Tu fais pas le poids, shérif!

I know I've mentioned before that I wasn't even going to bother writing a review for this one, but here it is: I've always wanted to like this movie. I really have. Being an enormous fan of the first, and even finding some enjoyment from the third, I still can't say I like this one. I don't know what happened here. Everyone was back, inculding the director, they had the money to back it up, and they still couldn't get it right. What made this film so atrocious? Well, I have to blame it on the writers. I also have to blame the rest of the cast for going along with it. Seriously, when the characters behave NOTHING like they did in the original and the objective is to haul an elephant(!), you know you're in trouble. I cringed every time Frog and the Bandit squabbled and I cringed whenever the Bandit would lose his cool and do something stupid. I mean, what happened to the mild-mannered, likeable, laid-back country boy that we all knew and loved from the first one? Why in the HELL did they have to make him into and alcoholic, washed-up, ego-maniac? I don't know how, but they managed to make him into one of the most unlikeable protagonists in cinematic history. There's even a ridiculous training scene where the Snowman and Frog whip the bandit back into shape to make the big run. I guess it was supposed to be funny. I found it to be a slap in the face. Sometimes Hollywood really has me scatching my head.

Now, for the Justices. Two words: Good grief. They made them even dumber than in the first, and while there are a few funny lines, it goes into overdrive and messes the whole thing up. Another thing, Buford's Canadian cousin (I forget his name) was a disgrace. Was he supposed to be gay? If so, that wasn't funny either.

I guess I've trashed this one enough. On the bright side, there were a few moments that made me giggle, but I can't remember the scenes to save my life. Please, if you consider yourself a fan of the first, avoid this one. Save yourself a lot of disappointment.

The original Smokey and the Bandit is a classic, and it introduced us to one of Jackie Gleason's funniest incarnations, Sheriff Buford T. Justice. I've always been of the ilk that tries not to judge sequels on the originals, but in the case of Smokey and the Bandit II it's impossible.

The plot is essentially the same as the first film, with the more politically-correct elephant replacing 400 cases of good ol' Coors, and for a higher stake - $320,000 more than their original run to Texarkana. While Reynolds, Field, Reed et al are entertaining and do the best with a mediocre repeat of the original plot, the true star here is Gleason. Particularly memorable is the scene where Justice and Junior stop for a toilet break and Junior announces after paying a visit, that his zipper is stuck. What happens next is hilarious, and I won't spoil it.

I agree with one of the other reviews in that the original premise of the characters as defined in the original was completely ignored in this sequel, but maybe this was done on purpose. Maybe the writers felt they were giving the characters more depth. This is the downfall of the movie, that and the script...especially the inclusion of brothers Reggie and Gaylord Justice.

Having said that, it's not completely awful. The saving graces are Gleason, Dom DeLuise as the leading gynaecologist (or gornocolagalist as he pronounces it) in Pompeii (population 23) on a sabbatical to the Deep South, and Mike Henry as the long suffering and equally very dim Justice Junior. The latters' performance, while certainly not Shakespeare material, is exactly what is called for - bewildered and confused.

Everyone who was anyone in the country music industry contributed to the soundtrack, including Jerry Reed once again recording the film's theme (a virtual carbon copy of East/West Bound and Down). Brenda Lee and Don Williams make cameos, as do Burt's buddies Joe Klecko, Terry Bradshaw and Messrs Dudley Remus and Hal Carter.

All in all, disappointing and disowned by hardcore fans of the original, but definitely worth a look for Gleason's contributions. They are what keeps the film going when the rest of it is bogged down and turned into a melodrama of sorts, rather than sticking with the winning formula that made the original such a smash and a classic. Beware though, it's nearly destroyed towards the end with the inclusion of his "twin brothers", but that isn't Gleason's fault - blame the scriptwriters and director. Mixed feelings on this one, guys and gals...

As much as I liked the first movie, I find that I don't really like the second film. While the film had it's moments, especially with Jackie Gleason as Buford T. Justice, there really wasn't much to redeem this film.

Everything about the film seemed rather contrived, especially the comedy. The comedy seemed to be forced most of the time.

While I can watch the first film over and over and it never seems to get old for me, the second film wore out its welcome almost right away. I don't know, but maybe if they hadn't tried so hard with the second film to measure up to the first film it would have been better.

All in all, a childishly fun revisiting of the characters and story. It'll help if you're already a big fan of cowboys, big trucks, and car jumps, and, of course, the first film.

A lot of drama went on behind the scenes during the shooting, and at times can be glimpsed on the screen, including Sally's and Burt's strained relationship, Jackie Gleason's health, and Hal Needham's direction.

The sign in front of the church wonderfully demonstrates the level of humor throughout this movie:

"Texarkana Reformed, United, Evangelical, Fundamental Church Of God, The Twelve Apostles And Assorted Saints"

OK, I'm kidding. Hey, listen, this film is no strain to the synapses. It's another Hal Needham carwreck fest wrapped up in a really dumb plot that at times tries too hard. However, I find an odd entertainment value in this genus of southern cheese. An aging professional highway show-off, an even more annuated hick sheriff in hot pursuit, an oddly swift and resilient Trans Am, a very talented yet dumbed down leggy sidekick, a country singer turned epitomal southern truck driver, Dom Deluise, and an elephant. Add plenty of incompetent law enforcement officers and marlboro reds and you have the makings of one fine redneck cross-country chase movie. I don't know why but I actually enjoyed this. It's really about the stunts I think and when it comes to Hal Needham you never can have too many car crashes. In the spirit of Cannonball Run and the Dukes of Hazzard there is an odd appeal in watching good IL boys tear up backroads to the tune of Hank Williams and police sirens. And of course there's always a way out leaving a pile of police cruisers in the dust behind. It's an action flick and as such you shouldn't expect it to be anything other than what it is; it's just fun to watch. You may notice it does have some very talented actors so it begs the "what were you thinking doing this film?" question. Perhaps. But on face value it's all about the car chase. And who doesn't love a good car chase?