Veux-tu être mon garde du corps?

'My bodyguard' is one of those movies--like 'Breaking away'--that you remember long after the credits end. If you saw it as a kid like I did, the movie hit you in the gut. It is just 'real.' The film offers a slice of teen life that you can definitely relate to, whether you've been bullied or not. It includes wonderful performances all around. Chris Makepeace is really great in this movie--and so is Matt Dillon! I don't know why it's been rated so low--it's a great film and I'd highly recommend it. There's that sense of teen angst and finding your place in the world, and it resonates and works on lots of levels. All sorts of crappy movies get higher ratings, go figure!

When My Bodyguard was released in the summer of 1980, the teen movie genre was in its infancy. We would soon be assaulted with countless flicks about horny teens and their libidos. This film stands above that pack. Anyone attending high school during this period (as I was) will feel for Clifford Peache. An outstanding teen movie, it launched the careers of Joan Cusack, Adam Baldwin, and in a tiny and unfortunately uncredited role, Jennifer Beals. The adults also shine in their roles (especially Ruth Gordon, in one of her last screen appearances). The story holds up and is believable. The one small complaint I have is the film somehow feels like one of those ABC Afterschool Specials. Anyway, if you want to see a teen movie before the genre imploded with vulgarity, rent My Bodyguard. You won't be disappointed.

Of all the teen flicks that came out of the 1980s, MY BODYGUARD is one of three that stands out as an intelligent and moving study of American adolescence that doesn't now look like a dated genre piece(THE BREAKFAST CLUB and SAY ANYTHING are the others). Sure, there's shaggy hair and all the other things that date the movie fashion-wise, but the characters shine with humanity and poignancy, and that makes the movie memorable. In fact, some could convincingly argue that the movie is all about the characters, people that movie audiences will care about. Add to that the situation of being the new kid and trying to survive the jungle of high school(something most every American teen can relate to), and you have a great little film. Chris Makepeace is the new kid who tranfers to a urban Chicago highschool from a private school and immediately runs afoul of school bully Matt Dillon. Searching for a solution to his predicament, Makepeace enlists Adam Baldwin, a silent, hulking classmate with a mysterious past, to protect him. What unfolds is a rare friendship between Makepeace and Baldwin, as we learn more about Baldwin's character and some terrible secrets he holds. Whether intentional or not, the film sends a message that the people we encounter everyday are just that, people with feelings and problems and not just the labels or stereotypes we assign them. Makepeace needs Baldwin for protection from Dillon, and Baldwin needs Makepeace's friendship to rescue him from the isolation he has endured as a result of past experiences. One unusual aspect of the movie is that several of the adult characters are sympathetic or even quirky, a rarity in teen films. Ruth Gordon shines as Makepeace's feisty grandmother, and Martin Mull puts in a turn as the bumbling but well-meaning father. And, unlike the nihilistic teens of today's current crop of movies, the teens(with the exception of Dillon and his cronies)are likable, friendly, and positive. They readily accept Makepeace and then Baldwin, after they see that the rumors about him are just that. This gives the movie a positive feel to it.

Definitely a winner. If you've ever been a teenager, wondered if you would belong, attended a high school or had to do battle with a bully, you'll find something to like about MY BODYGUARD.

I recently saw this movie again and I was surprised at how well it holds up. The story isn't dated, the situations are universal and current and the acting is fine. The plots are believable, interesting and satisfying. For a sleeper of a film in 1980, it stands out as 1 of the better teen genre pieces that flooded the theaters in the 80's. The ending is a bit sappy, but it still doesn't detract from a very sweet story with characters you can actually cheer for (except, of course for Moody and Mike, but it was fun booing them as well).

This film is an absolute joy. When it came out 24 years ago my friends and I went to see it about 5-6 times. I've not seen it since and recently purchased it.

It was like opening a time capsule: everything was still fresh and true with tremendous performances from a terrific ensemble cast.

The standout performance belongs to Adam Baldwin. 17 when this was filmed, Baldwin's performance is nothing short of astonishing. His Linderman is classic "tough guy" on the outside, frightened loner beneath the surface. Properly fearful looking (the whole school is scared of this guy) Baldwin nonetheless makes it impossible for you not to feel for this kid and when, out of his greasy, shapeless clothes and cleaned up and dressed for dinner at the hotel, his smile and demeanor

Chris Makepeace shines as the tale's protagonist, Clifford and his persistence in courting friendship with Linderman is a turning point in the film.

Ruth Gordon is predictably hilarious as Cliff's grandmother ("Bats, bats!") whether getting tipsy and flirting with the married guests or dispensing relationship advice to her grandson ("never hit a woman . . . men think they want that . . . they don't!" )

One forgets how young Matt Dillon, Joan Cusack were when they started and both are terrific here.

A terrific little film with enormous heart.