A few people come into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over their bodies.A few people come into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over their bodies.A few people come into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over their bodies.
- Awards
- 1 win total
Suzy Stokey
- Sandy
- (as Susan Stokey)
Chad Cowgill
- Tommy
- (as Chad Christian)
Jacqueline Cowgill
- Mrs. Lawrence
- (as Jackie Cowgill)
Featured reviews
I like this film. During the early 80's these type of genre films were cropping up every other week, but this one i still remember to this day, so i watched it recently. The film has dated quite badly (like most straight to video movies of this era) although it's quite well made and acted and the gore scenes and special effects are carried out competently, considering the small budget it would have had. The story is not bad as well ; ancient Aztec charm possesses all who come in contact, with inevitable results. The ending also has a nice sting in the tail. Overall as far as eighties video fodder goes this could be called an exception !!
THE POWER is about a man named Jerry (Warren Lincoln), who comes into possession of an Aztec idol. Jerry has little idea of its dark history, beyond the fact that some kids claim that it caused a death.
Many unexplained events take place, and Jerry undergoes a drastic change in personality, becoming a danger to himself and others. Mostly others.
THE POWER is enjoyable in spite of / due to its inescapable, 1980's cheeeze-vibe. Jerry's transformation scene is quite impressive, as are his massive tumbleweed hairdo and matching sideburns!
Definitely recommended for all of those who are addicted to the movies of this era...
Many unexplained events take place, and Jerry undergoes a drastic change in personality, becoming a danger to himself and others. Mostly others.
THE POWER is enjoyable in spite of / due to its inescapable, 1980's cheeeze-vibe. Jerry's transformation scene is quite impressive, as are his massive tumbleweed hairdo and matching sideburns!
Definitely recommended for all of those who are addicted to the movies of this era...
If you remember liking the "Friday the 13th" TV series, with its basic concept of inanimate objects possessing the souls of their unsuspecting owners and eventually causing death and destruction, then this movie - about a creepy small Aztec idol - may be enjoyable for you. The special effects are not bad, considering the budgetary constraints, and there is also a pretty good shock ending. The problem is that you get to see the idol's power in the first few minutes, so you have to wait for the characters to find out (and argue about) what you already know. And some of the acting is pretty amateurish, too. (**)
The 80s low-cost independent horror "The Power" is an atmospherically inventive and dark with its fascinating concept involving an ancient Aztec idol that's harbouring a powerful force which infatuates those in possession of it, bringing out their dark side. It's starts off really steady and talkative but still remaining effectively compelling within its moody and fearful superstitious framework, but then it goes off the rocker becoming a ghastly, if typical little shocker with some very well executed, icky make-up FX for such a cheap budget. The deaths are few, but they bestow imagination and atmosphere --- however it's the underlining surreal creepiness that's held throughout, which makes up for it.
Dual director's Steven Carpenter and Jeffrey Obrow's (who brought us the hokey slasher "The Dorm that Dripped blood" and monster carnage of "The Kindred") minimalist set-up is tidy, even with its gritty look but they do a decent enough job with their touches of brooding suspense and jarring visuals. Limited resources and amateurish acting (although Lisa Erickson was fair) don't distract too heavily as the creative and unusual story is well thought out in its context of forbidden power and the temptation of it that simply attracts evil. There's just a sense of doom that just won't waver, but while it might be a mystery to the characters it's not so for the viewer. Sometimes slightly muddled and random, as there much to gather but it comes together in an ending that's nothing more than a final cheap, but lasting shock. The eerie score accompanying only adds more to the mystical edge, demonstrating an intense, ripple-like grip. Susan Stokey's clueless character is somewhat grating in her self-absorbed attitude and Warren Lincoln gives the film much needed energy as his erratically idealistic character investigating the idol, to only fall under its corrupt spell.
It would actually make a good, interesting double viewing with "The Returning (1983)".
Trivia note; One thing I found somewhat unnerving is a scene in the film, which I don't know if it was purposely staged or not. In the sequence we catch a reflection (less than a second) in a mirror of a bearded man dressed in black just standing there watching Stokey. I never saw this character before, nor does he even reappear in the film. Nothing is mentioned. If it was one of the crew accidentally getting in the shot, it was a strange place to be standing and boy did he look scary. Just look at the face!
Dual director's Steven Carpenter and Jeffrey Obrow's (who brought us the hokey slasher "The Dorm that Dripped blood" and monster carnage of "The Kindred") minimalist set-up is tidy, even with its gritty look but they do a decent enough job with their touches of brooding suspense and jarring visuals. Limited resources and amateurish acting (although Lisa Erickson was fair) don't distract too heavily as the creative and unusual story is well thought out in its context of forbidden power and the temptation of it that simply attracts evil. There's just a sense of doom that just won't waver, but while it might be a mystery to the characters it's not so for the viewer. Sometimes slightly muddled and random, as there much to gather but it comes together in an ending that's nothing more than a final cheap, but lasting shock. The eerie score accompanying only adds more to the mystical edge, demonstrating an intense, ripple-like grip. Susan Stokey's clueless character is somewhat grating in her self-absorbed attitude and Warren Lincoln gives the film much needed energy as his erratically idealistic character investigating the idol, to only fall under its corrupt spell.
It would actually make a good, interesting double viewing with "The Returning (1983)".
Trivia note; One thing I found somewhat unnerving is a scene in the film, which I don't know if it was purposely staged or not. In the sequence we catch a reflection (less than a second) in a mirror of a bearded man dressed in black just standing there watching Stokey. I never saw this character before, nor does he even reappear in the film. Nothing is mentioned. If it was one of the crew accidentally getting in the shot, it was a strange place to be standing and boy did he look scary. Just look at the face!
Man comes in contact with an ancient Aztec figurane that is cursed by an evil spirit. The spirit takes over the man's body and begins a massive killing spree. Swift, fast paced horror film with it's fair share of shocks. This is one film where the low budget actually helps the move and gives it a more realistic feel. The special effects are even pretty good for this kind of movie. Rated R; Violence and Profanity.
Did you know
- TriviaRiffed by Rifftrax (Michael J. Nelson, Bill Corbett, and Kevin Murphy).
- GoofsWhen Sandy leaves her bedroom (after having a nightmare), a man with a beard can be seen in the mirror on the door.
- ConnectionsFeatured in Katarina's Nightmare Theater: The Power (2014)
- How long is The Power?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Destacatyl: la statuette maléfique
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $929,162
- Opening weekend US & Canada
- $929,162
- Jan 22, 1984
- Gross worldwide
- $929,162
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