Le Lion du désert

Moustapha Akkad, who produced the "Halloween" series is a Syrian-born filmmaker who has two ambitious epic films as a director. His first, the relatively forgotten film The "Message", about Mohammed and the Koran, it was (mistycal enough for me) a huge success worldwide. Then, Akkad lured Libyan dictator Molomar Qaddafi to invest million $35 in the war epic "Lion of the Desert".... One of the largest financial disasters in film history, though one of the greatest films I've seen... (Does this make sense???..)

Anthony Quinn (somehow reprising his role in the epic "Lawrence of Arabia") portrays the Libyan Guerilla fighter "Omar Mukhtar" who pledged his (as well as his countrymen's) life to drive the invading Italian forces out.

The story depicts post World War 1, pre WW2 era where Benito Mussolini (played by Rod Steiger) tries carving up the globe with empires for Italy. He uses Libya as an "easy" stepping stone to the the Middle East (Libya's occupation was not started by him.. funny and demagogical enough the young Mussolini demonstrated against the occupation of Libya in 1911).

Mukhtar, the village teacher, on the other hand made this difficult and was so successful waging his campaign against the Italians, that Mussolini sends in his top general "The Butcher" Graziani, played deliciously by the late Sir Oliver Reed (the Trap 1966, The Four Musketeers 1974, Gladiator 2000 and many more) to straighten things out.

First, the Italians just "tour" Libya, raiding, burning, killing and raping... but when an entire attack convoy is completely wiped out by rebels, Graziani decides to wage an all-out war against Libyans. Graziani pretends to come to terms with Mukhtar, but, at the same time, brings thousands of fresh Italian troops to Tripoli and marches them inland. He is the first general to use planes and tanks in the desert, destroying town after town. This way he successfully corners Mukhtar and his rebels in the mountains.

Historically accurate, in its portrayal of the Italian army and of the campaign itself, Lion of the Desert is an action packed, nearly (I say nearly..) flawless epic war film.

Rod Steiger starts with some over-acting marching around his offices barking at people. But the film quickly shifts towards the vastness and splendor of the Sahara desert. It has excellent action sequences, that employ splendid special effects and lots of stunt work.

On top of this, it's one of the bloodiest war films I've seen, with bullet wounds spraying blood and people smashed to pulps by Italian tanks. God knows how this film faded away with a mediocre rating, but then again noone really saw the film right?

The film is also a fascinating portrayal of the Arabs way of life and how it conflicts with European ideals.

The musical score of this film, by Maurice Jarre (Lawrence of Arabia), is only great at times, but often seems uninspired and lame compared to his previous works on David Lean's great films.

The cinematography and editing are classy, (one con though.. the cameras seemed a little shy of hanging around close to the big gasoline truck explosion. The best scenes in the film are battle scenes, one involving a vast army of extras destroying a nearly helpless arab village, another with Graziani's army battling the Libyans for control of a mountain bridge. Other than those two, I can't say great about the 3 or so other battle scenes (compared to these two).The overall effect of battle senes is though quite satisfying.

The cast of this film, doesn't lack big-names like Irene Papas and Sir John Gielgud but the roles were inconsequential as Mukhtar's friends. Then, there's a lot of the old Italian B-movie stars in small roles as Italian soldiers and aides..

Akkad's strong point seems to be showing Italian artillery blowing the bewildered Bedouin warriors while his weak point seems to be spending the money. The film didn't really need the lavishness and authenticity of the picture. Do you really have to hire thousands of extras and build many many replica tanks just to go destroy them for the authenticy? No surprise this movie lost money, but the fact that it made almost no money astonishes me. Could be cause early 1980´s were wrong timing for an epic film. People watched "The Empire Strikes Back" and didn't want to see a thorough recreation of some war, most never heard of.

Lion of the Desert may not be perfect, but it's just as splendid a viewing as any of the old big-budget war films like Lawrence of Arabia and Doctor Zhivago, only this one's got a bit more action and politically ignored (as propoganda or is it the propoganda that endorses ignoring it??).

I highly recommend seeing the DVD in Widescreen, crisp quality and good 5.1 Dolby Digital sound, plus lots of informative extra features.

I believe that one needs to be made of a special material to direct/produce such an epic. Moustapha believed in what he was doing when shooting the movie. He went to out of his way to make sure that everything he filmed was as real as possible. The battle scenes were planned with all detail but also the small scenes with Tony Quinn, Irene Papas or any other actor. It is a real pity that death has taken him before he could produce/direct "Salahadin", his long wanted project that would have shown the world another face of Islam. He tried with Omar Muhktar but I am sure that he would have done much better with Salahadin. Moustapha Akkad and his work as a film maker will be remembered.

7.1 is a ridiculous rating. This movies deserves much higher and I can assure those who have not seen it that they will agree with me once they have seen it.

Almost all aspects of movie making are amazingly rendered. It will easily compare with any movie about war and politics. The savagery, otherwise recorded only in books, is depicted marvelously. I want to praise a couple of actors but it would not be correct to leave anyone out so I am just saying that they were all tailor made for their roles. There is some real reel footage in the movie and that drives home the points raised in this movie.

On a tangent – it is interesting that the so called civilized countries continuously plumbed new depths of uncivilized actions only for land and riches…. It is an amazing display of imperialistic debauchery.

Prelude to WWII. Omar Mukhtar, a brilliant Bedouin leader, wages war against oppressive Italian Fascist forces (led by the bloodthirsty General Graziani) in his native Lybia.

Director Moustapha Akkad (The Message) clearly learnt a few lessons from "Lawrence of Arabia", mainly how best to use the charismatic Anthony Quinn. As Mukhtar, Quinn gives a nuanced portrayal of compassion and wisdom. Whenever he features in a scene, it becomes impossible to tear one's eyes off the screen. Thankfully, Oliver Reed proves a magnificently cruel and seething counterpoint as General Graziani. Irene Papas provides strong supporting work and Rod Steiger turns in a delightful cameo as Benito Musslini.

Moustapha Akkad uses a solid structure and keeps it riveting throughout, extracting fine performances from all his actors and technical collaborators. Where "The Message" was impressive but cold (due to its invisible hero and reverence), "Lion in the Desert" has an emotional core and throws up scene after impressive scene. The desert battle scenes are incredibly messy and savage and have a sense of multiple individual action amid chaos, rather than elaborate choreography. This perfectly suits the theme of Bedouin guerrilla. Production values are considerable and Maurice Jarre provides one of his most underrated scores.

Some viewers will find qualms with the fact that, despite the coda that proclaims that Lybia managed to liberate itself, the country was then for long under the oppressive rule of Kadaffi. In truth, this little addition might have something to do with the fact that Kadaffi assisted in funding the film. If you can overlook this (not to difficult), you can appreciate the true focus: Mukhtar. This remains a beautiful film about a people's resistance.

"Lion in the Desert" is an important film, if only because it offers a very accessible (to Western audiences) Arab perspective. It is also impressively well made: an accomplished chapter in the era of great epics that flourished with David Lean's masterpieces and ended with Richard Attenbourgh's Gandhi.

See this!

"Lion of the Desert" stars Anthony Quinn as the real-life Beduin Leader Omar Mukhtar who fights with pride and courage, rage and anger Mussolini's invading troops in the Libyan Desert...

Quinn (strong, confident, never broken) plays the charismatic Islamic Libyan fighter who commits himself to a lifetime war against Italian Colonialism: "We have stood against you for 20 years and with the help of God we will stay with you till your end!"

Enraged by the 20-year war carried on by Beduin patriots opposed to the Italian occupation, the arrogant Mussolini (Rod Steiger) - the first of Europe's fascist dictators - orders his new military governor the ruthless Rodolfo Graziani (Oliver Reed) to crush and silence the Beduin rebellion by "whatever means" and capture their great leader Omar Mukhtar...

Mukhtar is forced to face his conviction and the power of Italy at its glorious height...

The film is based on the life of a brave resistance leader, a teacher of the Quran by profession... Mukhtar is a cunning warrior who masterminded the Libyan resistance... He stood against tyranny and oppression, and with the fire of his wisdom, he rallied his countrymen to liberation...

The film depicts the cruelty of Graziani's coward acts: the massive killing rampage in Kufra... We watch the invaders attacking with war-planes, tanks, cannons and machine-guns the poor village, but we also see a fascinating portrayal of the heroic Libyan forces fighting the mighty Italian artillery with old rusted rifles, giving their life for their land and their convictions...

Syrian director Mustapha Al-Akkad captures the horrific methods of the Italian army holding the helpless population in concentration camps; isolating the warriors from their families; setting fire to their fields; closing their wells; raping their women; destroying their homes; controlling the country by hanging old men and women; shooting innocent civilians, and specially the capture of the 'Old Lion', a natural fighter against 'educated' officers...

With great special effects, excellent action sequences and with the splendor of the Sahara Desert, Akkad's motion picture combines history with spectacle to create a moving drama of heroism and commitment...