The Fifth Floor

Really only one reason to see this movie, and that is the performance of Bo Hopkins. He makes almost any role he does come alive, especially a villain. I told him that, when I had the chance to meet him several years ago. He didn't exactly agree with me about his role here, but he remembered this movie, and said the production values were very good. The story is enthralling, and you squirm, because you know it can happen to you. Tension throughout, and you do get sucked in, but you feel about the same way at the end as if you drank cheap malt liquor the night before. Tired, and with a bit of a headache. But if you are a Hopkins fan, it is worth a peek.

The Fifth Floor is a fun little horror/women-behind-bars hybrid with a great cast. The story, about a go-go dancer railroaded into an asylum, is based on a truly horrifying premise: Under certain circumstances, everything you say or do can be interpreted as a sign of madness. This could've been a very dark, lurid nuthouse shocker, but, perhaps in a bid for respectability, the sleaze factor is considerably played down. The result is a lightweight cult creation that, although lacking in ferocity, still comes across thanks to good acting and a real sense of helpless fear in key scenes. Pattie Brooks sings a very catchy number called "Fly Away" in the opening disco scene. Not bad at all.

The Fifth Floor is an engaging piece of work that was much better than I expected. Using a tag line like "From the disco floor to the insane asylum" is asking for trouble but the film deserves better than that.

Dianne Hull plays Kelly, a friendly girl who works at a disco club (not sure what as!), who has a sudden seizure one night while dancing and is rushed to hospital. When it is found that she has strychnine poisoning, Kelly claims that she has been poisoned, but alas for her, no-one believes her and she is sent to a psychiatrist as a possible suicide, which, due to a few more misunderstandings, leads her to being incarcerated on the "Fifth Floor", which is a special secure ward for the insane. Can she establish her sanity and get out of the place and back to normality? What I liked about the film is that it plays the scenario of Kelly's plight out quite seriously. The more she complains, accuses the staff of lying and refuses to take treatment ( a very good performance here by Dianne Hull), the more deeply she gets herself trapped. While watching you find yourself thinking: "Yes I guess that's exactly what a mad person would do and say as well", and her plight struck me as all too believable. The biggest spanner in the works for poor Kelly is a corrupt and lascivious orderly called Carl (effectlively played by Bo Hopkins) who likes to sexually assault the younger female inmates and then blame their later accusations on hysteria. He takes a shine to Kelly and the two scenes in which he abuses her are quite unpleasant. Thrown into this are some good minor performances by the other inmates that Kelly befriends, including a pregnant girl called Cathy and a seriously unhappy and troubled woman named Melanie, played with genuine feeling and impressive intensity by Sharon Farrell.

So, although the plot is nothing new (sane person committed to an asylum by mistake), the film does a good job of handling it. Although the situation is kept small scale, you can certainly feel for the central character, and with great performances all round and a couple of rather surprisingly brutal scenes, it all goes towards making "The Fifth Floor" a place you really should visit.

'Strong supporting cast. Dianne Hull is underrated in this movie. The storyline gets a little weak towards the end when the director has to tie up all the lose ends. The ending scene pretty much wipes away most of the good acting in this film. The shock treatment scene wasn't as brutal, or dramatic as it could have been. The scenery and locations for the time were an execellent choice. If you find yourself looking to pick up an extra movie for the weekend and want something not so light or heavy, rent this. Worth the two bucks.

Its obvious that some big wigs, or maybe small wigs, decided that because One Flew Over The Cuckoos Nest was popular and that Disco was still flapping its huge collars and flares on the dancefloor, combining the two would be a hit. Well it wasn't.

I saw that because this only ended up on my radar after watching old Siskel and Ebert reviews, watching old trailers and somehow this entered my consciousness. The next day it pops up on Talking Pictures TV, so it would have been rude not to... The story is about a disco dancing student who ends up ingesting some drug which ends up with her being sectioned. The rest of the movie is her trying to prove her sanity, while being abused by various members of staff. This is many peoples idea of hell. And what I can tell you is that this is based on fact. A bunch of psychologists decided to do an experiment by pretending to be crazy in order to get sectioned. They were and nobody believed their stories about being psychologists. You can look this up.

So with a solid premise and with psychiatric input to the film, its strange that "the crazies" act pretty normal. I suppose real looking mental health patients aren't for show. What is surprising is the quality of the cast. There are so many faces that went on to be so well known in the following decade its a wonder this isn't more widely known.

The film does work in terms of engagement however and the story is well paced and executed. It obviously has some similarities to women in prison movies, but it doesn't really have the same sleaze or nudity. It is basically a disco-melodrama version of Cuckoos nest, without the same emotional punch. Although it does have a satisfying conclusion.