Simon

"Simon" is dated by a number of the foci of different scenes (sensory-deprivation tanks and princess phones, for example). Still, it is one of my favorite comedies despite it's flaws. I can't qualify its appeal to me as entirely rational or securely grounded in aesthetic standards. I saw it on one occasion with a close friend of mine and my house mates at that time. He and I laughed our heads off while the house mates were puzzled by both the film and our reaction. They didn't like it. It's probably a safe bet that those who like the film "Annie Hall" will like this. The introduction to the secret government scientific foundation is a gas as is the "evolution" sequence. The composition of the closing shot is almost painfully beautiful but its impact is much diminished in versions formatted for television.

SIMON feels like a mashup of Woody Allen, Stanley Kubrick, and Mel Brooks. It is one of the strangest movies I have ever seen, and this is coming from someone who generally lives on a steady diet of cult oddities.

The whole thing is a satirical send-up of both intellectual snobs, low culture, consumption, and the religious mindset. The comedy is of the absurd variety, which might be too much for some tastes, but I laughed harder than I have in a long time at it. Alan Arkin is hilarious in the lead (his character's messiah complex is so well-done) and the supporting actors all hit the right notes.

I will say the film is a bit uneven in terms of pacing and biting off more material for satire than it knows what to do with (for example, I wish the TV-addicted cult had more to do). Things drag a little in around the 3/4 point, but not enough to make you sick of the movie. There is an element of drama in the last quarter which feels a bit out of tune with the previous insanity as well.

Still, this movie was fun. It's still in my brain. I can't stop thinking about (and laughing at!) it.

"Simon" is one of the strangest movies I have seen in quite some time. It's not the premise that is so strange - the bare bones of the plot read like they could be made into a typical comedy - but rather the execution. Although there are a number of attempts at humor throughout the movie (and I admit that I did find some of these attempts amusing), there is a strong serious undercurrent. It seems that the movie is trying to say something, though what that is I cannot say for sure. But there are deeper problem with the movie. It takes quite a while for it to get going, for one thing. And once it gets going, it seems to have a number of moments where key footage seems missing or wasn't filmed at all in the first place. But all the same, I am kind of glad that I saw the movie, because it's the rare major studio production to really be strange and offbeat - which is refreshing in an age of cookie cutter plots and lack of imagination. I would recommend this movie to viewers who want something different and are ready to accept something that is an interesting failure of sorts.

If you haven't seen this you are missing out on a real gem. It was an underground cult hit upon release, then vanished into obscurity. This is a clever, truly brilliant film and it's a true crime that it hasn't been released on DVD. One of Arkin's best performances, up there with Seven Percent Solution. A bizarre film that can appeal to all fans of Woody Allen films, Mary Hartman, Mary Hartman TV show, etc. One highlight is the reference to the old TV program, Celebrity Bowling, which of course itself was one of the most bizarre things ever to hit TV screens. Worth the price of admission for that joke alone! Attention producers: DVD required asap please!

This is a very funny film written and directed by Marshall Brickman, who wrote Woody Allen's ANNIE HALL, MANHATTAN, and MANHATTAN MURDER MYSTERY, as well as numerous other films. He only directed four films, of which this is the first, and it shows the least directorial skill unfortunately. His second film LOVESICK (1983, see my review) was much more satisfactory as a film. SIMON should have been far more hilarious than it is, but Brickman was too inexperienced and did not plot the pace sufficiently to keep the action moving, so that it repeatedly sags with people talking for too long, and with too much space between the jokes. However, it is very good value if you are willing to go with the flow and not mind the minor faults. Austin Pendleton is the co-star, along with Alan Arkin, and Madeleine Kahn is one of the two female leads. Austin is my cousin, and I believe he and I met Maddy Kahn together for the first time at the Upstairs at the Downstairs when she was still doing live shows, long before she was ever in a movie. This film is a comic sci fi caper, where a think tank full of mad scientists interested in brainwashing techniques, which is run by Austin, choose Arkin for an experiment. They put him into an isolation tank for a very long period of sensory deprivation and persuade him that he is an alien. Much of the comedy then results from Arkin's behaviour once he comes to believe this. Wallace Shawn adds good support, as he always does. I won't spoil the ending by discussing what this all leads to, but 'a good time was had by all', as they say.