La formule

This is a story about a man who discovers an evil plot and risks everything to thwart the scheme. He opposes the ultimate "establishment" and is weighed and found wanting when the time comes to take the final step to expose the ruling classes' determination to keep the lower class lower and the super upper class on top. After all his risks and frustrations and dangers the invisible powers that "be" casually regain the upper hand as if nothing has happened and once again it is business as usual. The movie is a powerful subliminal civics lesson for young people. The antithesis is another Marlon Brando movie titled "Burn." I suggest you see that one also.

Exciting story about a cop involved into an international intrigue referred to high-finance, it begins from the end WWII to the present. This thriller concerns about a veteran Inspector (George C Scott), Lt. Caine LAPD, he has to investigate two murders , it leads an insidious scheme to get a formula about a secret for synthetic fuel called Genesis and he will not stop at nothing . Caine is drawn into a criminal whirlpool. He becomes unwittingly involved to Nazi plots, along with a beautiful model (Marthe Keller). Hard-noised Caine is only helped by an agent, his oriental sidekick against a mysterious organization ruled by a mean billionaire (Marlon Brando). Meanwhile suspicious start to be killed one by one. Later on, Caine gets the formula that is hidden into a safety box and is aware which the nasties know whether or no it is safe to go to pick it up.

This intriguing movie packs action, suspense ,thrills,a love story, treason, and is quite entertaining. This intense thriller holds your interest throughout, however it contains some flaws and confusion. Certainly is worth watch seeing for George C Scott's brilliant, credible performance as obstinate cop. Good secondary cast as John Gielgud , G.D. Spradlin,Marshall Thomson,Wolfgang Preiss,Richard Lynch , among others. Interesting movie but with some holes and gaps and ridiculous scenes .

The film contains adequate and atmospheric cinematography by James Crabe. Suspesnseful and long-standing score by Bill Conti, director's usual . The picture is regularly directed by John G Avildsen. He is a nice director who has mixed more karate Kid and Rocky films with such feel-good message films as ¨Power of one, or ¨ Lean on me¨. Rating : passable and acceptable, 5,5.

This film may have even more relevance today than in 1980, when it was released. Most in this country would love to be left to their own devices by marketing/consuming fuel based on American coal derivatives like those delineated in the "Genesis" formula instead of depending upon foreign petroleum. The parallels outlined here are close to today's, especially the popular theories these days that big oil is suppressing valid fuel alternative projects that would undercut their energy dominance, hence, their financial status.

Unlke some other reviewers, I thought the film moved along at a nicely orchestrated pace, making it, perhaps, a more analytical movie than a Hollywood flash-and-dash melodrama. The film follows a logical progression of events that lets the viewer absorb the contents in easy to swallow doses, that is, as long as he/she pays attention to the plot development.

I was impressed by mostly all the actors, especially Marthe Keller, who acquitted herself very well in her portrayal by staying well within her character and by her impeccable timing and fluid delivery. Mr. Brando's rather short stint in the film was punctuated by terse, cynical and penetrating dialog, playing the enterprising villain who continually cuts to the chase with large doses of street-wise metaphors. George C., as usual, is a no-nonsense good cop who only wants to see justice prevail, regardless of who gets burnt. Yet inside him, demons from the past lurk and can't help but surface from time to time: you can see it in the non-verbal communication that Mr. Scott so characteristically exudes.

Thanks to TCM for showing these kinds of films that are usually omitted on other movie channels.

Near the end of WWII, the Nazis hope to trade a truck load of secret documents for amnesty with the Americans. General Helmut Kladen (Richard Lynch) is tasked to bring the truck to the Americans at the Swiss borders. Years later, LAPD Barney Caine (George C. Scott) is investigating the murder of Tom Neeley. Neeley was the Major who intercepted the Nazi truck. With his last effort, he writes 'Gene' with his blood. Titan Oil chairman Adam Steiffel (Marlon Brando) becomes part of the investigation but he has powerful influences. Caine goes to Germany to investigate an old secret operation codenamed Genesis which he suspects is connected to the case. He uncovers a Nazis formula for making gasoline from coal which oil interests are willing to kill to bury.

This thing is slower than molasses. Director John G. Avildsen is very hit and miss. This is definitely a miss. The investigation is a grind. It reminds me of TV police procedurals of that era. George C. Scott is the only driving force in the movie. He is pushing this through only by his will power. Marlon Brando looks old and fat. He's fine as a villain and it's nice to see him. The movie isn't asking much from him.

The premise is compelling and would make a good thriller. The movie is just too slow for too long. It desperately needs more action and much better pace. It's good to see two acting icons but I wish they had a better movie to act in. I have to comment on the Nazi strip club. I don't like it not because it's controversial, but because it looks so cheesy. Like the movie, it needed better style to make something more compelling.

Released in 1980, "The Formula" is a star-studded crime/thriller about a Los Angeles detective (George C. Scott) who investigates the murder of his friend, a retired cop, which leads to Germany and a Nazi formula for synthetic fuel that big oil naturally wants to suppress at all costs. Marlon Brando plays a shady oil tycoon but only appears for roughly 17 minutes of the almost 2-hour runtime.

The film is top-of-the-line as far as cast, location, cinematography and score go. It starts off like a Dirty Harry flick substituting Scott for Eastwood with his Asian sidekick, but the plot's complicated and there's not enough action for Dirty Harry fans. The rest of the film seems like an episode of Columbo mixed with Scott's "Hardcore" (1979) where he goes undercover in Southern California investigating his daughter's disappearance.

The highlights include the WW2 & Nazi elements, acting giants Scott and Brando, the lovely Marthe Keller, the rest of the cast, the great locations (California, Germany and Switzerland) and the emphasis on dialogue above thrills, which may be a detriment to some. Regarding the Nazi elements, there's a brief strip club scene in Europe where Nazi imagery is used as a backdrop for the dancers, fittingly showing how yesterday's unspeakable horrors are forgotten by the next generation and utilized for entertainment or recreation.

Brando has proved time and again that he has a knack for playing weird, quirky characters ("The Missouri Breaks", "Apocalypse Now", "The Godfather" and "The Island of Dr. Moreau") and he does this here with his portrayal of an oil executive based on Armand Hammer of Occidental Petroleum, but with so-so results. Still, you've gotta give him credit for trying and Brando is always entertaining.

The main problem here is the convoluted plot. There are so many names it's hard to keep up. So I recommend using the subtitles as it helps you keep track. Another issue is how the fate of certain people is redundant and therefore becomes predictable (I'd say more, but I don't want to spoil anything).

So "The Formula" is a mixed bag, but its strengths outweigh it's weaknesses. It's worthwhile if you're a fan of the stars and if you're in the mood for a thought-provoking, globetrotting crime/drama/thriller that's heavy on talk and light on thrills.

GRADE: B-