Mama Dracula

Embarassing vampire satire with Fletcher sucking the life out of her career.

Unless the comic idea of heavy mid-European accents (mostly pronouncing the letter "v" as "w" and vice versa - "wampire" instead of "vampire", "vant" instead of "want", etc.) strikes you as hilarious, avoid this utterly awful "comedy" - it's the best idea that it has to offer! The script sucks harder than any vampire ever could. It's hard to decide who's more annoying - the nerdy scientist or the vampire brothers? (the brothers probably win). Maria Schneider is also in this, and it's easy to see why she's been described elsewhere as a "non-actress" - she doesn't even try to act. At least Louise Fletcher manages to keep her dignity (the makeup artists have done a marvelous job on her). A few beautifully natural breasts get bared, but I still cannot give this anything higher than 0.5 out of 4 stars.

This is the question one must ask himself while watching this... how can I put it? Infamous? Dull? Stupid? Below the waist? Anyway, tremendously trashy movie.

I don't know what went on in both Boris Szulzinger (director, also writer) or in Pierre Sterckx and Marc-Henri Wajnberg (also writers), when they decided to put this project in motion.

Probably, since this was made a few years later than "The Rocky Horror Picture Show", they must have thought that another such attempt would be worthwhile, but seeing that the former was a kind of a Musical Fantasy movie, and not indeed just yet another comedy, one must ask on what basis they started doing it.

Just four years earlier "Dracula and Son", starring the otherwise great Christopher Lee, and even six years earlier "Old Dracula", starring David Niven bombed totally at the box office and although in the meanwhile they might have joined the ranks of other so called "cult movies" (only heaven knows why), "Mama Dracula" doesn't seem to be part of them.

In fact I just found it due to my music score research, which is the only worthy thing in it, just because it was composed by none other than Roy Budd.

And since Roy Budd had been known to have composed some of the best scores for movies like "Get Carter", "The Black Windmill", "The Wild Geese I & II" and indeed for "Who Dares Wins" (Aka "The Final Option"), I assumed that even this effort was made for a worthy film.

Alas, how wrong I was.

And besides, there was already a much better depiction of the source material based on Countess Elizabeth Bathory made in 1971 by none other than Hammer Films which starred Ingrid Pitt in the main role as "Countess Dracula". Although that was indeed a horror movie.

So, again, why had they to waste money in something like this?

My answer to my preceding question on why Louise Fletcher did accept the role has only two possibilities: one, she needed the money; two. She was handed a better script to start with, only to be embroiled and trapped under contract, while the authors did shamelessly re-write it during filming.

Something that even happened to great actors such as Malcolm McDowell and Peter O'Toole while working on the infamous "Caligula" movie.

In any case, story or no story logic, this project had no real bearing nor did it have a real final goal. It was just made for the fun(?) of it.

Probably just to have the director's and writer's names written on the billboards in the hope of notoriety and fame.

And Louise Fletcher, in her usual professional way does what she was supposed to do: act in it, but one can easily see that she was only doing it by the numbers, with no real enthusiasm.

It is only for her presence in it that I gave it an uplifting three stars, because were it just for the movie alone, I wouldn't even have considered to pick one to start with, that bad of an experience (at least for yours truly) it was.

Instead of having been entertained, I was utterly embarrassed for all the performers in it, who I believe and hope, have finally found more worthy projects to work on since then.

So, what is my final judgment on "Mama Dracula"?

Simply put? Forget it, it does not exist, but should you want to be educated on how not to ever film something like this, this would probably be one of the finest examples among others.

And would I recommend it? Are you kidding me?

Why experience something so abysmally idiotic and painful?

Decidedly off-beat, farcial, incomprehensible story about Countess Dracula(an Elizabeth Bathory type that keeps young bathing in the blood of young, female virgins - or as she says "wirgins")and her two vampire sons who run a clothing story called Vamp and have enlisted the aid of a young, American professor of blood. While there is no denying that the film is really going for your funny bone rather than your jugular, much of the humour is hit and miss(mostly miss) akin to a nurse with poor eyesight trying to find a vein with a needle. Academy Award winning actress Louise Fletcher plays Mama Dracula with subtle humour, grace, and charm and looks quite stunning in much of the fashion, but she has virtually nothing to work with in this Belgian horror comedy that relies more on two vampire son boobs for much of the film's motivation. The Wajnberg brothers, Marc-Henri and Alexander, are two strange men indeed. They look quite ridiculous, act even more so, and, despite such elementary things as gaping and running about like two school children much of the time, have glimpses of talent. There is one scene with them doing a pantomime which I rather liked, but the story, the rest of the actors, the less than inspiring direction make this film a far more arduous thing to sit through. Much of the failure of the film must be squarely put on the shoulders of director Boris Szulzinger and his adolescent prowess at showing virtually nothing resembling horror. We see a quite impressive castle with impressive sets, but maybe total three shots of any blood at all - all nothing more than a prick-size bleed. No one is bit on stage so to speak. There are lots of girls showing us their breasts but no action otherwise. The humour is pretty stale stuff too. I like a good horror parody...OK, this is nothing like a good horror parody...but Mama Dracula just doesn't mange to do what a good horror parody does: blend comedy and horror together so as to create something that could be labeled as both legitimately. this film has only Dracula in the title and some scenarios that revolve around the concept of a bloodsucker - beyond that it is nothing more than a mild European sex comedy. Poor Louise Fletcher - she really does and did deserve more than this.

I was shocked to realize that the lead was Louise Fletcher. She must have been strapped for cash. Anyways: It was OK watching on a local weekend, hosted horror flick show. Primarily because of the outrageous filler between scenes. Definitely a movie you can chat online while it's playing. I always wonder what was going on on the movie shoots to films like this. I hope Lousise was having fun. It was 1980 and the free love, hippie, etc stuff was still happening. Very silly movie not to be gone into expecting a Hammer film. And whatever happened to those twins? This was their film debut. There is a lot of nudity but that was just par for the course in B or C films of the 70's & 80's. Nothing graphic. Just a lot of kidding around. Also, nothing scary or gross. Just lots of European slap stick. I wouldn't rent this video if I had to pay for it but like I said, check it out on free TV where you can change the channel if there is entertaining add on's like on a hosted horror show.