Just Tell Me What You Want

King is a really great comedian, virtually unknown to audiences in Europe. In this „late screwball" comedy he plays a tycoon, and for this kind of movie part he sets a mark nobody has surpassed. He brings the right mix of competence and freakishness to the role. He is a ladies man, a hypochondriac (goes well together), is cunning and can be utterly ruthless and cruel. Of course, the character has a great egotistical mind - and yet he is oddly likable. There's more: The movie also includes great performances by Keenan Wynn as competing tycoon and also by Myrna Loy, famous screen beauty of the Golden Age of Hollywood. She plays King's loyal secretary and surrogate mom. Ali McGraw is kind of beautiful but seems to be made of granite (the set design of her ritzy apartment is beautiful and interesting, though), Peter Weller's talents are wasted here.

This movie really boasts many, many memorable lines. The character played by Wynn tries to convince the tycoon that he should donate for a wing for special diseases of a hospital. This makes King quip „I can't wait to see those poor guys die of special diseases in my wing!" Also great are the final sequences in which the main character stays in hospital because of an imaginary heart attack. His little, stumpy body lies in a white shroud on an examining bed while he berates the high priced specialists standing around him, telling them in a choked voice that he knows exactly what's wrong with him and they should better read the „f***ing literature"! People are like that! Life is like that! It's great to be able to laugh about it sometimes.

Saw this years ago when it came out. Now seeing it again through older eyes makes it even better. While the relationships depicted are predatory--eat or be eaten--they still have a certain sweetness to them. It's a uniquely well-done commentary on the rich. Fitzgerald was right: they're different.

Can't understand why there's no "memorable quotes" part of this entry.

This slightly jaded look at the film industry, and at love, is the work of Jay Presson Allen, who also wrote "Marnie", "Cabaret", and "The Prime of Miss Jean Brodie". You will find her trademarks: fascinating characters and witty, insightful rapid-fire dialog.

Her 20th Century women lack sugar-coating. But here, a lot of the action concerns the close ties of an unconventional family. This, along with the heroine's ironic first-person narration, give the story a lighter, less distant feel. However, the direction and pacing are uneven and the picture has been overlooked.

A year after this film was released, Jay Presson Allen and Sidney Lumet wrote and produced Prince of the City, a much darker film about police corruption. It found a far warmer reception. And Alan King has a cameo, playing himself.

This movie became one of my favorites the instant I saw it and I didn't even like Ali MacGraw! But I like her just fine now. This is an absolutely top-notch production from start to finish and the performances are outstanding -- without exception. I mean here you have Alan King, with Keenan Wynn, and Myrna Loy as supporting actors! MacGraw and Peter Weller are very appealing as young lovers and MacGraw gives her perhaps only great performance. She pulls out all the stops in this one and couldn't be better. I just love this movie and can't understand why it wasn't a big hit. Well, I can, actually. It doesn't appeal to immature adolescent boys (including most Hollywood producers).

Alan King's world falls apart when long time mistress Ali Macgrue breaks up with him and marries much younger Peter Weller. Snobby comedy isn't for all taste, but is expertly performed and is very, very funny, especially the scene in the department store. Alan King is displayed at his absolute as is Loy in a quite performance. Terrific entertainment. 9 out 10.