Lady kung fu

This film is a fine example of why the Shaw Brothers are among the finest directors (probably the best in the Kung Fu category). The movie is well paced, the story is excellent and intriguing, and while the humor may not be in your face, it is nested within the character interactions. Once the story builds up, and the characters begin to assess the situation does the whole tower come crashing down in one of the best fight scenes (tiger, crane and crab Hung Gar are very present). There is even a scene that mocks 18th century Western social events, and ends with clever and entertaining fighting. The movie ends with a sudden, cheesy moment, but if you are a fan of the Shaw Brothers, you'll understand that the cheese is just a topping, and not the main course of the movie.

If you're looking for a kung-fu action movie, look elsewhere. While there are fighting scenes, the film revolves around its provincial protagonist, who struggles to find her way in Americanized Canton. Unlike most "kung-fu comedies," the action scenes are used to reinforce the comedy, instead of the other way around.

Cheung Booi is a statement about the farcical nature of kung-fu movies, where the stars always seem to find some reason to fight. Instead of some grand drama about honor and respect, minor misunderstandings cause the characters to yell at each other and start beating each other up.

My Young Auntie, as it's known in the West, is the story of Cheng Tai-nun, played by Kara Hui, who is a young woman who marries an elderly landowner to keep his holdings from falling into the hands of his greedy and corrupt brother. After he dies, she moves to Canton to live with her nephew, played by director Lau Kar Leung, and his son Ah Tao, played by Hsiao Ho.

The basis of the irony is that although Cheng is the same age as Ah Tao, her manner is more akin to her status as his step-great-aunt. While Ah Tao speaks English (extremely poorly), plays the guitar and goes to costume parties, Cheng utterly fails when she tries to adapt to her lifestyle in Canton, complete with makeup, revealing gowns, high heels and dance scenes.

What makes this movie great is its realization. Lau Kar Leung is perhaps one of the greatest, if not the greatest director of his generation in Hong Kong, and Kara Hui won "Best Actress" at the first Hong Kong Film Awards in 1982. Also, this is arguably Hsiao Ho's finest performance. His chemistry with Hui is remarkable, and although he went on to have a storied career in kung-fu comedies, often working alongside Sammo Hung, he has the perfect combination of athleticism and comedy. As the romantic tension and intrigue build in the second half of the movie, his entire countenance changes. No longer does he easily jaunt through life without a care in the world. He becomes the straight man and his cohorts the Kramer, Elaine and George.

My one complaint is how suddenly the comedic aspects of the film die off during the conclusion. The film transitions from outright farce to dramatic intrigue with little but a change in incidental music. But there is a certain symmetry in it. The film begins focused on the intrigue, focused more on Lau Kar Leung's character, and it ends that way, too. But the final scene returns to the movie's comedic roots, giving conclusion to both aspects of the film.

Liu Chia-Liang's 1981 martial arts action-comedy is a rather unusual entry in the Shaw Brothers Studio output of kung-fu kick-'em-ups released in the '70s and '80s. "My Young Auntie" has a very strong emphasis on slapstick comedy - which stretches a lot further than I think the material really allows it to - over elaborately staged fighting sequences, which don't really come into play until the film's last half-hour.

Until then, the audience has to sit through a lot of familial comedy, which does not always work, and can make the film a drag. (It's 124 minutes in length, according to the official runtime on the Dragon Dynasty DVD, but it actually clocks in somewhere around 119 minutes.) Even I found the slapstick comedy to bring the film to a halt in some places, which is sometimes alleviated by a well-choreographed, if slapstick, fight scene, which seems more in the vein of Jackie Chan.

But even in the midst of it all, we get one of the very best performances out of its lead actress, who became one of the more noteworthy female martial arts action stars of her era. In the film, Tai-Nan Cheng (Kara Hui, credited here by her birth name, Hui Ying-Hung) is the dedicated servant of a dying elderly patriarch who marries him to prevent his inheritance from falling into the hands of his greedy brother Yu Yung-Sheng (Wang Lung-Wei). And of course, she butts heads with her new in-laws, even as she continually clashes with Yu Yung-Sheng's band of hired martial arts-trained hoodlums.

"My Young Auntie" primarily suffers from an overly long running time, which causes the slapstick comedy bits to wear themselves out pretty quickly and leaves you waiting for the fighting to begin. Perhaps if "My Young Auntie" was shorter, this could have worked. But what keeps you watching, really, is the dashing lead performance of Kara Hui, who had no prior martial arts background (she was a dancer), but relied on her physicality and grace to aid her in the film's fight scenes. And this also means that she is a great actress, too, and is easy on the eyes. In short, Kara Hui really carries this film.

All in all, if you're in the mood for a kung-fu movie that's slightly different from so many of the others, then give "My Young Auntie" a spin - if for nothing else, to watch Kara Hui in action.

7/10

MY YOUNG AUNTIE (1981) is a clever Hong Kong comedy incorporating kung fu battles, starring and directed by master kung fu director Lau Kar Leung (aka Liu Chia Liang), who takes a break here from more intense kung fu fests like THE 36TH CHAMBER OF SHAOLIN and EXECUTIONERS FROM SHAOLIN. The story, set in the early 20th century, involves a dispute over family property after Lau is visited by the very pretty young widow (Kara Hui Ying Hung) of his aged uncle. Because of her status as the wife of the eldest family member, she's considered the senior member and the others defer to her. (She also knows kung fu.) When another, greedier relative, played by perennial villain Wang Lung Wei, disputes the will, this leads to a major kung fu battle between Lau and Wang. Appearing in a comic supporting role as a guitar-strumming college boy is Gordon Liu.

Much of the comedy arises from country bumpkin-in-the-big city-type gags as the young widow, newly arrived from the rural countryside, tries to fit in. At one point, she buys a whole new outfit, overdressing in a fancy white gown, high heels and jewelry, but she winds up getting into a kung fu fight anyway. At one point the college boys stage a costume ball: Kara goes as Marie Antoinette, while her great nephew, played by Hsiao Hou, who's the same age as her, goes as Robin Hood. Gordon Liu is one of the Three Musketeers and gets into a sword fight with a couple of thugs dressed as musketeers also. It's all a lot of fun, as long as you don't mind the comedy upstaging the kung fu for a change.

I am a Shaw Brothers fan, but they made some standout great movies, and some crappy waste of time movies. I had to force myself to log on to IMDb after watching this garbage trash of a film just to not make the mistake of watching it again by accident. If I remember the title of this movie 10 years from now it would only be because of how bad it is.

Challenge of the Masters is another one I remember but being a waste of time.

My favorite SB movies so far are:

Mad Monkey Kung-Fu Return to the 36th Chamber Clan of the White Lotus Legendary Weapons of China Heroes of the East Executioners from Shaolin

Any one of those movies if you have not seen them already is worth watching over this one because they have more substance and better fight scenes. This one movie is purely about fighting (as are some other SB films I don't like- and the fighting is unrealistic and has dislikable choreographed fights)