California. He also was a notoriously hard partier by most accounts. This movie does a much better job of capturing his odd duality than FNL does, and Peter Boyle is quite sharp in the role - interesting to watch for those of you who only know him as the father on Raymond.
Did you know
- TriviaTo get into character, Bill Murray spent time with Hunter S. Thompson by drinking, shooting and generally having a great time at Thompson's Colorado ranch. After filming ended, Murray continued to act "Gonzo" through the beginning of the next season of Saturday Night Live (1975), to the annoyance and consternation of cast and crew members.
- GoofsDuring the courtroom scene, 21 minutes and 5 seconds into the film, Thompson sets down his glass which is almost full. A second later, a close-up on the glass shows it sitting on the floor, empty. All further scenes in the courtroom show the glass once again almost full.
- Quotes
[Thompson is speaking to a crowd of college students]
Questioner: I was just wondering if you could tell me, um, if you thought drugs and alcohol would make me a better writer.
Dr. Hunter S. Thompson: That's a good question. Let me see...
[the audience cheers as Thompson lights a joint. A few people throw joints onto the stage]
Dr. Hunter S. Thompson: In my case, you know, I hate to advocate drugs or liquor, violence, insanity to anyone. But in my case it's worked.
- Alternate versionsThe 2017 Blu-ray release from Shout! Factory restores the original soundtrack. Making this the first home media release since the original VHS release to feature the original unaltered soundtrack.
- SoundtracksKeep on Chooglin
Written by John Fogerty
Performed by Creedence Clearwater Revival (as Credence Clearwater Revival)
Details
Box office
- Gross US & Canada
- $6,659,377
- Opening weekend US & Canada
- $1,750,593
- Apr 27, 1980
- Gross worldwide
- $6,659,377
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