Le Complot diabolique du Dr. Fu Manchu

Well, it's not a masterpiece, of course, but it's far from the worst film ever made, as some of the more OTT reviewers claim. For those of us for whom Sellers is forever the arch-Goon, there is much to delight here, and the spirit of Spike Milligan hovers over the script, whether or not he had anything to do with it. Accusations of racism are quite absurd. If you really want to see a gold plated 100% cringeworthy stinker, I suggest you look no further than The Spy Who Shagged Me, beside which Fu Manchu is a real work of genius.

I'm baffled as to why so many people hate this film.

This is vintage Sellers, a return to before Hollywood got it's grip on him. I saw it in the cinema, when I was 15, and laughed my ass off.

Lovely characters, funny set pieces, familiar faces and a plot-of-sorts.

Yes it can get a little slow, but I really wish you'd go and look at some of Sellers' films of the late 50's/early 60's. THAT'S where this film belongs.

It's VERY British and enters that whole territory that includes "One of our Dinosaurs is Missing", "The Magic Christian", "Peter Cook's Hound of the Baskervilles", "The Adventure of Sherlock Holmses Smarter Brother" and their ilk. Not a bad thing really, but perhaps a minority taste. These tend to play more like extended TV sketch shows, and tend not to appeal to the majority. I mean.. flying houses?!

My irritation is the addition of Sid Caeser and Steve Franken.. WHY??? Merely to make the film sellable to the US one would imagine! They serve no purpose at all. They come across as caracture Americans.. shooting at plants and the like!

And oh boy...Helen Mirren as PC Rage.. just TOO much!! The Lady of Warrington Minge!!

It's very Goon-like, in terms of plot and characterisation: David Tomlinson as Neddie, Simon Willams as Bluebottle, Sellers as Colonal Bloodnok.... but it DOES lack Milligan's edge and drive. Descendants of this film include "The Crimson Permanant Insurance"...

What about the scene with FIVE sets of the King and Queen in the theatre box?? Hysterical...

Make no mistake though....this is a vehicle for Sellers and his characters. Sellers is in top form as the bonkers, but delightfully deadpan Nayland Smith (and his .... attachment to a lawnmower!) and the evil Fu Manchu.. "Hello boys!".... He's Dr Evil before the fact! More impeccable characters. It is, in fact, quite gutting to see how much he still had to give, just before his death, and one does wonder what would follow, given his huge profile after the completion of "Being There", his pet project for nearly 10 years.

So there you have..... my attempt to balance things a bit. If you wants full-on Hollywood Sellers.. go see the Panthers. But maybe you'd like to have a closer look at Sellers the comic actor in a pearl of the British comedy. His last.

Whilst not a Sellers classic I still feel this film did have a certain touch of Sellers genius about it. Alas it appears the majority of the reviewers here have never watched the Christopher Lee Fu Manchu films. It was such a wonderful parody that even now it has me laughing. Maybe it is because you really need to get some of the "in jokes". It also explains why this film was set in the Thirties as well ('cos the Christopher Lee ones were). So guys before criticising something try and find out why it is there. As a lover of horrors and comedies I found this a joyous blend of my favourite baddie suffering the humour of my favourite comedian. If you ever enjoyed a Christopher Lee baddie (and who didn't?) then don't miss this as a marvelous mickey taking. In fact I think it is about time to watch it again! Oh and DON'T eat Chinese food whilst watching this unless you like laughing noodles out through your nose!!!!!!

When I saw Dr.Fu began to sing before ending,I almost fell off the couch.I couldn't soon believe this is Sellers' last work.As a matter of fact,this is not a masterpiece at all.But I think this is not so bad as everyone says.I do like some gags and comic parts of this film.For example,the sequence of our familiar Cato (Burt Kwouk) who spills that mysterious medicine.Or the sequence of young delightful Robert (Simon Williams) who smashes up the mechanical spider,which is Nayland's favorite.Both scenes are done with good timing enough to make me laugh. Details are also fun;the lawn mower,two-seater bicycle,balloon house,and so on.Nonsense gags are almost surreal.If you see this film carefully (and patiently),you will become to love it.Actually I can't hate it,like mother who loves her misshapen child.

Admittedly this movie is unusual, for a start, and may not Sellers' great exit as many had hoped, but there are still incontrovertible facts that remain:

It is one of the few movies I've seen to ever ATTEMPT a throwaway trompe l'oiel, and it achieves it so smoothly and incidentally that I had to rewind it just to make sure I wasn't seeing things. (Clue: Lawnmower, Door, Bust)

The incongruity of dialogue with context was delicious! I mean how can you say a movie where "Queen Elizabeth" languorously - almost ludicrously - prepares to play her sax for Fu Manchu is a loss?

Three Words: My Chinese Buffet.

Three More Words: Japanese Elvis Show.

And the beauty is that I've told you all of this, and I've spoiled absolutely none. Try not to bash it for what it is not, because there is a GREAT deal to what it is.