Le silence qui tue

A better than average cast helps to make this horror film a decent watch, along with a reasonably good script (written by brothers Jim & Ken Wheat and Wallace C. Bennett) that has some memorable twists. It's graphically bloody at times but also has fine atmosphere, and a healthy nod to "Psycho" in its use of an imposing beach side house.

College student Scotty (Rebecca Balding) is in desperate need of a place to live and ends up at this house, owned by a weird family, the Engels. Unfortunately, Scotty and her fellow roommates won't know just *how* creepy this family is until it's almost too late. When one of the kids is murdered, a subplot develops with two detectives (Cameron Mitchell, Avery Schreiber) investigating the case.

The cute Balding is an appealing lead in this story, given effective theatrical treatment by commercial veteran Denny Harris (in his only feature credit). Helping a great deal is a grandiose music score by the under-rated Roger Kellaway, who also composes a period style song for the show. There is some good suspense and many ominous shots of the house and its interiors. The shocks are well realized, as well.

Yvonne De Carlo is also among the familiar faces appearing. Mitchell and an effectively serious Schreiber are fine as the detectives. In addition to Balding, Steve Doubet and Juli Andelman are similarly likable. Brad Rearden is great in the role of the nerdy Mason Engels, the films' one true tragic character. And horror genre icon Barbara Steele is a treat to watch in a non-speaking role.

Lovers of the horror films from this period should find a fair deal to enjoy here. "The Silent Scream" is enjoyable stuff that deserves a viewing from them.

Seven out of 10.

College student Scotty Parker waits too long to apply for on campus housing and as a result must rent a room at a spooky seaside mansion owned by the equally spooky Engels family. Soon, one of the other college student renters is brutally murdered and Scotty unknowingly begins to unravel the secrets of the Engels family and the murders.

The creepy, atmospheric little gem is a homage to Psycho through and through. Though it is a slow-burner, there is always an uneasiness present as the viewer is made aware through minor clues that something is not right with the Engels family. There is little to no gore; instead the focus on on building tension leading into the frantic and frenzied climax. Barbara Steele steals the film without saying a word and her performance will certainly give you chills. Highly underrated and one of the better entries into the early 80's slasher genre, though today's audience may be turned off by the slow pace.

FrightMeter Grade: B

Let it begin. Post-Halloween slashers are in force. But this just made it in before the major onslaught, and admirably it's a above par entry. Actually it probably has more common with "Psycho" , and touch of "Black Christmas", than most brain-dead slashers. The one-note story is quite typical and fairly bare on building much in the way of sub-plots, but it's the dreary, underlining atmosphere that smothers the gloomy seaside mansion and invokes a real unsteadiness of slow-burn tension. Even the performances lend well, and the central outlook on a dysfunctional family (who rent out spare rooms in their mansion to students) grows incredibly eerie. A silently steely Barbara Steele is memorably striking in her support role, while Rebecca Balding is competently fine as the main heroine. Cameron Mitchell and Yvonne De Carlo also show up. There's a subtle stylishness to Denny Harris' direction in many effective sequences, where obviously his less concerned about a body count and ghastly shocks. The feel is more like an old-fashioned Gothic-tale, with psychotic-drama currents. A problem though, would that there happened to be many flat (or dead-air) moments. Dead silence, and believable actions aplenty. It's low-budget shows, and minimal scope gives the film a tight, dank and creaky vibe that works. Even the vast, forlorn coastal location choices, and shadowy, cob-web house-bound settings are nailed down to perfection. Roger Kellaway's hysterically sombre music score had that familiar sound to it, but Michael D. Murphy & David Shore's murkily prying cinematography really sneaks up onto the viewer. Even within the empty passages, it still emit's a spine-tingling ambiance and workably solid performances by the cast.

The slasher film was one of the more popular eighties horror sub-genres, and as a result; a lot of truly awful slashers were made. This one isn't particularly brilliant, but it's more than decent and has more going for it than the vast majority of similar films from the same period. Most of the eighties output was directly influenced by John Carpenter's overrated Halloween, but this film appears to take more from the original slasher - Alfred Hitchcock's masterpiece Psycho - than the aforementioned modern slasher, which is definitely to the film's credit. The film puts it's focus on just one location; that being a boarding house near to a beach. The house is run by Mrs. Engels, who leaves her son Mason in charge as she prefers to stay locked in her upstairs room. Scotty Parker arrives at the house after searching all over town for a room. She gets a room there and pretty soon she is introduced to the other three house mates and mingles with them well. However, it soon becomes clear that there's a member of the household that she hasn't been introduced to, and it's not long before one of her new-found friends turns up dead.

I have to be honest and say that I probably wouldn't have bothered tracking this one down if it wasn't for the fact that it features the great Barbara Steele. Steele doesn't get the lead role, but she is by far the most memorable thing about the film with her deliciously insane character. The plot plays out very directly, and there is little or no attempt to be clever at all. This certainly isn't a bad thing, however, as it means that writer-director Denny Harris (with his only film) is able to put the focus on the popular slasher elements such as murder and atmosphere. The film isn't very bloody compared to its counterparts; films such as Friday the 13th, but there's a few brutal murder sequences contained within the film, and this is sure to please slasher fans. The foreboding and tense atmosphere is a result of the focus on the central location, and the old house at the centre of the film gives it a nice feel throughout, which is also one of the film's main assets. The conclusion is somewhat predictable; but you can't expect much else from this sort of film, and while Silent Scream isn't massively impressive, it's better than a lot of slashers and comes recommended to fans of the sub-genre.

A cloying atmosphere. A large, wooden mansion close to the beach. A camera prowling the hallways. An arm grabbed in a crawlspace. Barbara Steele. The strange, bespecled son who puts on an old army uniform and stays in his room. The mother we rarely see. The grim tone.

I recall these fleeting aspects of "Silent Scream" and I recall the trailer featuring the arm grabbed.

The film is not very bloody and not a lot happens, but director Denny Harris chooses to focus on the dysfunctional family who rent rooms to college students. One of them, Rebecca Balding, a strong, no-nonsense actress, cottons on to what's happening and starts to investigate.

Although the film was inspired by Halloween, it plays more like "Psycho" or "Terror House" and benefits from its downbeat look and score.