Flash Gordon

American football star Flash Gordon (Sam Jones), scientist Hans Zarkov (Topol), and pretty estate agent Dale Arden (Melody Anderson) are blasted to the farthest reaches of space to fight Ming the Merciless (Max Von Sydow), the tyrannical ruler of Mongo, who has been subjecting The Earth to a series of violent attacks in the form of freak weather conditions and terrible catastrophes.

Featuring blond pretty boy Sam Jones in the title role, some of the most garish costumes in the history of cinema, cheesy dialogue galore, a catchy pop/rock soundtrack by Queen, poorly constructed props (and a few rather suggestive looking ones), marvellously hammy performances from a fine collection of cult character actors (including Department S's Richard Wyngarde, Rocky Horror's Richard O'Brien and good old Brian Blessed), and spectacularly ropey special effects (all wires clearly visible), Flash Gordon is quite possibly the most gleefully daft, over-the-top, knowingly tacky, and outrageously flamboyant sci-fi film ever made.

Don't be put off by the fact that the film is perfect for a themed night at the local gay bar, though—Flash Gordon might be camper than a row of tents, as the saying goes, but there really is something for everyone but the most joyless of movie pedants: we get fantastical floating worlds that predate those in Avatar by three decades, there's pet dwarfs, crazy laser battles, a whip-wielding dominatrix, assorted sexy bints in skimpy outfits, and even a little 'gore' (both Ming and his henchman Klytus meet nasty fates)—PLUS for every shot of our hero in a tight T-shirt or leather hot-pants, we get several of the gorgeous Ornella Muti (as Ming's sultry daughter Princess Aura) in her figure hugging red catsuit, easily rivalling Buck Rogers' Erin Gray in the sexy Spandex stakes. Melody Anderson as Dale isn't exactly ugly either, and also gets to wear some very revealing get-ups.

Hell, even Blue Peter fans are catered for, with '80s presenter Peter Duncan appearing as a tree dweller whose hand is attacked by a slimy vacuum cleaner bag with a poisonous sting in its tail. Now that's what I call entertainment!

Yes, the plot is silly, yes the dialogue is cheesy and yes, some of the special effects are badly done, but nonetheless it is great fun. Like Rocky Horror Picture Show, Congo and Jingle All the Way, Flash Gordon is a sort of guilty pleasure of mine. The costumes are quite extravagant and the sets are exotic. Then you have an irresistibly killer soundtrack from Queen, who also brought us the classics We Will Rock You and Bohemian Rhapsody. The direction is pretty good and the acting is surprisingly great. Sam J Jones is bad with his cheesiness but he was fun besides, thank goodness he wasn't bland like Justin Whalin from Dungeons and Dungeons, and Melody Anderson is charming and alluring as Dale. Brian Blessed is very hammy as Vultran but he is great fun regardless and Topol, who was so superb in Fiddler on the Roof, is memorable as Dr Hans Zarkov. And while Ornella Muti is a wonderfully witty and sexy Princess Aura, it is Max Von Sydow who walks away with the picture, pantomime of course but sinister as well and I appreciated that. Overall, not perfect and camp personified, but very enjoyable. 7/10 Bethany Cox

No other film is like this one, as Sam J. Jones plays the title character, based on the famous comic strip and early Saturday morning serials with Buster Crabbe. Max Von Sydow is the evil Ming the Merciless, ruler of Mongo, who is trying to destroy Earth because he is bored. Melody Anderson is Dale Arden, in love with Flash and coveted by Ming. Topol is Dr. Hans Zarkhov, whose rocket ship took the three of them to Mongo in the first place. Brian Blessed is extremely enthusiastic as Prince Vultan, Pre-James Bond Timothy Dalton is quite serious as Prince Barin, rival of Vultan, and in love with Ming's ultra sensuous daughter Princess Aura(Ornella Muti) All will converge in the exciting finale where Flash must save the day.

Crazy film is nonetheless great fun, no point in taking this seriously, since everything about it is intentionally over the top, punctuated by a soaring score and incredible sets and costumes. Not to be over thought or have all kinds of subtext in it, just sit back and enjoy!

The Emperor Ming (Max von Sydow) is attacking the Earth. Only former NASA scientist Dr. Hans Zarkov (Topol) seems to have foreseen it. He intends to launch himself in his rocket as a 'counter-attack'. NY Jets star quarterback Flash Gordon (Sam J. Jones) is taking a commuter flight. He survives the plane crash along with fellow passenger Dale Arden (Melody Anderson). Zarkov tricks the duo into his rocket and launches them into space. They are taken prisoner to find Ming's tyrannical rule over the various kingdoms. Prince Barin (Timothy Dalton) leads the kingdom of Arboria. Hawkman Prince Vultan (Brian Blessed) runs Sky City. Ming's daughter Princess Aura (Ornella Muti) is fascinated with Flash. Ming takes Dale as his concubine.

This is brilliantly colorful and deliciously campy. The Queen soundtrack is second to none. The acting is big but it fits the style. Parts of it goes a bit too slowly. Some scenes are very static. Even the actors move slowly as an old-fashion way to denote drama. Sometimes it needs more energy to maintain the tension. This is an unique vision and a fun watch if you don't take it seriously.

Some childhood obsessions stay with you for life, and Flash would have to be one of them. In fact, Flash Gordon, Star Wars, and Battlestar Galactica began a lifelong obsession with science fiction and fantasy in all of its good (and especially) bad forms. The above summary isn't really accurate; 20 years don't make a difference to how much I like this film, but they have changed my reasons for liking it. With hindsight, I've discovered exactly who Lorenzo Semple Jr. is, and now, fully understanding the camp elements of this film, I can still enjoy it, but on a completely new level. As for complaints about the acting of Sam Jones (who did much worse in the abysmal firefighter series Code Red) and Melody Anderson, you hire actors for what they can do, not what they can't. This is why Keanu Reeves was perfect for The Matrix, and why Arnold Schwarzenegger was perfect for The Terminator. Jones and Anderson serve the same purpose for Semple as Adam West and Burt Ward did in the Batman series; who better than someone sadly lacking in acting skills to deliver a completely ludicrous line with a straight face? Unless your name is Charlton Heston, experienced actors have a difficult time with it. Anyways, I digress. The things that first attracted me to this film still do it for me, and that would be the production values and special effects, not to mention the great soundtrack by Queen (I actually had a friend consider using Brian May's arrangement of the Wedding March at his wedding; his mother, of course, ixnayed it). This is still a great looking movie, even by today's standards, which makes me wonder if DeLaurentiis was in on the joke the whole time. All in all, a lot of fun, unless you get offended by less than faithful revisions, in which case I have to wonder about your upbringing.