La coccinelle à Mexico

It was thought the Herbie phenomenon had finally run its course with Herbie Goes Bananas. It turned out only that the franchise just took a quarter century hiatus.

In this film Herbie has been given over to Stephen W. Burns and his mechanic Charles Martin Smith by previous owner whom we all know was Dean Jones. Of course he did it without telling nephew Burns or Smith about Herbie's capabilities. A bit of time with him and they really do believe that he can win the Grand Prix at Rio.

But before that the little bug gets involved with some counterfeiters played by John Vernon, Richard Jaeckel, and Alex Rocco, a little boy who calls him OCHO played by Joaquin Garay, and the pretentious captain of a cruise ship in Harvey Korman who has the best performance in the film. Burns gets himself involved in a shipboard romance with Elyssa Davalos who is accompanied by her chaperon aunt Cloris Leachman. Korman and Leachman get a little something going themselves though what she sees in him is beyond me. Maybe she just likes the uniform.

Herbie Goes Bananas has some nice location cinematography in the Panama Canal, Tijuana, and Guadalajara in Mexico. And it has two good scenes with Herbie walking the plank as per Captain Korman's orders and later on in a corrida facing a bull with Leachman and Korman inside. The rest of the time it moves at a snail's pace, odd for a Volkswagen that's supposed to win Grand Prix events.

By the way little Joaquin Garay calls him Ocho because he adds the five and three painted on Herbie's side and that's eight in Spanish. So why didn't he just call him Cincuenta Y Tres?

Jim Douglas has long retired and has left his car to Pete Staniczek as long as he collects it from South America. So Pete and engineer Davy Johns collect the car to enter it into a race, but they first have to contend with little pickpocket Paco. Despite the look of the car, they take it on the cruise ship with them when they leave – not knowing that Paco has sneaked onboard as well to escape the wrath of one of his victims who are part of a gang planning to steal Aztec gold.

This was supposedly the final entry in the series but I suppose that the new 2005 film means that it is number 4 of 5 (so far). The characters and locations have all changed but essentially the formula is still the same – physical comedy from Herbie, romance from the driver, a crime subplot although no race as such. In this regard it doesn't do anything particularly special or go anywhere other than you expect it to, but it is inoffensive and not annoying or boring. The comedy is so-so, with plenty of Herbie action for kids (apparently they went through over 20 cars making this) and acceptable humour for adults.

The cast are mixed – in some regards they carry the movie but in others they are terrible. The lead cast are mostly poor. Burns shows how enjoyable Jones was because he is totally lacking in charisma or screen presence. Smith does his best to impersonate the usual engineer sidekick (Knotts) by mugging and pulling faces but it never gets past the stage of impersonation to become his own work. Davalos is terribly dull, although her wooden, uninspired delivery does quite compliment Burns. Garay (the third, would you believe) is OK but if you hate "cute kids" in movies then you'll hate his squeaky little performance; however I suppose it is quite cool that the car gets to act opposite an orphan – very like Chaplin. Thank goodness for the support cast then, because they do a lot of the work that the lead actors fail to do; not saying that they are that good but at least they are lively and interesting. Korman overacts with little material to work with but he is very funny at times. Leachman is a lot more by-the-numbers and not as interesting. The criminal gang don't have much to do but the faces will be interesting for adults – Jaeckel and Rocco for example.

Overall, this is a fairly obvious entry in the series but it is still enjoyable. The overuse of the kid will put many adults off because it brings out some horrible, cloying sentiment but mostly the film is lively and quite enjoyable. Children will enjoy it and adults will be able to watch it without feeling bored.

This was the last Herbie movie to my knowledge. If it wasn't the last, it was defintely the worst. What else do you call a movie when a Mexican child calls Herbie "ocho" ( he adds up Herbie famous number "53" and gets eight). Then this Mexican child does a horrible paint job and starts using Herbie to run a taxi service. In my humble opinion the only reason to watch this film is to see what sort cellouiod trash Disney was putting out before Michael Eisner took over.

I love Herbie - it's hard not to. However I can recognise how the four movies gradually get worse. This was the worst one. Now I'm not saying it was terrible, and I don't agree with a comment above that says "make the kids watch something else", but it was a disappointing effort.

The Love Bug is by far the best, closely followed by Herbie Rides Again. Herbie Goes To Monte Carlo is OK, but Bananas is not very good at all. If you're not a fan of Herbie movies, you won't like this.

5/10

Easily the weakest of the series, this is a film the Herbie franchise could have done without. Having a child as the nominal lead in an essentially adult role is a surprisingly common motif in children's movies; surprisingly, because more often than not it fails to work and it certainly fails here. Eight-year old taxi drivers? I think not, not even in Mexico. Our Paco is more annoying than lovable and I found myself rooting for the villains instead.

Clearly the writers are to blame for the mess - the cast is actually quite good, e.g. you cannot ask for much better villains than John Vernon, Alex Rocco and Richard Jaeckel, but they were fighting a loosing battle against a rotten script.

The best asset of the film is Harvey Korman who shows the right spirit, and is given the freedom to act out his madcap humour. Neither his routines nor his character fit very well into the story, but the story is so weak one does not care.