L'avion de l'apocalypse

While not to be entirely dismissed as drivel, Lenzi's would-be zombiefest known as NIGHTMARE CITY nonetheless comes off as trying to be too different, too "off-the-beaten-zombie-path", and as result, ends up falling flat in an unsatisfying mix of missed opportunities.

Instead of going with "living dead"-style zombies (i.e. lumbering oafs) Lenzi - against producers wishes who wanted basically a Romero-style-clone - instead argued for and got his wish of the 'zombies' simply being victims of a nuclear radiation accident. All the 'creatures' become supermen of sorts - with heightened strength etc. - not to mention retaining their human faculties of running, driving, being able to fight with weapons etc.

As a result though - pretty much all suspense is thrown out the window, as the movie quickly bogs down into a violent and graphic game of hide and seek. The action is intense (and the blood and gore plentiful) but the 'creatures' or victims simply look like poorly-designed Halloween costume party attendees, who - after realizing they are late for their scheduled gathering - grabbed whatever they could out of their fridge and slapped it on their faces. The result is an unconvincing and inconsistent mess of effects that underwhelms the viewer. Some victims have little makeup, others are nearly indistinguishable under piles of green and red facial clay, (yet ALL sneer menacingly at the camera) and ALL are out for the blood of their next human victim (the creatures need blood to regenerate their cells to keep living. As a result, their victims in turn become creatures as well).

While I applaud Lenzi for at least attempting something different (in an interview on the disk, he explains how he wanted the film to be viewed as an environmental warning etc.) it comes down to the simple fact that the movie ends up failing - the zombies move too fast to be truly creepy and come off as poorly-dressed terrorists from a bad Chuck Norris movie - and basically plays out as a b-level gore bore, weaker on the gore, heavier on the B-bore.

While NIGHTMARE CITY may not be totally rank, let's say ya might wanna drink that milk today - know what I mean?? As in, it smells a little funny - not totally spoiled, but nowhere near fresh-enough to serve to guests. Feelin' lucky??

Recommended for genre completists only.

On an airfield a plane's door opens and bloodthirsty zombies burst out and begin to overrun the city. TV news reporter Dean Miller must find his wife and escape the city's crazed killers.

Nightmare City (Incubo Sulla Cittá Contaminata)is a crude mix of the Crazies, Let Sleeping Corpse Lie to name a few. It also has a slight ambiance of Shivers and Rabid.

As you'd expect it's suffers from the failings of most Italian gore pictures of the time, bad dialogue etc. Nightmare City is certainly a product of its time. Nevertheless, while the makeup is terrible, the leads are more than effective. Umberto Lenzi's camera work, direction and starkness of the city setting are appealing. It's fast paced - packed with comic –like violence of stabbings, biting, hacking and shootings as the zombie maniacs cause blood soaked havoc in the city and surrounding areas.

The ending twist is quiet refreshing and although a cliché you don't see the device used these days. While not a zombie film in the truest sense, they move fast, can weld machetes and fire guns it's a competent splatter film that is far better constructed and executed than Bruno Mattei's Zombie Creeping Flesh (1980) made the same year.

Overall, it's one of the better trash horrors out there.

The reporter Dean Miller (Hugo Stiglitz) is assigned with his cameraman to interview a scientist that is arriving in the local airport. While waiting for the arrival, an unidentified Hercules makes an emergency landing and is surrounded by a military force. When the doors open, a legion of blood thirsty creatures commanded by the scientist attack the soldiers, killing them with hatchets and drinking their blood. Dean tries to warn the population about the happening but is censored by General Murchison (Mel Ferrer). Later the military leaders discover that the creatures have not come from the outer space, but are human beings contaminated by radiation and needing to drink blood to stay undead. Dean unsuccessfully calls his wife Dr. Anna Miller (Laura Trotter) and heads to the hospital where she works, trying to escape from the city crowded of the increasing walking dead creatures.

The trash "Incubo Sulla Città Contaminate" a.k.a. "City of the Walking Dead" or "Nightmare City" is a weird horror movie that could be better and better with a best selection of the lead couple. The uptight Hugo Stiglitz is not tailored for the role of hero and is an awful selection from the producers, and Laura Trotter is too stupid for a doctor, recalling those women from the 40's or 50's that used to scream in every dangerous situation and run to the arms of the hero. The killers are not zombies like in "The Last Man on Earth" or the way George A. Romero has become famous in "Night of the Living Dead", with slow and gruesome movements, but actually a kind of unbeatable "warrior vampire" with appearance of zombie. My vote is six.

Title (Brazil): Not Available

Better known for his jungle cannibal opus "Make Them Die Slowly", Lenzi has here a much more accomplished and entertaining gut muncher.

On an unassuming day, a nuclear scientist is supposed to arrive with important research. His plane breaks flight patterns and lands unannounced. When authorities go to investigate, they find all the people on board are infected with strange kind of radiation poisoning and have turned into violent, cannibalistic zombies. The zombies then begin attacking any and every one in sight; hacking, shooting and eating all they can. Escaping the city is the only hope.

Coming out in 1980, this was pretty late in the cannibal/zombie movie cycle. Fortunately, Lenzi changes up the formula just enough to keep things from being stale. The zombies are are fast, intelligent and have no problem utilizing tools and weapons. Lenzi also ad hears to just enough genre clichés to keep fans happy. There is blood and gore aplenty, random flashes of nudity and some wonderfully cheesy dialogue.

On the technical side, the film is right on par with other films in the same category. Acting ranges from to OK to plain bad, lighting and sound get the job done but never excel, and the writing works well enough to move from point A to point B. One nice element is the pacing, which is refreshingly brisk and free of clutter.

Over all, this is one of the better made and more amusing of the cannibal/zombie films from days gone by. Genre fans should check it out.

7/10

Sure it may seem ridiculous to modern audiences, but it is important to remember this film was made several years before the Geneva Convention outlawed the use of knives and hatchets by zombies, as well as such zombie subterfuge tactics as cutting phone lines and sneaking up on people and choking them with a bit of rope, and the implementation of spear-guns. This is actually all quite historically accurate.