3 hommes à abattre
- 1980
- Tous publics
- 1h 33m
IMDb RATING
6.3/10
2.3K
YOUR RATING
A man is pursued by killers after helping someone at a car crash.A man is pursued by killers after helping someone at a car crash.A man is pursued by killers after helping someone at a car crash.
- Awards
- 1 nomination total
Featured reviews
A better- than- routine French crime flick, with Alain Delon as "the wrong man in the wrong place" getting accidentally mixed up with arms dealers.
Typically convincing effort from Delon, nice pessimistic atmosphere and strangely surprising ending make this one a treat for eurocrimi fans.
Includes some brief nudity and "unnecessarily" graphic violence for the viewers pleasure, too. Not a masterpiece, but entertaining, nevertheless...
Released on video in Finland in the early eighties.
Typically convincing effort from Delon, nice pessimistic atmosphere and strangely surprising ending make this one a treat for eurocrimi fans.
Includes some brief nudity and "unnecessarily" graphic violence for the viewers pleasure, too. Not a masterpiece, but entertaining, nevertheless...
Released on video in Finland in the early eighties.
Odd French thriller starring Alain Delon about a man on the way to his weekly poker game who stops to help a man who crashed his car. Taking the man to the hospital he soon finds that people are trying to kill him for an unknown reason. What he soon learns is that the man in the car was assassinated and that he is being targeted to prevent him from talking in case the injured man said anything before reaching the hospital.
The film walks the fine line between being a tense believable thriller with the fear of being on a hit list for unknown reason, crashing into the unbelievable elements of the story (grand conspiracy, going after our hero despite never finding out if he knows anything, the trail of bodies that clearly points to his innocence, why are they worried about Delon and not the fact that people see the assassins and on and on). The film really works at times (including a great car chase) and at other times makes you shot at the screen in disbelief (who wrote came up with some of this?). Its frustrating because it should be great instead its just okay.
Worth a look so long as you don't let the internal inconsistencies get to you.
The film walks the fine line between being a tense believable thriller with the fear of being on a hit list for unknown reason, crashing into the unbelievable elements of the story (grand conspiracy, going after our hero despite never finding out if he knows anything, the trail of bodies that clearly points to his innocence, why are they worried about Delon and not the fact that people see the assassins and on and on). The film really works at times (including a great car chase) and at other times makes you shot at the screen in disbelief (who wrote came up with some of this?). Its frustrating because it should be great instead its just okay.
Worth a look so long as you don't let the internal inconsistencies get to you.
Ultimately this is surely much ado about nothing but Delon is great, Dalila Di Lazzaro plays his girlfriend and if she doesn't smoulder quite as she does in 1977s, 'The Pyjama Girl Case, she certainly does well enough to hold one's attention. Indeed, I found this likable from the very start, as we struggle to work out what is going on, only to eventually discover that most of those in the film are similarly confused. The Gaullist figure at the centre of things, who is probably more confused and deluded than anyone else, is great fun and although this tough, sexy, thriller is by no means a comedy, there are some nice touches that raise at least a smile. Always involving, ever moving with some excellent sequences, this keeps you guessing till the end.
"It isn't bad luck," hisses the lead villain. "It's incompetence!" In truth, what more can you say for a French film that sets out to emulate the very worst of Hollywood drivel and fails even at that? This atrociously-plotted thriller makes you appreciate the narrative finesse of Death Wish and Dirty Harry, while aging pretty boy Alain Delon (who also produced and co-wrote) is a sadly inadequate stand-in for Charles Bronson or Clint Eastwood.
Delon plays a laconic gambler who rescues a dying man from a wrecked car. This turns out to be an assassination, not an accident - and Delon, as "the man who knew too much," becomes the killers' next target. This is frankly nonsensical, as Delon knows nothing about the conspiracy, and has never set eyes on the two assassins. Elsewhere, the same duo murder another man but leave his wife alive - even though she's an eye witness to the whole crime. And we're meant to believe they're afraid of getting caught?!
Still, it makes an excuse for two gay hit men with appalling 70s haircuts to chase Delon all over Paris. Given his fondness for such ghastly fashion no-no's as white socks with black trousers and black shoes, I could sympathies all too readily with their murderous intent! It all climaxes in the most ludicrous, ineptly-staged car chase you're ever likely to see - but at least Italian sex-bomb Dalila di Lazzaro adds a much-needed touch of glamour as Delon's girlfriend.
If this dreadful movie is of any use at all, it's for correcting the old stereotype that European Cinema Equals Art while Hollywood Cinema Equals Trash. True, the Americans may make more trash than the French...but at least they do it properly!
Delon plays a laconic gambler who rescues a dying man from a wrecked car. This turns out to be an assassination, not an accident - and Delon, as "the man who knew too much," becomes the killers' next target. This is frankly nonsensical, as Delon knows nothing about the conspiracy, and has never set eyes on the two assassins. Elsewhere, the same duo murder another man but leave his wife alive - even though she's an eye witness to the whole crime. And we're meant to believe they're afraid of getting caught?!
Still, it makes an excuse for two gay hit men with appalling 70s haircuts to chase Delon all over Paris. Given his fondness for such ghastly fashion no-no's as white socks with black trousers and black shoes, I could sympathies all too readily with their murderous intent! It all climaxes in the most ludicrous, ineptly-staged car chase you're ever likely to see - but at least Italian sex-bomb Dalila di Lazzaro adds a much-needed touch of glamour as Delon's girlfriend.
If this dreadful movie is of any use at all, it's for correcting the old stereotype that European Cinema Equals Art while Hollywood Cinema Equals Trash. True, the Americans may make more trash than the French...but at least they do it properly!
A professional poker player happens upon a badly injured man in a crashed car and takes him to the hospital, not knowing that the unfortunate gent had been the victim of an assassination attempt. The killers suspect that the dying man must have given out some incriminating information about them and their government employers and set out to make the gambler their next target.
Like a few other French thrillers before it, this film certainly owes some debt to Alfred Hitchcock with its story of an innocent man thrust into the middle of a dangerous situation where criminals try to hunt him down and kill him. It's not the most original of story-lines but this fast-paced film remains an enjoyable watch. There is enough action and incident punctuated through its run-time to ensure it never gets boring, such as an exciting car chase through the streets of Paris, a keyhole assassination, an attempted drowning on a crowded beach and a little bit of nudity courtesy of Italian actress Dalila Di Lazzaro who will be familiar to Euro genre fans for her roles in cult items such as Phenomena (1985). But it's really Alain Delon's movie ultimately. The role probably doesn't stretch him too much but he is quite a cool actor and holds things together pretty well I thought. On the whole, I found this to be a very enjoyable movie; it may not have brought anything especially new to the table but it did the job well enough for me.
Like a few other French thrillers before it, this film certainly owes some debt to Alfred Hitchcock with its story of an innocent man thrust into the middle of a dangerous situation where criminals try to hunt him down and kill him. It's not the most original of story-lines but this fast-paced film remains an enjoyable watch. There is enough action and incident punctuated through its run-time to ensure it never gets boring, such as an exciting car chase through the streets of Paris, a keyhole assassination, an attempted drowning on a crowded beach and a little bit of nudity courtesy of Italian actress Dalila Di Lazzaro who will be familiar to Euro genre fans for her roles in cult items such as Phenomena (1985). But it's really Alain Delon's movie ultimately. The role probably doesn't stretch him too much but he is quite a cool actor and holds things together pretty well I thought. On the whole, I found this to be a very enjoyable movie; it may not have brought anything especially new to the table but it did the job well enough for me.
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- ConnectionsReferenced in Les cent et une nuits de Simon Cinéma (1995)
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