Popeye
- 1980
- Tous publics
- 1h 54m
The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.
- Awards
- 3 wins & 4 nominations total
Allan F. Nicholls
- Rough House
- (as Allan Nicholls)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This project was reviled by critics and disowned by Altman and Williams. It corresponded to DuVal's breakdown, and was all but the end of the heavy drinker Nilsson's adventures in film.
But I think its great. You have to remember that it predates every comic/cartoon to film project except 'Superman,' which really was a version of the TeeVee show. And you have to appreciate that 'Popeye' the cartoon is one of the very few that featured humans and therefore was more abstract than most.
Watch it now, and see that it was well ahead of its time and now stacks up as extremely introspective: along the lines of 'Alphaville.'
It had Robin Williams and Ray Walston, both famous TeeVee aliens, or so they were known at the time. It was penned by the notoriously ironic, cartoonist Feiffer, someone who specialized in personal social angst. The songs - a major element here - were by the self-destructive genius Nilsson, and directed by Altman when he was interested in social commentary.
All, plus Duvall, were at the height of their powers. Even the quirky Van Dyke Parks appears.
What makes this project so interesting and appealing is that everyone is completely simpatico with Feiffer's Jarryesque vision, which is disconnected from reality and had no cinematic model.
How so many talents could be so adventuresome and coordinated at the same time is a real puzzle.
The bit about how 'large' Bluto is - and how Shelly mentions it - makes me smile every time I recall it. The social text is a bit heavy, but so what?
This is what made Tim Burton possible.
Ted's Evaluation -- 3 of 3: Worth watching.
But I think its great. You have to remember that it predates every comic/cartoon to film project except 'Superman,' which really was a version of the TeeVee show. And you have to appreciate that 'Popeye' the cartoon is one of the very few that featured humans and therefore was more abstract than most.
Watch it now, and see that it was well ahead of its time and now stacks up as extremely introspective: along the lines of 'Alphaville.'
It had Robin Williams and Ray Walston, both famous TeeVee aliens, or so they were known at the time. It was penned by the notoriously ironic, cartoonist Feiffer, someone who specialized in personal social angst. The songs - a major element here - were by the self-destructive genius Nilsson, and directed by Altman when he was interested in social commentary.
All, plus Duvall, were at the height of their powers. Even the quirky Van Dyke Parks appears.
What makes this project so interesting and appealing is that everyone is completely simpatico with Feiffer's Jarryesque vision, which is disconnected from reality and had no cinematic model.
How so many talents could be so adventuresome and coordinated at the same time is a real puzzle.
The bit about how 'large' Bluto is - and how Shelly mentions it - makes me smile every time I recall it. The social text is a bit heavy, but so what?
This is what made Tim Burton possible.
Ted's Evaluation -- 3 of 3: Worth watching.
When I first saw Popeye around the early 80's(Im 26 now), I was hooked. I found the whole production to be amusing. It seems that I'm one of the few that enjoyed the soundtrack to the movie(I recently picked it up on LP). The songs fit the mood and had some good humor to them. Musically performed well also. I thought the set(Sweethaven), was very comical yet useable,liveable and the "no sense of time" previously mentioned just brings it out more. I'd visit it if I were ever to travel near Malta. Shelley and Robin are the perfect pair to bring their characters life. Of course can't leave out Swee'Pea. The whole cast rounds out the picture well. I guess I could get in depth and go on but I just wanted to quickly sum up my thoughts. Believe it or not--there are some big fans of this flick. I recommend this movie for anyone with a quirky sense of humor and fun. I wish this movie would be released on DVD. Behind the scenes extras would be neat.
Wow, again "the worst movie ever made". At least when you go by those self proclaimed internet-movie-critics on IMDb who never bother to bestow upon the heavily bored public their highly imaginative musings like "Two hours of my life I will never get back", without even having one (a life that is) in the first place. Fact is: Every movie in this database is "the worst ever made" ... for someone ... then scroll up or down a bit and suddenly the same movie will become a "never fully appreciated masterpiece". What does this teach us? The truth, like always, lies somewhere in between and is highly subjective. Go and see it for yourself. Don't be interested in what I have to say. Well, if you still are: I quite liked it.
Why in the world hasn't this film been released on LaserDisc in letterbox format? There's as much or more taking place in the background nooks and crannies of Altman's "Popeye" than there is up front. And all of it is a clever, inventive, respectful homage, to a comic strip/cartoon character that has never received his much deserved place of honor alongside Mickey, Bugs and Daffy. I want to see ALL of Robert Altman's "Popeye," and pan-and-scan just doesn't cut it. Oh, the music is wonderful, by the way. It's what grabbed my attention one day when I still mistakenly believed the critics who panned this film. I was channel surfing and I heard Olive Oyl singing "He Needs Me" and I was hooked. This film is a jewel. ("What squinky eye?")
I am not ashamed to admit it but I love Popeye, the cartoon and the movie starring the amazing Robin Williams as Popeye. He is almost unrecognizable in the role but completely believable. I love Shelley Duvall as Olive Oyl because she really does a superb job living up to and beyond my expectations as the ultra-skinny love interest to muscular Popeye. It's like watching old friends. "I'll pay Tuesday for a Hamburger today" was a common statement. Of course, Popeye and Olive Oyl have Brutus as an obstacle to their happiness and almost the loss of Sweet Pea. It's a kind a family film too. It has music and dancing. Okay, it's not the greatest musical film ever made but it's always worth watching again. It reminds me of being 7 years old and seeing this film at the movie theater.
Did you know
- TriviaMost of Popeye's lines were discovered to be inaudible once filming wrapped. Robin Williams had to re-dub much of the dialogue.
- GoofsAs per the info in the trivia section of this film, the makeup and appliances for Popeye's massive forearms were not ready, so in some scenes, especially the boxing match, it's visible that the insides of his forearms are merely flesh-colored pads tied over Robin Williams' arms; the strings are visible.
- Quotes
Popeye: They've got me Olive Oyl and Swee'Pea.
Poopdeck Pappy: Olive Oyl? Swee'Pea? What are you doing, making a salad? I want me treasure. Do you hear me? I want me treasure!
- Crazy creditsThe film begins in black-and-white, showing a vintage Paramount logo and the opening credits for the 1930s Paramount-Fleischer Studios Popeye cartoons. However, an animated Popeye appears and sees this is the wrong opening. The movie then cuts to full color, and the opening credits continue.
- Alternate versionsA recent television version is altered in at least one way. Bluto's song "I'm Mean" is eliminated from the soundtrack as he trashes the Oyls' family home waiting for Olive Oyl.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksI'm Popeye The Sailor Man
(1933)
Music and Lyrics by Samuel Lerner (as Sammy Lerner)
Performed by Robin Williams (uncredited) and Chorus
Music often played in the score
- How long is Popeye?Powered by Alexa
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $49,823,037
- Opening weekend US & Canada
- $6,310,520
- Dec 14, 1980
- Gross worldwide
- $49,825,005
- Runtime
- 1h 54m(114 min)
- Color
- Aspect ratio
- 2.39 : 1
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