Rude Boy

Brilliant, if you forget the narrative and focus on the clash footage featured. It has the right message, punk is opposed to racism, which at the time was not always the case, there was lots of Nazi punks. I would have liked to have seen more footage of the race riots. The recent death of Joe Strummer adds a degree of poignancy to this wonderful relic of late-1970s London. Rude Boy distills the essence of the Clash in their prime. I spend hours watching the extras which feature over 20 life clash performances, including four different white riots! Any clash fan needs to own this DVD, also recommended: west-way to the world, and essential clash.

D

This intriguing film blurs the line between documentary and reality much in the way 60's classics such as "Medium Cool" do. The story (when it's allowed to tell itself) of the drunken directionless punk is sad, charming and wild. I can see why the Clash disowned the film. It shows how they merely reflect the showbiz side of the struggles of the working class in England. When Ray attempts to tell Mick Jones how much "Stay free" means to him, he is shrugged off with a " I'm watching you." We see Ray being consumed by his own nihilstic rage while the clash use it up to the point of making good pop music with it.

This film is interesting on lots of levels despite also being a bit rubbish! The historical value is high, an excellent depiction of the time. The Clash footage is great, the sound is really good. The character Ray is very believable and a realistic portrayal of the hangers on that bands attract and can't seem to get rid of! Even though the acting ain't great. So while most of the film's value is historic and sociological in nature, it does hold the attention.

Well done to London Live for finding this one!

Read Marcus Gray's The Last Gang in Town.... I watched the film a couple of times, like other contributors, with many questions in my head about what it was really about, how much The Clash co-operated with it, why the film is presented in the way it is, who on Earth Ray Gange is...

This book clears up those questions... The film is flawed, but as a document of the times, and especially the power of The Clash as a live band (there's not any better footage of them around - although they overdubbed the live tracks).... What a band...

The Clash's Rude Boy is a misguided, exciting and overall decent attempt at capturing the band the Clash at the height of their crossover from punk pioneers (if there could legitimately be called such a thing) to full-blown rock stars in the UK. The story itself surrounding them is perhaps less great than the band itself, which might be expected considering all that can be done in integrating one character into a band through a fictional script. The movie examines an angry youth (Gange) who works in a sex shop, until he meets up with The Clash and becomes their roadie. The story of Gange (and his view of the situation in Britain at the time it was made, with the occasional communist remark or two depending on the perspective of the viewer) is a little confusing and muddled at times.

Yet when the Clash take the stage, which is fairly often, the film is thriving and alive as any concert film in the history of rock movies. Maybe it may appeal more to punk fans from the 70's than the punk fans- or what bunch of posers that try and act hip from their Hot Topic gear- but it's hard not to pass it up as even a casual fan either. Performances include: I'm so Bored with the USA, White Riot, Janie Jones, White man in Hammersmith, and Police and Thieves, among others.