Voltan le barbare

This movie is a rare exception. After reading a lot of the reviews, I would have to say I agree with most of them. Yes, it does have bad acting, bad special effects, and bad directing but there is something about it (I can't quite put my finger on it) that makes it great!

I watch this movie every time I know it is going to be on. I guess I like what it tried to do more than what it actually did. I would honestly like to see a sequel (although too late now) done to this. They hinted toward it at the end but I guess it never came to fruition.

In summary, I would recommend seeing this movie. A rare film that is both great and bad at the same time.

Similar to the reputation Showgirls has received in the "its so bad its good" category, upon repeated viewing of this film you can only just marvel on how crap this film is. The acting is diabolical, the story is terrible and the special effects were done by the local primary school.

It is because it suffers from almost every cinematic angel it becomes entertaining to watch.

Kids will love it and adults will laugh at the semi-serious attempt in making a fantasy film with elves, dwarfs, giants (or rather the very large man from the carry on films) and a witch whose special powers include fire balls that look remarkably like ping pong balls painted in luminous colours.

I need the music sound track for this movie but I don't know where to look for it, Can anyone help?

The sets are awful, the acting abysmal.John Terry looks petulant. I still enjoyed it, though. It is a good movie to watch, wasted, with your friends yelling at the TV. I look at this film and I can't think what caused these actors to be in it, it can't have gotten them that much money but I suppose there was a sort of notoriety. The music is great, though, cheesy and inspirational. I need it for when I'm doing heroic deeds and complicated tasks. It would be good to have to play when I enter a room or come running up the street.

I like Voltan but he does strike me as phenomenally stupid. He is terminally dedicated to EVIL. He doesn't seem to want things of do anything that isn't in the cause of EVIL. I would of thought his character would like power or perhaps just to survive.

They all have a great way with words, either whispering lines or shouting them. I enjoyed the emotional characterisation from John Terry. He almost acted.

Back when this was released, when I was 9 years old and into Star Wars and Clash of the Titans and Beastmaster, a movie like this would have been right up my alley. I just saw it a couple days ago, as I am now proud owner of it on video, and let me say even now I was pretty impressed. Hawk was a very cool hero and his cohorts were all equally as unique, especially Crow the bowsman. Jack Palance puts in an over-the-top performance as Voltan (great name) the villain. I was also proud that I recognized Patricia Quinn (Magenta from Rocky Horror!) as the witch and Patrick Magee (from Clockwork Orange) as a fanatical priest who has a great little scene in the middle. The highlights: the cool rapid fire bow effects, the uzi crossbow (needs to be seen to believed), everything with Crow, the glowing elfstone sword, the hilarious disco music that swelled up whenever Hawk rides through the forest (its like Vangelis meets KC and the Sunshine Band, not kidding) and the interaction of Hawk and his friends. The lowlights: the bad acting, the crappy editing, the obvious painted matte of the abbott's castle, the slow sword fights, and the whiny nun who is way too trusting of Voltan and not of Hawk. Duh! He's saving you! Idiot.

I should say i would have overlooked all the bad points if I were a kid, anyone 7-12 would dig this flick. Overall, if you have a chance to see this, and its hard to find I understand, enjoy it for what it is and nothing more. You'll definitely get some laughs out of it at least. 8 out of 10.

Voltan is a "bad man™" who has sold his soul to the dark forces in exchange for power. With Voltan having killed his father, the only one that may be able to stop him is his own brother – Hawk (aka "The Slayer"). The Dark Lord knows this and conspires to draw Hawk into a final battle and thus defeat him. To achieve this Voltan kidnaps a nun and demands a ransom – bringing Hawk out to her aid. On his way to his battle with Voltan, Hawk meets with a small, varied group of warriors to help him in his quest.

This film takes us back to a dark time, a time of evil and madness; a time where great changes were occurring as the 1970's turned into the 1980's. It is in this time of great evil that Hawk the Slayer was thrust upon cinema audiences who endured great suffering as a result. Or maybe they didn't – maybe audiences then were a lot less fussy and ate this up but somehow I doubt it. The plot is a simple quest with the usual stuff with a group of men being formed to fight the forces of evil. So far so dull and even those who love this sort of stuff will struggle to care about the very basic plot. Attempts to create relationships and character tensions fall flat at every turn and what should have driven the bigger story just doesn't work.

Of course it doesn't help that the delivery is so very tacky. The synthesised music doesn't help as disco isn't really the music one imagines hearing when watching a swords & sorcery film; it is funny rather than atmospheric. The costumes are OK but the sets are basic and the crew are always on hand with lots of dry ice to help make it look like the forest sets have been recently hosting a rock concert. The cats are rubbish and generally wooden, although my pick of the crap goes to Palance's cry of remorse at the death of his son – it is the least emotional cry I think I've ever heard. Of course John Terry is just as bad, with his wooden delivery and regular slow motion horse riding. Bresslaw, Charleson, O'Farrell are all just as poor and it is hard at times to see the actors for the trees. Marcel directs without an idea of what he is trying to achieve – at times he is making a serious epic, others a disco adventure and then others a TV serial. The limits of the budget are obvious but not even that excuses the use of party silly string as a weapon and various other poor effect choices.

Overall then this is best summed up by the old cliché "so bad it is good" although that actually isn't really true in this case for the majority of viewers. The plot is obvious and lacking much in the way of effort or imagination. The acting is wooden and the effects are cheap while director Marcel shows us why the majority of his career since has been in UK television rather than cinema.