La guerre des abîmes

I saw this movie in the theatre, and I remember enjoying it. I knew it was a financial failure, but over the years since I've been surprise by the hatred it has generated. Long before Robert Ballard, finding the Titanic and possibly raising it was a dream I shared with a lot of Titanic fans. Clive Cussler wrote a pulpy but entertaining book on the subject, and I thought the story was made into a pulpy, but entertaining movie. I liked the cast: Richard Jordan, David Selby (I'm a Dark Shadows fan also...hoots of derision), Jason Robards and Anne Archer. Now, however, I have to watch a fading print under cover of darkness to avoid more hoots of derision! I've read that there is excised footage that might help the storyline. I'd buy a directors cut DVD, and have a "Raise the Titanic" party. It's only an entertainment, not a work of art.

Inexplicably bad adaption of Clive Cussler's novel, the failure of this movie may be in its focus on an actual historical event. Most of Cussler's novels revolve around odd sinkings and lost-at-sea type events: perhaps this movie couldn't stand up to the scrutiny that accompanies any Titanic -based project. Richard Jordan is badly miscast (as is Jason Robards). Cussler's novels would make excellent Bond-type big budget movies in the right hands, but here Jerry Jameson and the writers managed to suck anything interesting out of Cussler's entertaining original work.

Ok, so Raise the Titanic isn't the greatest film ever made, but it's not the worst. Cussler was having Dirk Pitt raise the Titanic and save the world when Tom Clancy was still selling insurance. I wish the film makers had stuck closer to the book, which is part Titanic, part James Bond. It's as if they decided to take the (very) basic plot of the novel and spend about $50 million on a film that looked like about $1.99. The acting is fair considering the script Robards and Jordan had to work with. From an appearance stand point Richard Jordan is Dirk Pitt for me. I can see him in the part. It was just that the part wasn't written for one of Jordan's talent. Read the novel, rent the movie and compare the hatchet job Hollywood did on it. At least they would do better on the next major Titanic movie. Not much consolation to Clive Cussler I'm afraid, but hey that's show biz!

Strictly speaking, I found this to be acceptable entertainment. Its many detractors maintain that it's a poor, poor adaptation of the Clive Cussler novel. In fact, Cussler himself hated it so much that there would be no more adaptations of his work until "Sahara" in 2005. Does the execution of the movie fail to match the awesomeness of the concept? Sure. Could it have used a more accomplished director at the helm? It wouldn't have hurt. But it sustains interest for close to two hours. This viewer was caught up enough in the story that any flaws didn't detract from the experience.

The U.S. government is in an intense search for an obscure mineral (for national defense purposes, of course) and believes that the only place it could be found is on board the wreckage of the Titanic. Since at this point in time, divers couldn't travel that deep into the ocean, people working on the project come up with this offbeat solution of using explosive devices to bring the massive ship to the surface.

Political intrigue adds to the plot, as the Russians believe that by rights they should be allowed to retrieve the mineral. They do everything that they can to undermine the operation.

The actors deliver decent performances, although there are precious few characters that really engage the viewer. One exception is the Titanic survivor John Bigalow, played by Sir Alec Guinness. There's a lot of familiar faces here: Jason Robards, David Selby, Richard Jordan, and Anne Archer as the stars, and a steady array of top notch character actors. The romantic subplot with Selby and Archer never really goes anywhere, but fortunately it doesn't take up TOO much of the running time.

The special effects are adequate, and the actual event of the title is reasonably impressive.

The most worthy component is really the rousing, emotionally rich music score by John Barry.

Seven out of 10.

I have never understood the degree of ire, dislike, contempt and scorn heaped upon this movie. A multi million dollar turkey at the box office which virtually sank Lord Lew Grade and one that has provided film critics with cheap laughs ever since. I sit here this morning, having sat through ZOOLANDER last night, watching a complacent, pre-programmed brain-dead audience guffaw itself senseless, contributing another truck load of dollars to Ben Stiller's superannuation fund and you know, I wonder about RAISE THE TITANIC. What has happened to sentiment, simplicity, the ultimately simple values in life?

Sure, RAISE THE TITANIC captures none of the power of Cussler's novel, but I don't really care! Yeah, they got the funnel configuration shot to hell, the underwater model as it surfaces looks much like the little rubber boat I used to play with in the bath as a child, and David Selby has the animal magnetism of Osama bin Laden, but I'd like to tell you something. Perhaps because I maintained a fascination with the TITANIC ever since I was a child and dreamed of just how it must have been that night, when watching that absolutely awesome scene in RAISE THE TITANIC as the great ship broke the surface I have never in my life been so emotionally moved. Tears just ran down my face and I cried like a child. When I got home that night my wife asked me what was wrong. I couldn't talk about it and was never able to explain, and you people reading this want to believe it, I am the absolute last guy you would consider to be a wuss! How anyone could have witnessed that scene in the theater and NOT been moved I could never understand.

So many memorable things in the film. Titanic survivor, Sir Alec Guinness' touching cameo in the pub when he gives Dirk Pitt (the late Richard Jordan) the white star flag that he removed from the stern the night the great ship foundered, and which he wanted replaced if they were ever to raise it from the bottom of the Atlantic. The inarguably realistic scene when Jordan and his crew members finally discover the wreck on the bottom, played out against John Barry's ultimately moving musical score, the best he wrote for ANY film. The external shots of the ship once it has been raised (Way better I thought than Cameron's digitised TITANIC) and the internal shots of the gymnasium still dripping with water. Finally, the wonderful scenes as it is towed into New York harbor to complete its (then) 68-year journey. True, the last twenty minutes or so were all downhill, but nothing can detract from what went before.

Worst thing they ever did was to FIND the wreck! A dream died that day!