Werner Herzog Eats His Shoe

'Werner Herzog Eats His Shoe (1980)' is not just about Werner Herzog eating his shoe, even though he does indeed do that. The promise of an acclaimed director literally dining out on his worn-out leather loafers (or whatever non-alliterative make they really are) is, essentially, enough to get anyone to watch, but I suppose that people popping this documentary on for its eponymous premise alone may, indeed, be somewhat disappointed, especially considering that the footwear feeding takes up perhaps less than half of its run-time (though, the idea of it dominates the entire piece) and that the actual eating isn't technically on-screen at all. I have no doubt that Herzog really did do the deed, especially since most of it takes place in front of a live audience, but the lack of overt cobbler chewing is certainly a missed opportunity in terms of comedy, cringe and intrigue. Still, all three of those things are here in spades. The spectacle of watching a man cook and eat his shoe because he said he would do so, presumably in the flippant way the expression is usually used, is undoubtedly real. It's also quite funny, especially since Herzog himself is so casual all the time - I mean, this is the man who would later just brush off a bullet wound because "it's not significant". Here, he's more occupied with monologuing about the current, clown-like state of film, his dislike of commercials and talk-shows, how he views a 'lack of images' as a real world-threat, the time that he jumped into a cactus to show his crew that he understood what they were going through and, perhaps most importantly, how fantastic his friend Errol Morris' new film is. Of course, it's the latter that got this flick made. The whole shoe-eating bet came about because Morris was complaining of a lack of funding for his eventual 'Gates Of Heaven (1978)'; Herzog's fulfilment of this bet was used to promote that movie at one of its pre-distribution screenings and this documentary, essentially, furthers that goal. So, despite Herzog's apparent dislike of commercials, that's all this basically serves as, aside from a comic curiosity and opportunity for Herzog to express his views. It doesn't feel like it's selling you anything, aside from when it overtly is (when people talk up 'Gates Of Heaven (1978)' presumably because they genuinely enjoy it), and it has enough flair to be enjoyable in its own right. It feels like the sort of thing you'd see on YouTube nowadays, a well-produced video more at home online than on the big-screen. It's entertaining enough and is fairly funny on occasion. Plus, some of the stuff that Herzog says seems pretty wise, resonating across the years to be just as relevant today (if not more so). If you know what you're getting into or are a fan of Herzog and his dead-pan nonchalance, I'd say that you'll enjoy this short film... I wouldn't bet my shoe on it, though. 6/10

Werner Herzog has put his mark on the world of movies, even though you may not know the name right away- he made "Fitzcarraldo" the movie about the opera fan who halls a boat over a mountain. This documentary is shot by Les Blank and details a bet Herzog made to a friend that he would eat his shoe if his friend completed a film. Well, Herzog does have to eat his shoe. And it's very weird, but Herzog is a bit of an odd guy himself. It's a short enough documentary and fun to watch. This documentary is one of two about Herzog- the other is an award winning "Burden of Dreams" about the filming of Fitzcarraldo. I highly suggest checking it out if you enjoy this.

There may be better directors than German New Wave auteur Werner Herzog, but if viewed entirely in terms of how interesting they are personally, Herzog stands above all. His tales of working with deranged German actor Klaus Kinski are the stuff of legend: from filming deep in the jungle using real natives to pushing a ship over a waterfall for Fitzcarraldo to apparently earnestly plotting to kill his star. Or, more recently he saved Joaquin Phoenix from a car crash and then disappeared before he could be thanked. His personality even transfers over remarkably in this short film directed by Les Blank.

We learn that Herzog apparently was friends with Errol Morris. While Morris was still a struggling young filmmaker, Herzog had made a bet with him that if he ever got his film made, the former would eat his shoe. Well, in 1979 he finally does make a film, Gates of Heaven, and Herzog comes to live up to his promise. The film chronicles Herzog as he garnishes, cooks, and eats one of the shoes with some salt and garlic on stage during the film's premiere. This all happens and Herzog still has time to say things like how we must declare holy war on what we see every day on television, talk shows and Bonanza; and how it requires some self-degradation in order to be a director, all in 17 minutes.

So for a short film it works quite well at capturing his essence. It's also up on YouTube to watch for free and in its entirety. This is a good thing, as it is not even available on Netflix. So if you have 20 minutes to spare, it's well worth watching.

A short little film, where Herzog eats his shoe, although in reality he just eats the leather part of his old shoe after boiling it in water. But still the principle of the whole thing is humorous, Herzog promised to do this if a filmmaker would actually just make the film they were always dreaming of making.

Errol Morris accomplishes this and so Herzog submits to it. Les Blank also did this documentary on Herzog "Burden of Dreams" so I think if I recall some footage of that is intertwined into this story.

Herzog should constantly have a camera on him, he strikes me as very interesting, I don't always love his films but he is always worth hearing from.

Entertaining, funny, and oddly thought provoking 20 minute short, in which, quite literally, director Werner Herzog eats his shoe.

He does it in response to a bet he made with then budding, but procrastinating film-maker Errol Morris. He told Morris that if he ever finally got a feature finished, he'd eat his shoe. And so he does, after cooking it, in front of a live audience before the local premiere of Morris' great first feature 'Gates of Heaven'.

As enjoyably silly as it all is, Herzog also makes some real points about needing to be willing to do foolish things to encourage art and artists, and that only by risking being absurd can we have the hope of transcending.