A few people come into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over their bodies.A few people come into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over their bodies.A few people come into possession of an ancient Aztec doll. However, the doll is possessed by an evil spirit, which takes over their bodies.
- Awards
- 1 win total
Suzy Stokey
- Sandy
- (as Susan Stokey)
Chad Cowgill
- Tommy
- (as Chad Christian)
Jacqueline Cowgill
- Mrs. Lawrence
- (as Jackie Cowgill)
Featured reviews
My review was written in January 1984 after a Times Square screening.
"The Power" represents a return to horror film basics: the requisite scares and flashy makeup jobs but little else to sustain viewer interest over the length of a feature. Also known during production as "Evil Passage", film is unrelated to the late George Pal's 1968 sci-fi thriller "The Power".
Supernatural tale concerns a tiny (two inches tall) Aztec idol, Destacatyl, which pases from hand to hand wreaking mucho havoc. Stolen by Francis Lott (J. DInan Myrtetus) from a professor, it ends up in the possession of three Los Angeles high school students (Lisa Erickson, Chad Christian, Ben Gilbert) who use it during their amateur attempts to contact the spirit world.
The idol causes the death of a cemetery caretaker during one of the students' sessions, and the kids seek the aid of reporter Sandy McKennah (Susan Stokey) after she writes about the incident for her tabloid The Eyewitness. Sandy's boyfriend Jerry (Warren Lincoln) steals the idol, which possesses him, cuing familiar expanding-bladder makeup effects and general mayhem.
Filmmakers Jeffrey Obrow and Stephen Carpenter reprise low-budget versions of the levitating and objects-flying-around-the-room special effects pioneered in "The Exorcist" at every opportunity, but fail to create interesting characters or situations. Makeup effects by Matthew Mungle vary in quality but deliver some effective grotesque faces as "evil" is mirrored on the visages of the least scrupulous players. Acting is unimpressive, as is a silly "three years later" epilog scene.
"The Power" departs from recent trends in the genre by being almost devoid of sexual content, except for a scary nightmare scene wherein Sandy imagines a dozen hands grabbing at her from beneath her bed.
Chris Young provides a suitably spooky musical score, which is overly derivative of Camille Saint-Saens' "The Aquarium", previously used on the soundtrack of "Days of Heaven".
"The Power" represents a return to horror film basics: the requisite scares and flashy makeup jobs but little else to sustain viewer interest over the length of a feature. Also known during production as "Evil Passage", film is unrelated to the late George Pal's 1968 sci-fi thriller "The Power".
Supernatural tale concerns a tiny (two inches tall) Aztec idol, Destacatyl, which pases from hand to hand wreaking mucho havoc. Stolen by Francis Lott (J. DInan Myrtetus) from a professor, it ends up in the possession of three Los Angeles high school students (Lisa Erickson, Chad Christian, Ben Gilbert) who use it during their amateur attempts to contact the spirit world.
The idol causes the death of a cemetery caretaker during one of the students' sessions, and the kids seek the aid of reporter Sandy McKennah (Susan Stokey) after she writes about the incident for her tabloid The Eyewitness. Sandy's boyfriend Jerry (Warren Lincoln) steals the idol, which possesses him, cuing familiar expanding-bladder makeup effects and general mayhem.
Filmmakers Jeffrey Obrow and Stephen Carpenter reprise low-budget versions of the levitating and objects-flying-around-the-room special effects pioneered in "The Exorcist" at every opportunity, but fail to create interesting characters or situations. Makeup effects by Matthew Mungle vary in quality but deliver some effective grotesque faces as "evil" is mirrored on the visages of the least scrupulous players. Acting is unimpressive, as is a silly "three years later" epilog scene.
"The Power" departs from recent trends in the genre by being almost devoid of sexual content, except for a scary nightmare scene wherein Sandy imagines a dozen hands grabbing at her from beneath her bed.
Chris Young provides a suitably spooky musical score, which is overly derivative of Camille Saint-Saens' "The Aquarium", previously used on the soundtrack of "Days of Heaven".
I wasn't expecting much from this film, but was eager to try something which I initially thought would primarily be an early 80s teen horror. Although three teens are somewhat critical plot, it is by no means a teen horror film.
'The Power' is about a little Aztec idol that exchanges many hands as its possessor (who must be adult and thus, 'corrupted') becomes the vessel for unleashing all of the idol's evil, and often with deadly implications for not only the victims of the possessor, but of the possessor himself. After making several exchanges in vying over control of this thing, three teenagers wind up finding it and can't figure out what it is, except that since they found it, strange and dangerous things are afoot. They offer to explain the situation to a news reporter who doesn't buy into the spiritual bologna. Although, it is her producer who wants to investigate further, especially if it means he can get control of the idol (I presume the teens are even not yet corrupted enough to feel the dangerous desires encouraged by the idol). It is a story told a thousand times, particularly in 1950s and 60s horror and science fiction fare.
This one was at least, for me, able to sustain some interest. Though low budget, it was not done so obviously cheaply or loaded with bad acting as many of the low-budget, come-and-go horror fare of the earlier decades had (nowadays, they have the same cheesy qualities, but bigger budgets). We are spare enough of it to at least allow ourselves an opportunity to become at least a little bit absorbed with the eerie atmosphere and so forth, despite a story of clichés. And, though not terribly gory, the special effects were done nicely.
Again, it is routine horror tale, especially with the ending (which by modern standards has become a device that is annoyingly overused), but one that is not so embarrassingly bad. It might be worth checking out, even if just for laughs.
'The Power' is about a little Aztec idol that exchanges many hands as its possessor (who must be adult and thus, 'corrupted') becomes the vessel for unleashing all of the idol's evil, and often with deadly implications for not only the victims of the possessor, but of the possessor himself. After making several exchanges in vying over control of this thing, three teenagers wind up finding it and can't figure out what it is, except that since they found it, strange and dangerous things are afoot. They offer to explain the situation to a news reporter who doesn't buy into the spiritual bologna. Although, it is her producer who wants to investigate further, especially if it means he can get control of the idol (I presume the teens are even not yet corrupted enough to feel the dangerous desires encouraged by the idol). It is a story told a thousand times, particularly in 1950s and 60s horror and science fiction fare.
This one was at least, for me, able to sustain some interest. Though low budget, it was not done so obviously cheaply or loaded with bad acting as many of the low-budget, come-and-go horror fare of the earlier decades had (nowadays, they have the same cheesy qualities, but bigger budgets). We are spare enough of it to at least allow ourselves an opportunity to become at least a little bit absorbed with the eerie atmosphere and so forth, despite a story of clichés. And, though not terribly gory, the special effects were done nicely.
Again, it is routine horror tale, especially with the ending (which by modern standards has become a device that is annoyingly overused), but one that is not so embarrassingly bad. It might be worth checking out, even if just for laughs.
Man comes in contact with an ancient Aztec figurane that is cursed by an evil spirit. The spirit takes over the man's body and begins a massive killing spree. Swift, fast paced horror film with it's fair share of shocks. This is one film where the low budget actually helps the move and gives it a more realistic feel. The special effects are even pretty good for this kind of movie. Rated R; Violence and Profanity.
A small Aztec doll takes over those who own it, forcing them to carry out gruesome killing sprees.
When I was flicking through the details of this film, I saw horror, I also saw the words Carpenter and John, a foolish assumption.
It's one of those films that I'd have to say, it isn't bad, it truly is just that, not a bad film at all, it has a suitably macabre tone, it looks pretty good, and it's actually well paced.
It gets going fairly quickly, and that scene inside the lecture room gets things moving straight away. There are a few shocks and decent moments of horror throughout, it just lacks a little bit of polish.
The acting is a little patchy at times, but come on what are you expecting here.
6/10.
When I was flicking through the details of this film, I saw horror, I also saw the words Carpenter and John, a foolish assumption.
It's one of those films that I'd have to say, it isn't bad, it truly is just that, not a bad film at all, it has a suitably macabre tone, it looks pretty good, and it's actually well paced.
It gets going fairly quickly, and that scene inside the lecture room gets things moving straight away. There are a few shocks and decent moments of horror throughout, it just lacks a little bit of polish.
The acting is a little patchy at times, but come on what are you expecting here.
6/10.
THE POWER is about a man named Jerry (Warren Lincoln), who comes into possession of an Aztec idol. Jerry has little idea of its dark history, beyond the fact that some kids claim that it caused a death.
Many unexplained events take place, and Jerry undergoes a drastic change in personality, becoming a danger to himself and others. Mostly others.
THE POWER is enjoyable in spite of / due to its inescapable, 1980's cheeeze-vibe. Jerry's transformation scene is quite impressive, as are his massive tumbleweed hairdo and matching sideburns!
Definitely recommended for all of those who are addicted to the movies of this era...
Many unexplained events take place, and Jerry undergoes a drastic change in personality, becoming a danger to himself and others. Mostly others.
THE POWER is enjoyable in spite of / due to its inescapable, 1980's cheeeze-vibe. Jerry's transformation scene is quite impressive, as are his massive tumbleweed hairdo and matching sideburns!
Definitely recommended for all of those who are addicted to the movies of this era...
Did you know
- TriviaRiffed by Rifftrax (Michael J. Nelson, Bill Corbett, and Kevin Murphy).
- GoofsWhen Sandy leaves her bedroom (after having a nightmare), a man with a beard can be seen in the mirror on the door.
- ConnectionsFeatured in Katarina's Nightmare Theater: The Power (2014)
- How long is The Power?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Destacatyl: la statuette maléfique
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $929,162
- Opening weekend US & Canada
- $929,162
- Jan 22, 1984
- Gross worldwide
- $929,162
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