Popeye
- 1980
- Tous publics
- 1h 54m
The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.The adventures of the famous sailor man and his friends in the seaside town of Sweethaven.
- Awards
- 3 wins & 4 nominations total
Allan F. Nicholls
- Rough House
- (as Allan Nicholls)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This project was reviled by critics and disowned by Altman and Williams. It corresponded to DuVal's breakdown, and was all but the end of the heavy drinker Nilsson's adventures in film.
But I think its great. You have to remember that it predates every comic/cartoon to film project except 'Superman,' which really was a version of the TeeVee show. And you have to appreciate that 'Popeye' the cartoon is one of the very few that featured humans and therefore was more abstract than most.
Watch it now, and see that it was well ahead of its time and now stacks up as extremely introspective: along the lines of 'Alphaville.'
It had Robin Williams and Ray Walston, both famous TeeVee aliens, or so they were known at the time. It was penned by the notoriously ironic, cartoonist Feiffer, someone who specialized in personal social angst. The songs - a major element here - were by the self-destructive genius Nilsson, and directed by Altman when he was interested in social commentary.
All, plus Duvall, were at the height of their powers. Even the quirky Van Dyke Parks appears.
What makes this project so interesting and appealing is that everyone is completely simpatico with Feiffer's Jarryesque vision, which is disconnected from reality and had no cinematic model.
How so many talents could be so adventuresome and coordinated at the same time is a real puzzle.
The bit about how 'large' Bluto is - and how Shelly mentions it - makes me smile every time I recall it. The social text is a bit heavy, but so what?
This is what made Tim Burton possible.
Ted's Evaluation -- 3 of 3: Worth watching.
But I think its great. You have to remember that it predates every comic/cartoon to film project except 'Superman,' which really was a version of the TeeVee show. And you have to appreciate that 'Popeye' the cartoon is one of the very few that featured humans and therefore was more abstract than most.
Watch it now, and see that it was well ahead of its time and now stacks up as extremely introspective: along the lines of 'Alphaville.'
It had Robin Williams and Ray Walston, both famous TeeVee aliens, or so they were known at the time. It was penned by the notoriously ironic, cartoonist Feiffer, someone who specialized in personal social angst. The songs - a major element here - were by the self-destructive genius Nilsson, and directed by Altman when he was interested in social commentary.
All, plus Duvall, were at the height of their powers. Even the quirky Van Dyke Parks appears.
What makes this project so interesting and appealing is that everyone is completely simpatico with Feiffer's Jarryesque vision, which is disconnected from reality and had no cinematic model.
How so many talents could be so adventuresome and coordinated at the same time is a real puzzle.
The bit about how 'large' Bluto is - and how Shelly mentions it - makes me smile every time I recall it. The social text is a bit heavy, but so what?
This is what made Tim Burton possible.
Ted's Evaluation -- 3 of 3: Worth watching.
I remember my Dad taking me to watch this film as a Christmas treet. This film was made here in Malta and we are very proud of it, the set still stands today as a tourist attraction in Anchor bay. i remember loving this film. Robbin Williams was only known for the series of "Mork and Mindy', he still had a very long way to go but you can see that he was more than a promising star in the entertainment business. I learnt that at the time he was having serious troubles with cocaine and a cheating wife. This film was really cool and should they re-attempt it(not that Popeye is so much in vogue this days....although he should be) I can't imagine anyone but Robin Williams himself for the part.
I didn't see Popeye the movie for the first time until it came out on video. But I remember how my dad told me he saw it in the movie theater. He told me afterwards "Popeye hads its moments, sos I, halfway throughs the movie, I wents out to me car to gets me cigarettes, hads me a puffs or two, then wents back inside to wartch the rest of me movie, geh geh geh geh geh." A couple of years later, we rented Popeye on video and I saw it, and I'd seen it several times since. Its not too bad. Robin Williams is fairly convincing as Pop-eye. Paul Smith as Bluto, looking large and menacing like his cartoon version. Paul Dooley isn't too bad as Wimpy. And Ray Waltson as Poopdeck pappy. And Shelly Devaul as Olive fits her role pretty good. She does sort of seem like Olive Ole come to life, with the looks and mannerisms. However, the late Zasu Pitts who starred in several different 1930s films such as "Meet the baron" and "Dames" would've been an even better Olive with her looks and the very Olive Ole like way she went "oh my" in her films. I read somewhere that they took some of Zasu's mannerisms and appearance when creating Olive's character when the Popeye cartoon was first made. I always watched Popeye as a kid growing up even before seeing this movie. I liked the neat special effects, too such as steam really coming from Bluto's ears when he got mad, just like the cartoon. They also had Popeye's (Robin's) forearms really bulging out and him doing the squint with his eye just the right way, and his pipe. They made the seaport town Sweethaven look quite convincing. It always had an English seaside town feel. Anyways, this movie overall had some good, funny, and interesting moments. A few other moments were a little less below par. And I personally don't think the songs in the film were that good, or necessary. Popeye the cartoon was not a musical. Overall though, this is always a pretty good film for a mom or dad to watch with their kids.
Note; I wrote this review about a year and a half ago, and no one has clicked on either 'useful' or 'not useful' yet. Can someone reading this please click on one? I won't be offended either way on which you click on, I'm just curious on what others may think of this review. Thanks
Note; I wrote this review about a year and a half ago, and no one has clicked on either 'useful' or 'not useful' yet. Can someone reading this please click on one? I won't be offended either way on which you click on, I'm just curious on what others may think of this review. Thanks
I am not ashamed to admit it but I love Popeye, the cartoon and the movie starring the amazing Robin Williams as Popeye. He is almost unrecognizable in the role but completely believable. I love Shelley Duvall as Olive Oyl because she really does a superb job living up to and beyond my expectations as the ultra-skinny love interest to muscular Popeye. It's like watching old friends. "I'll pay Tuesday for a Hamburger today" was a common statement. Of course, Popeye and Olive Oyl have Brutus as an obstacle to their happiness and almost the loss of Sweet Pea. It's a kind a family film too. It has music and dancing. Okay, it's not the greatest musical film ever made but it's always worth watching again. It reminds me of being 7 years old and seeing this film at the movie theater.
Why in the world hasn't this film been released on LaserDisc in letterbox format? There's as much or more taking place in the background nooks and crannies of Altman's "Popeye" than there is up front. And all of it is a clever, inventive, respectful homage, to a comic strip/cartoon character that has never received his much deserved place of honor alongside Mickey, Bugs and Daffy. I want to see ALL of Robert Altman's "Popeye," and pan-and-scan just doesn't cut it. Oh, the music is wonderful, by the way. It's what grabbed my attention one day when I still mistakenly believed the critics who panned this film. I was channel surfing and I heard Olive Oyl singing "He Needs Me" and I was hooked. This film is a jewel. ("What squinky eye?")
Did you know
- TriviaMost of Popeye's lines were discovered to be inaudible once filming wrapped. Robin Williams had to re-dub much of the dialogue.
- GoofsAs per the info in the trivia section of this film, the makeup and appliances for Popeye's massive forearms were not ready, so in some scenes, especially the boxing match, it's visible that the insides of his forearms are merely flesh-colored pads tied over Robin Williams' arms; the strings are visible.
- Quotes
Popeye: They've got me Olive Oyl and Swee'Pea.
Poopdeck Pappy: Olive Oyl? Swee'Pea? What are you doing, making a salad? I want me treasure. Do you hear me? I want me treasure!
- Crazy creditsThe film begins in black-and-white, showing a vintage Paramount logo and the opening credits for the 1930s Paramount-Fleischer Studios Popeye cartoons. However, an animated Popeye appears and sees this is the wrong opening. The movie then cuts to full color, and the opening credits continue.
- Alternate versionsA recent television version is altered in at least one way. Bluto's song "I'm Mean" is eliminated from the soundtrack as he trashes the Oyls' family home waiting for Olive Oyl.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksI'm Popeye The Sailor Man
(1933)
Music and Lyrics by Samuel Lerner (as Sammy Lerner)
Performed by Robin Williams (uncredited) and Chorus
Music often played in the score
- How long is Popeye?Powered by Alexa
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $49,823,037
- Opening weekend US & Canada
- $6,310,520
- Dec 14, 1980
- Gross worldwide
- $49,825,005
- Runtime1 hour 54 minutes
- Color
- Aspect ratio
- 2.39 : 1
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