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Raised in a Trappist monastery, the innocent Brother Ambrose sets out to find money to save the bankrupt monastery. His education in worldliness is provided by a hooker. He eventually petiti... Read allRaised in a Trappist monastery, the innocent Brother Ambrose sets out to find money to save the bankrupt monastery. His education in worldliness is provided by a hooker. He eventually petitions G. O. D. For the cash.Raised in a Trappist monastery, the innocent Brother Ambrose sets out to find money to save the bankrupt monastery. His education in worldliness is provided by a hooker. He eventually petitions G. O. D. For the cash.
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This thing cracks me up.
I saw it on TV when I was a child.
My parents recorded it and it became a staple of my viewing choices while growing up.
I only wish they would have included the original opening title theme, "Good for God".
I was very disappointed when I finally got a new video copy several years ago.
I was poised for my traditional sing-along only to be presented with a new opening title.
If anybody has the ability to see the original, I would recommend it.
Either way, the movie is good for quite a few laughs.
I saw it on TV when I was a child.
My parents recorded it and it became a staple of my viewing choices while growing up.
I only wish they would have included the original opening title theme, "Good for God".
I was very disappointed when I finally got a new video copy several years ago.
I was poised for my traditional sing-along only to be presented with a new opening title.
If anybody has the ability to see the original, I would recommend it.
Either way, the movie is good for quite a few laughs.
This flick (one of the least-seen comedies EVER, I believe) tries to be, at once, a slapstick chase comedy, an offensive religious comedy, a leering sex comedy and an expose of evangelists who exploit the faith of their naive audiences! The results are uneven, but not horrible. Apart from the much-mentioned already Andy Kaufman, there is a standout performance by Louise Lasser, as a warm-hearted hooker. Richard Pryor, as God, is underused, though. (**)
The late Marty Feldman's most notable directorial effort. The movie features an exceptional portrayal by Andy Kauffman of the Reverend Armageddon...who sports his blond pompador with great authority.
Most notable thing about the movie is the VERY clever writing. Much of the plot action is over the top slapstick, but sometimes the movie gets very sly and smart...especially when Andy is in the spotlight.
Fine funny performances from Peter Boyle and Louise Lasser.
"The meek shall inherit the earth" "Yeah, but only when the strong are through with it."
Most notable thing about the movie is the VERY clever writing. Much of the plot action is over the top slapstick, but sometimes the movie gets very sly and smart...especially when Andy is in the spotlight.
Fine funny performances from Peter Boyle and Louise Lasser.
"The meek shall inherit the earth" "Yeah, but only when the strong are through with it."
While I didn't quite know how to take the film the first time I saw it, after viewing it three different times, and letting a lot of time pass, my ripening sense of humor absolutely adored the hilarious jabs at religion - primarily Christianity - in all its contemporary marketing in the U.S. The bumbling monk from the monastery who just isn't in touch with the real world but must learn how to deal with it; the itinerant preacher in a modified flivver with a steeple and amplified speaker driving around "enticing" money from the crowds he can gather on the street; and the glowing puffery of the TV evangelist - who has more evil behind him than the good he portrays to his public. GREAT HUMOR. Well acted by Marty Feldman, Peter Boyle and Andy Kaufman. Contains a very interesting twist.
This Feldman production is not the greatest comedy ever made, but Feldman co-wrote, directed, and starred in this Feldman-at-the-Helm vehicle. It truly showcases his talents as no other movie before it had.
While it does attempt to do too much, the attempt is not a waste. Feldman merely aimed his sights at Blazing Saddles and made the attempt. It pokes fun at Christians and all organized religion, the pop-culture of the time, contemporary ideologies, the action-driven cop shows of the age, and itself. This is one of those wonderful movies which knows it's a movie and never takes itself too seriously.
Feldman is Father Ambrose is the outcast of the monastery. When the archdiocese decides they must have more money from the outside world, or shut its doors, Father Ambrose is chosen to leave the familiar world of hard benches and stone floors, and venture out in search of their salvation. Ironic in that "salvation" is supposed to be their specialty.
There are some wonderful cameos by Richard Pryor as God, Andy Kauffman, and Peter Boyle.
Along the way, Ambrose discovers what he's been missing out on all those years cloistered in a hermetic order, and processes new information which enables him to rethink his choice from an informed perspective. He finds laughter; he finds that while men are corrupt, MAN is decent at heart; and he finds himself. All in all a very endearing, if dated, work.
It rates a 6.6/10 from...
the Fiend :.
While it does attempt to do too much, the attempt is not a waste. Feldman merely aimed his sights at Blazing Saddles and made the attempt. It pokes fun at Christians and all organized religion, the pop-culture of the time, contemporary ideologies, the action-driven cop shows of the age, and itself. This is one of those wonderful movies which knows it's a movie and never takes itself too seriously.
Feldman is Father Ambrose is the outcast of the monastery. When the archdiocese decides they must have more money from the outside world, or shut its doors, Father Ambrose is chosen to leave the familiar world of hard benches and stone floors, and venture out in search of their salvation. Ironic in that "salvation" is supposed to be their specialty.
There are some wonderful cameos by Richard Pryor as God, Andy Kauffman, and Peter Boyle.
Along the way, Ambrose discovers what he's been missing out on all those years cloistered in a hermetic order, and processes new information which enables him to rethink his choice from an informed perspective. He finds laughter; he finds that while men are corrupt, MAN is decent at heart; and he finds himself. All in all a very endearing, if dated, work.
It rates a 6.6/10 from...
the Fiend :.
Did you know
- TriviaTo prepare for his role as Armageddon T. Thunderbird, Andy Kaufman practiced preaching on city streets. During filming, he never broke character.
- GoofsWhen Brother Ambrose pushes the table in at the dinner the wire used to pull it to its place is visible.
- Quotes
Armageddon T. Thunderbird: Money can't buy happiness! Only POWER can do that!
- SoundtracksGood For God
Written and performed by Harry Nilsson
- How long is In God We Trust (or Gimme That Prime Time Religion)?Powered by Alexa
Details
Box office
- Gross US & Canada
- $5,215,015
- Opening weekend US & Canada
- $2,008,150
- Sep 28, 1980
- Gross worldwide
- $5,215,015
- Runtime1 hour 37 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was La Bible ne fait pas le moine (1980) officially released in India in English?
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