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Mother's Day

  • 1980
  • 16
  • 1h 31m
IMDb RATING
5.3/10
6.8K
YOUR RATING
Michael McCleery, Beatrice Pons, and Gary Pollard in Mother's Day (1980)
Watch Official Trailer
Play trailer2:16
1 Video
73 Photos
Dark ComedySatireSlasher HorrorComedyHorrorThriller

Two brothers kidnap and brutalize three women for the pleasure of their demented mother.Two brothers kidnap and brutalize three women for the pleasure of their demented mother.Two brothers kidnap and brutalize three women for the pleasure of their demented mother.

  • Director
    • Charles Kaufman
  • Writers
    • Charles Kaufman
    • Warren Leight
  • Stars
    • Tiana Pierce
    • Nancy Hendrickson
    • Deborah Luce
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    6.8K
    YOUR RATING
    • Director
      • Charles Kaufman
    • Writers
      • Charles Kaufman
      • Warren Leight
    • Stars
      • Tiana Pierce
      • Nancy Hendrickson
      • Deborah Luce
    • 133User reviews
    • 80Critic reviews
    • 1Metascore
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos1

    Official Trailer
    Trailer 2:16
    Official Trailer

    Photos73

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    + 68
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    Top cast40

    Edit
    Tiana Pierce
    Tiana Pierce
    • Trina
    Nancy Hendrickson
    Nancy Hendrickson
    • Abbey
    Deborah Luce
    Deborah Luce
    • Jackie
    Frederick Coffin
    Frederick Coffin
    • Ike
    • (as Holden McGuire)
    Michael McCleery
    • Addley
    • (as Billy Ray McQuade)
    Beatrice Pons
    Beatrice Pons
    • Mother
    • (as Rose Ross)
    Robert Collins
    Robert Collins
    • Ernie
    Peter Fox
    Peter Fox
    • The 'Dobber'
    • (as Karl Sandys)
    Luisa Marsella
    • Terry
    • (as Marsella Davidson)
    Kevin Lowe
    Kevin Lowe
    • Ted
    Scott Lucas
    Scott Lucas
    • Storekeeper
    Ed Battle
    • Doorman
    Robert Carnegie
    Robert Carnegie
    • Tex
    Silas Davis
    Stanley Kaufman
    • Older Man at Pool Party
    John Radom
    Louie Cogie
    Sondra Fortunato
    • Director
      • Charles Kaufman
    • Writers
      • Charles Kaufman
      • Warren Leight
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews133

    5.36.7K
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    Featured reviews

    one4now4

    Definitely a classic

    "Mother's Day" is great. It works as a horror film, as an exploitation film, and as a satire. It's definitely one of those movies that doesn't seem to have the ability or care to decide on whether it's feminist or misogynistic, but it is a sleazy horror movie and that's where the fanbase for this cult favorite lies. Still, I'm part of this film's following, and that means I like sleazy horror movies that are done right. So many lump things together in these black-and-white perspectives. If it's a sleazy horror movie, it seems that nothing good can be said about it unless it's an overrated bandwagon movie like "TCM". In this, we do have killer rednecks, but that doesn't make it a rip-off of "TCM". These people seem to have more in common with the guys from "Deliverance" than the guys in "TCM", and that's just one of the many differences. As many people have already said, this is about some pretty women camping in the wrong woods before getting abducted by some psychos who are following the orders of their wacked-out mother. The two brothers are amoral rapists/killers who know only what their demented mom and TV have taught them. The mother is possessive and domineering, making sure that she manipulates her already screwed-up kids into never leaving her side. They live in a run-down house in the woods, where the mother teaches them the ways of a "respectable life", which, in her twisted mind, is rape, torture, and murder. This is a deceptive movie because there is some important social commentary going on here, no matter how gory and sleazy the excesses that eclipse such commentaries are. TV serves as these people's window to the world. There is almost always a TV heard going in the background of an environment where a madwoman has been sheltering her children, who have been raised by her to her sick specifications. I was expecting to see plenty of reviews with people calling this a "TCM" rip-off/piece of trash, etc., etc., and my expectations were rightful ones. But what a sorry state things are in when people judge a movie by how little a budget could possibly be afforded by the filmmakers, the name of the production company on the box, or the very basic similarities it has to inferior and less thought-out moneymakers like "TCM". Even as derivative as movies like "House of 1,000 Corpses" are, that movie itself even had more brains than the original "TCM". I hate to burst a lot of people's bubbles, but Tobe Hooper's big, little movie was not the first movie (or even the first horror movie) about killer rednecks. Also, it has been said that "TCM 2" ripped off ideas from "Mother's Day"! "Mother's Day" has more going for it than any of the "Texas Chainsaw" movies I've seen. It may be trashy, but it's well-done trash. The acting is excellent, and it amazes me how many people will trash on good actors when the movie doesn't have a great reputation. I may sound pretty agitated, but that would be fitting because this kind of small-mindedness does agitate me. I understand that everyone should have their own tastes, but if you're going to trash on a movie's reputation, you might as well do it for the right reasons. I would give this no less than a 9 out of a scale of 1 to 10.
    6mrhowell-86699

    A yearly watch!

    I introduced this Troma gem to my partner when we first started dating. She is a wonderful mom and an avid horror movie fan. We now watch it every year on Mother's Day. It's just the right mix of funny, gory and '80s cheese.
    marleymom-2

    Early 80's cultural satire wrapped in a gory exploitative shell

    I like this movie. When I was a teenager and I first saw it I loved it. Of course then I was enthralled with gore fests. This movie is definitely gory but when I was 13 the satirical vibe was somewhat lost on me. You see Mother moves her two "mama's boys" to the woods. Where she can take what is good from the city and leave the rest behind. What is "good" are all the things you see on TV from Fonzie to breakfest cereals. The house they live in is a marvel of production values. Two thirds of the budget alone had to have gone into decorating the house. It certainly didn't go into the Special effects. Such as the shoddy moment of blood spattering before decapitation occurs. As early 80's slice and dice goes this far outshines the typical camper in peril scenerio. We are introduced to the three main (victims) characters and we even get meaningful flashbacks in their lives. This makes it a little harder to take when they are brutalized. All in all Mother's Day ain't Life is Beautiful but why would you be that aisle of the video store unless you wanted to see some inbred choke on Drano.
    godmonster

    Above average 80's exploitation.

    One of hundreds of grade-b exploitation shockers cranked out during this period; falls under the sub-category of rape and revenge films after Last House on the Left. This one has better acting and character development, but it's the addition of the crazy Mom character to the typical depraved psycho routine that makes this movie creepy and disturbing. The two brothers are scary slapstick rapists; "Can she spend the night with us tonight, Mom?" Next morning Mom asks "Where's your friend?" The boys tell her "She don't feel so good..." and they all laugh like it's Leave it to Beaver! ("they raped her to death..." my date said when we watched it in the theater back in the 80's.) This movie is also pretty funny, which really helps give you the chills. Probably only of interest to fans of this particular sub-genre. About the Troma release; I understand this movie was edited when it was first released, this version contains all the scenes. The pan and scan job is not very good, I'm surprised they did not release the film in a letter-box edition. Nothing in the movie however is as offensive as the opening promotional spots for Troma. I wanted to give them credit for attitude but I felt sorry for every one involved.
    Drac-7

    Good Stuff

    This film is certainly not for everybody, but it is actually so refreshing to see a movie that is done in this way. It is exploitation at it's finest. It is comedy at it's most tragic! A simple plot mixed with darn good acting, and impressive makeup effects...you really can't go wrong.

    In my opinion, while still in the same vein as Last House on the Left and I Spit on your Grave, it is not as good. Spit being the best of the 3, but each of them has something to offer.

    If you're not sure you can watch it, let me give you this scene as an example...one deranged man rapes a woman while his brother takes Kodak Polaroids, and their mother instructs them and leads them on...sound bad, yeah, but take it for what it is. Silly, odd disturbing nonsense. But it was more a "mood" movie, based around the characters and settings vs. the horror of rape and disturbing shots. This kind of horror sound like your thing? Then you're in luck, it's worth it.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The house that was used in this film was an actual house in the woods of Newton, New Jersey. No one had lived in it for 15 years before filming began. The previous owner of the house was actually found to have been murdered there.
    • Goofs
      In the film's opening decapitation, blood spatters across the car before the decapitation even happens.
    • Quotes

      Jackie: [to Mother] You're a sick woman!

    • Alternate versions
      About 11 seconds of this film were cut in West Germany in order to secure a "Not under 18" rating for it just so that it could get a theatrical release there. This version was also released on VHS and DVD. There is also a "Not under 16" version of it that was released in this country in which about 13 minutes were cut this time.
    • Connections
      Featured in Sneak Previews: Any Which Way You Can/The Formula/Raging Bull/Nine to Five (1980)
    • Soundtracks
      I Think We're Alone Now
      Sung by Tommy James of Tommy James & The Shondells

      Written by Bo Gentry (uncredited) and Ritchie Cordell (uncredited)

      Arranged by Jimmy Wisner (uncredited)

      Courtesy of Roulette Records

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    Details

    Edit
    • Release date
      • September 19, 1980 (United States)
    • Country of origin
      • United States
    • Official site
      • Troma
    • Language
      • English
    • Also known as
      • Les Chouchous de maman
    • Filming locations
      • Brooklyn Battery Tunnel Entrance, Manhattan, New York City, New York, USA([Jackie comes home])
    • Production companies
      • Troma Entertainment
      • Saga Films
      • Duty Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $150,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 31 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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